Writer and director Tara Miele joins host Katie Walsh this week to discuss 1990’s massive hit, Ghost. Tara explains the connection between this film and her latest movie, Wander Darkly, and how both explore the space between life and death. She goes on to tell the story about the horrific car accident she and her husband were in that inspired her movie. Tara talks about the casting of Diego Luna and how she was influenced by his reaction to the Mexico City earthquake. She also elaborates on the importance of casting people of color in lead roles. And, at the end of the interview, Katie, Tara, and possibly the listener, gain an appreciation for the earnestness of Ghost and films of its ilk.

You can watch Wander Darkly on VOD now.

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If you haven’t seen Ghost – c’mon, you gotta.

With Katie Walsh and Tara Miele.

Katie Walsh returns to take over hosting duties this week, and she is joined by the truly talented filmmaker, Channing Godfrey Peoples. The movie that Channing has chosen to discuss is Pedro Almodóvar’s classic, Volver. Channing elaborates on the relationship between Almodóvar’s film and her latest, Miss Juneteenth. She explains how both movies are about the struggles of women and the work that women do in order to survive. Channing also chats about the writing of her film, how it was written in a Texan dialect, and how there are specific differences between the way people talk in Fort Worth and Houston. And lastly, Channing covers the importance of naming her film Miss Juneteenth.

You can watch Miss Juneteenth on VOD now.

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If you haven’t seen Volver – c’mon, you gotta.

With Katie Walsh and Channing Godfrey Peoples.

This week’s episode is truly one of our most powerful…and, of course, the film being discussed is Jackass: The Movie. April is joined by cinematographer and director Kirsten Johnson, recording from her closet in New York City. Kirsten has so many poignant and beautiful observations about pain, the body, life, and death. And she somehow connects it all back to Jackass and her latest film Dick Johnson Is Dead. In her latest film, Kirsten explores mortality and the impending death of her ailing father by staging him in a series of comical fake death scenes. Throughout the course of the episode, discussing this film allows April to open up about the recent passing of her own grandfather who raised her. This episode is funny, touching, heartening, life-affirming, and incredibly gripping. Share it with a loved one.

You can watch Dick Johnson Is Dead on Netflix now.

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If you haven’t seen Jackass: The Movie – c’mon, you gotta.

With April Wolfe and Kirsten Johnson.

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This week we are joined by the phenomenal writer and director Zeina Durra. She’s on the program to discuss Michelangelo Antonioni’s The Passenger. Zeina elaborates on how this film influenced her latest movie Luxor. She goes on to discuss the production of her most recent movie, shooting in Egypt, and how cigarette breaks almost sabotaged her production schedule. Zeina also chats about her research in making the film, interviewing nurses on the Jordanian/ Syrian border and hearing the horrific, literal “Sophie’s Choice” situations that women face in the region. Lastly, she talks about showing The Passenger to her children and how Disney has destroyed their movie palettes.

Luxor is available on Digital and On Demand December 4th.

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If you haven’t seen The Passenger – you should!

With April Wolfe and Zeina Durra.

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This week we are joined by the celebrated writer and director Alice Winocour. She calls in from Paris to talk about David Cronenberg’s A History of Violence. Alice and April dissect the film and admire Cronenberg’s craft of layering intricate depth on top of a simple story idea. Alice points out the “69-ing” sex scene in particular and explains how it inspires her to create images that she has never seen before. She also discusses how being a mother influenced her latest space drama, Proxima. And lastly, Alice talks about working with Eva Green, and how Eva claims to be from another planet.

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You can watch Proxima on VOD now.

If you haven’t seen A History of Violence – you should!

With April Wolfe and Alice Winocour.

