Drake and Adele are two megastars who may not seem to share much in common on the surface, but their recent hits exhibit some surprising parallels. Both revisit past relationships over the phone and both conceal inner anguish beneath subtle musical shifts. Featuring special appearances by the game Snake, Lord Byron and Drake and Adele themselves*, you don’t want to miss this episode. Plus, we check in with Justin Bieber as he completes his epic existential pop suite. For more songs about love on hold, check out our Spotify playlist. And check out Sean Rameswaram’s final episode of Sideshow on Studio 360. Featuring Drake – Hotline Bling Adele – Hello Timmy Thomas – Why Can’t We Live Together Justin Bieber – Sorry Jack Ü – Where Are Ü Now? Justin Bieber – What Do You Mean? Breakmaster Cylinder & Charlie Harding – Why Am I Here? *not really 

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As much as we might have crazy love for pop music, pop music also loves to drive us crazy. Earworms that grab you and won’t let go; cookie-cutter compositions that bedevil in their unoriginality; strange new sounds that vex, rankle, confound. How does pop music possess the unique ability to get under our skin? We pull apart some of the stickiest songs to try and find out. And listen to our playlist of songs that drive you mad on Spotify. FEATURING The Fine Young Cannibals – She Drives Me Crazy The Backstreet Boys – I Want It That Way Katy Perry – California Girls Kesha – Tik Tok Mozart – Piano Concerto No.20 in D minor, K.466 Grady Smith – Why Country Music Was Awful in 2013 Grady Smith – Country Stars Who Don’t Like Their Own Records Fletcher Hederson – The Stampede Skrillex – Bangarang Elvis Presley – Jailhouse Rock Kylie Minogue – Can’t Get You Out Of My Head 

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Bieber’s two new hits, “Where Are Ü Now” and “What Do You Mean,” showcase the prodigal pop star’s soberer side. In each, his realization of the fictive nature of relationships is musicalized through slippery piano chords and disembodied voices. But just two songs does not make a true existential suite, so we collaborated with the mysterious Breakmaster Cylinder to propose a third stanza for Bieber’s epic poem of love and loss. FEATURING Jack Ü – Where Are Ü Now (ft. Justin Bieber) Justin Bieber – What Do You Mean Justin Bieber – Boyfriend Mark Ronson – Uptown Funk Want to finish Justin Bieber’s trilogy? Listen to “Why Am I Here?” and download the track on Breakmaster Cylinder’s Soundcloud. Then, record your vocal and send it to [email protected]. We’re looking at you Justin. 

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The Weeknd’s deliriously funky chart topper “Can’t Feel My Face” has sparked sweat-soaked dance sessions across the country, but dark notes lurk at the outskirts of this ebullient jam. Chromatic intrusions and Classical laments crowd the scene and invite more clandestine interpretations. What’s this song really about? The secret lies in the scale. FEATURING The Weeknd – Wicked Games The Weeknd – Earned It The Weeknd – Can’t Feel My Face L’Arpeggiata – Monteverdi ‘s Amor (Lamento Della Ninfa, Rappresentativo) Skrillex & Diplo – Where Are Ü Now (with Justin Bieber) * You can find more deceptively addictive songs in our Spotify playlist. **Alex Ross’s great chapter on the long lineage of the Lament is indispensable. Find it in his book Listen to This and a précis of it at his blog The Rest is Noise. 

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The sax is back. This surprisingly funky reed keeps popping up in pop hits from Derulo to Grande. But where did the sax come from? And where did it go? Tighten your embouchure, because we journey to the center of sax in this week’s episode. Also, songs featured in this episode and other great sax tracks are in our Spotify Playlist. *In this episode we incorrectly identified Mr. Sax’s home country as Germany (face palm). He was a native of Belgium. Our apologies to the Sax family. FEATURING Katie Perry – Last Friday Night John Coltrane – Giant Steps M83 – Midnight City Bill Clinton on Arsenio Hall Ariana Grande – Problem Flo Rida – GDFR WAR – Low Rider Bruce Springsteen – Born To Run Gerry Rafferty – Baker Street George Michael – Careless Whisper George Gershwin – Rhapsody In Blue conducted by Leonard Bernstein Jules Demersseman – Fantasie Sur On Theme Original Louis Armstrong and His Hot Five – Muskrat Rumble Fletcher Henderson – Stampede Duke Ellington – Prélude To A Kiss King Curtis – Sister Sadie Sonny Rollings – St. Thomas Jason Derulo – Talk Dirty The Klezmer Lounge Band – Hava Nag ila Dr. M. Balamuralikrishna – Bhajare Sriramam – Vakulabharanam Sami Shawa – Jordan – Mawam Bayati Selim Sesler & Orchester – Saniye’m Spanish Tapas Bar, Vol. 2 – Malaguena Balkan Beat Box – Hermetico Fifth Harmony – Worth It Too Many Zooz – To The Top The Weeknd – Can’t Feel My Face 

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Can you be a country star and critical of the country at the same time? Grammy Award Winner, Kacey Musgraves, has two hit albums that challenge the small-town clichés of modern country music. Is she bucking the trend of big trucks and dirt roads, or embracing an old tradition of transgressing social norms? To answer […] 

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In the first-ever LIVE edition of Switched on Pop, Charlie and Nate enter an epic debate over what track should be crowned 2015’s definitive Song of Summer. Charlie’s candidate is the retro anthem “Shut Up and Dance” by Walk the Moon, while Nate argues for Jason Derulo’s hot and heavy “Want to Want Me.” Meanwhile, the studio audience on Block Island has their own ideas about what makes a true Song of Summer, raising the stakes even higher. Who will emerge victorious? Only one song can beat the heat and rule the dog days of August. You don’t want to miss this epic Summer Jam Showdown. 

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Fetty Wap’s Trap Queen is an unlikely contender for the top 10. It straddles genres between hip-hop and pop in subtle yet mesmerizing ways. Is it a drug song? Is it a love song? Or is it both at the same time? Join us to find out why you can’t get this ear worm out of your head. FEATURING Fetty Wap – Trap Queen Dr. Dre – Still Dre Peter Gabriel – In Your Eyes 

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One Direction is one of the biggest bands in pop, but unless you’re a preteen or the parent of one, like us you’ve probably never heard a second of their music. Until now. Let’s see if we’ve been missing out, on the latest from Switched on Pop. FEATURING One Direction – Story Of My Life One Direction – What Makes You Beautiful One Direction – Live While We’re Young One Direction – You And I One Direction – Night Changes The Wanted – Glad You Came Alessandro Moreschi (The Last Castrato) – Ave Maria 

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How does a good pop song end? With a bang, right? As it turns out, explosive endings are kinda over. Songwriters are instead opting to end with a final dropout. Even the biggest pop anthems close with a quiet final moment. In this musical short, Nate, our resident musicologist, offers some theories as to why. FEATURING Taylor Swift – Blank Space One Republic – Counting Stars One Direction – Kiss You Rihanna – Don’t Stop the Music Mozart – Symphony No.41 in C K.551 “Jupiter” 4. Motto Allegro Taylor Swift – Trouble Lady Gaga – Alejandro 

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