This week on Take Four Books, presented by James Crawford, the Northern Irish writer Eoin McNamee talks about how he fictionalised elements of his own life for his new novel - The Bureau - which centres around a backstreet Bureau de Change that becomes a money laundering operation, frequented by rogue lawyers, crooked policemen, criminal gangs and two doomed lovers – Paddy and Lorraine. The book fictionalises real characters and events including a kidnapping that took place in Eoin's own family. During the course of the episode Eoin explores his new book's connections to three other literary works. His choices were: In Cold Blood by Truman Capote from 1966; The Glass Essay by Anne Carson published in 1995; and Milkman by Anna Burns from 2018.

The supporting contributor for this episode was the award-winning writer Louise Kennedy.

Producer: Dominic Howell

Booker-shortlisted writer David Szalay talks to presenter James Crawford on Take Four Books this week about his new novel, Flesh, and the three other works that inspired its creation in some way. In a pared back style, Flesh, follows the life of its protagonist, István, who at fifteen years old has an affair with an older woman, the consequences of which leave a lasting impression on his life. After finishing up in the army, István leaves Hungary and moves to London, where he ends up becoming accustomed to a vast amount of wealth and luxury, but circumstances change yet again, and he returns to the place where it all began, unable to shake off the emotional weight of his experiences. For his three influences David chose: Ultraluminous by Katherine Faw published in 2017; Jacob’s Room by Virginia Woolf from 1922; and Lord Jim, by Joseph Conrad from 1900.

The supporting contributor for this episode was the writer and creative writing lecturer at the University of Strathclyde, Andrew Meehan.

Producer: Dominic Howell

This is a BBC AUDIO SCOTLAND production.

Take Four Books, presented by James Crawford, talks this week to the Irish writer Eimear McBride about her new novel - The City Changes Its Face - and the three other works that have helped to shape it. Eimear's new book takes us to London in the 1990s and draws us into the passionate and intense relationship of Eily and Stephen - two characters who also feature in her previous novel The Lesser Bohemians (2016). Eimear's choices for her episode include: the song lyrics of Scott Walker and specifically the song Sleepwalkers Woman from 1984; Venice Preserved by Thomas Otway from 1682; and The Lover, by Marguerite Duras from 1985.

Producer: Dom Howell

This was a BBC Audio Scotland Production.

Presenter James Crawford speaks to twice-Booker-nominated Chinese-Malaysian author Tash Aw about his latest novel, The South, and the three works that helped shape its creation.

Set during a scorching summer on drought-stricken farmland in rural Malaysia, The South follows protagonist Jay in a coming-of-age story about a family navigating a period of profound change.

Tash Aw’s chosen influences were Giovanni’s Room by James Baldwin (1956), Uncle Vanya by Anton Chekhov (1897), and The Sea Wall by Marguerite Duras (1952).

The supporting contributor was Dr Bea Hitchman, author, and lecturer in Creative Writing at the University of Brighton.

Presenter James Crawford speaks with multi-award-winning, Booker-longlisted French author Laurent Binet about his latest novel, Perspectives, and the three other works that influenced its creation.

Set in 16th-century Florence, the novel follows an investigation into the mysterious death of a renowned painter, found lying on a church floor with a fatal stab wound to the heart. Above him, the masterpieces he dedicated over a decade to completing. But who is responsible for his murder?

Laurent’s influences were: Dangerous Liaisons by Pierre Choderlos de Laclos (1782); The Story of my Escape from the Prisons of Venice by Giacomo Casanova (1788); and The Florentine Histories by Niccolo Machiavelli (1532).

The supporting contributor was poet, translator and lecturer in Creative Writing at Loughborough University, Dr Kerry Featherstone.

Producer: Rachael O’Neill

Presenter James Crawford speaks to the writer Susan Barker on Take Four Books this week about her new novel, Old Soul, and the three other works that have helped to shape its creation. Susan's new book, published by Penguin, is made up of seven testimonies that cross centuries and continents, but they have one thing in common - a beguiling woman, who is much older than she looks, and leaves a trail of death and disappearance in her wake. The books Susan chose for her episode were: Under The Skin by Michel Faber (2000); Ghostwritten by David Mitchell (1999); and Cat's Eye by Margaret Atwood (1988).

The supporting contributor was the writer and Strathclyde University Creative Writing lecturer, Rodge Glass.

During the episode, a short clip of the audiobook version of Under The Skin is played. The publisher is Canongate Books Ltd.

Producer: Dom Howell

This week Take Four Books, presented by James Crawford, talks to best-selling author Emma Healey about her new book – Sweat – and the three books that inspired its creation. Emma’s choices were: Dare Me by Megan Abbott (2012); Ghost Wall by Sarah Moss (2018); and The Harpy by Megan Hunter (2020).

This week Take Four Books, presented by James Crawford, talks to the award-winning Australian writer Michelle de Kretser about her new novel - Theory & Practice - and its three key influences. Michelle's choices were: the diary of Virginia Woolf from 1932; Ali Smith’s The Accidental from 2005; and Shirley Hazzard’s The Transit of Venus, from 1980.

Producer: Dom Howell

The award-winning travel writer and novelist Paul Theroux talks to Take Four Books about his latest short story collection - The Vanishing Point - and explores three other works that have helped to shape his writing. Paul's choices were: A Simple Heart by Gustave Flaubert (1877); Two Brothers by V S Pritchett (1932); and Riders In The Chariot by Patrick White (1961).

Producer: Dominic Howell

This week Take Four Books, presented by James Crawford, speaks to the award-winning writer Jonathan Coe about his new novel - The Proof Of My Innocence - and explores its connections to three other literary works. Jonathan's three influencing texts were: The Pledge by Friedrich Durrenmatt; Good As Gold by Joseph Heller; and Unexplained Laughter by Alice Thomas Ellis.

Producer: Dom Howell