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This week we are joined by the fabulous actor Celeste O’Connor to dissect Boots Riley’s new classic, Sorry to Bother You. Celeste and April discuss the risks that Tessa Thompson took by doing this particular movie, and how Celeste felt they were taking a similar risk in accepting the role of Nyla in Freaky. Celeste also covers larger topics like expanding beyond stereotypical Black representation in film, and how they are so tired of being offered “slave roles.” Celeste elaborates on this point and has a lot to say about telling stories about Black people that don’t just cover their own personal trauma. Plus, Celeste talks about their time making Freaky, hitting (and hurting) another actor in the head with a prop frying pan, and the joy of working with Vince Vaughn.

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You can watch Freaky in select theaters now.

If you haven’t seen Sorry to Bother You – you should!

With April Wolfe and Celeste O’Connor.

Please you promo code: Switchblade at kittypooclub.com for 20% off.

We have the wonderful filmmaker Terrie Samundra on the show this week. She’s the co-writer and director of Netflix’s new horror Kaali Khuhi. And she’s here to discuss and analyze 2016’s zombie classic, Train to Busan. She and April gush about all the things they love about this movie, down to the fascinating zombie choreography. They then move on to discuss Terrie’s career and the expectations that go along with being an Indian filmmaker. Terrie talks about how she is so tired of the fact that every movie shot in India uses an orange and yellow filter. Plus, Terrie also reveals that in Los Angeles everyone assumes she’s going to make movies about identity and the immigrant experience, which is why she finds genre filmmaking so freeing.

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You can watch Kaali Khuhi on Netflix now.

If you haven’t seen Train to Busan – it’s good!

With April Wolfe and Terrie Samundra.

Please you promo code: Switchblade at kittypooclub.com for 20% off.

It’s the perfect week to call upon the collected power of a coven. This is why we are delighted to have as a guest, the director of The Craft: Legacy, Zoe Lister-Jones. She’s on the show to talk about a new classic, Jennifer Kent’s The Babadook. Zoe discusses making her first “genre” film and grounding the film in emotional truth. She even reveals that she drew inspiration for the script from being raised by her single mother and having to interact with the men that her mother brought home. Zoe also talks about her terror of “Men’s Rights Activists” and how that influenced The Craft: Legacy. She elaborates on how her experience as an actor has helped her directing career and admits that, as an actor, we “can be difficult.” Plus, Zoe hammers home the importance of earning the trust of every person working on set or else, as she states, “you’re fucked.”

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You can watch The Craft: Legacy on VOD now.

If you haven’t seen The Babadook – c’mon!

With April Wolfe and Zoe Lister-Jones.

We are joined by a truly thoughtful and talented writer, Olivia Dufault. You may know her work from writing on the shows Legion and Preacher. But she also has a new movie out called The True Adventures of Wolfboy, about a young “Wolfboy” who is on the lam in search of his estranged mother. Olivia is on the show this week to talk about a similarly fantastical film, The City of Lost Children. She and April dive deep into the human elements of the movie, as well as the freedom that comes with working in genre cinema. Olivia also talks about the relationship between writing the script and actually realizing the crazy things the writer wrote. And she reveals the importance of strange-looking actors and reclaiming the word “freak.”

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You can watch The True Adventures of Wolfboy on VOD now.

If you haven’t seen The City of Lost Children – it’s wonderful!

With Olivia Dufault and Olivia Dufault.

This week we have an emerging artist who has created a truly unique and original debut film. We have writer, director, and actor Grace Glowicki, whose debut feature Tito can now be seen on Amazon Prime. She’s calling into the show from Canada to discuss John Carpenter’s The Fog. Grace and April dissect the creativity and ingenuity that went into the creation of Carpenter’s film. And Grace relays the struggles that she had with Tito. Grace reveals that the movie was really shaped in post and that the original monsters were removed from the film entirely. She goes on to discuss other innovative solutions that occurred on set, like making a barf machine out of a beer bong. And she also speaks to fighting the urge to be a “total dictator” when it comes to creative control, and how it’s best to only be “partially a dictator.”

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You can watch Tito on Amazon Prime now.

If you haven’t seen The Fog – it’s fun!

With April Wolfe and Grace Glowicki.