Young guy writes a Substack piece about his favorite author, Cormac McCarthy. It gets a few reads, and turns out that one of those readers knows old Cormac and actually reads him the piece. In fact, she’s known and loved old Cormac for 40+ years. She corresponds with the young guy and eventually decides he’s the right person to tell her story, which is a love story that began almost half a century ago, when she was a homeless 16 year-old girl who randomly met a not yet famous author in his 40s sitting by the pool at a run-down motel in New Mexico. Crazy, wild love story/lifelong friendship commences. Young guy writes this forbidden love story, publishes it in Vanity Fair in prissy, easily offended 2024, and all hell breaks loose.

Vincenzo’s Substack is here. Vincenzo’s professor’s Substack is here.

Dare to join us in Montana this summer!

If you’re gonna buy stuff on Amazon, please use this link.

Intro music “Brightside of the Sun,” by Basin and Range. “Star People,” by George Michael. “Come on in My Kitchen,” sung by Chris Thomas King.

A few of the questions I ponder in this one: How can we distinguish what’s true for me from what’s just true? How can we tell when the shit’s hitting the fan? Is it always hitting the fan? When is a dress not a dress? How is a bikini like “the N-word?” Was Trump inevitable? Do we choose our world, or are we just observers?

Intro music “Brightside of the…

What does it mean to be a “consenting adult?” (Thoughts on the Neil Gaiman mess.)

Why podcast?

David Milch: “People who are unable to turn their wishes into passions … sit passively in mute outrage, anticipating disasters.”

The original article accusing Gaiman is here. Kat Rosenfield’s thoughts are here. Information about the Becoming Uncivilized event is

This conversation was originally recorded in September, 2018, when Theo was famous, but not yet FAMOUS. We talked about his recent trip to China, whether mental health issues can be considered a luxury, the ethics of sleeping with married women, Louis CK’s fall from grace, obscure masturbation techniques, and the strangeness of fame. The main thing I felt re-listening to this conversation was just how real Theo was/is. He seems to instinctively understand the power of vulnerability. No pretense with this guy.

Intro music “Brightside of the Sun,” by Basin and Range. “Big Time,” by Peter Gabriel. Outro: “Party at the End of the World,” by Carsie Blanton.

Cameron has been studying and sharing martial arts, yoga and mobility for over 30 years producing hundreds of highly skilled teachers world wide. He currently lives and runs Budokon University Montana with his wife Budokon University Director Melayne Shayne.

Come decivilize yourself with us in Montana this summer. More info h…

Pete and I entertain a few questions and we talk by the fire. Among them: What is soul? Is there a purpose in learning these lessons as we get older? Are silence and solitude necessary components to the soul’s maturity? Are silence and solitude even available in a world overrun by the “attention economy?”

Some stuff I didn’t get to yesterday. Who was inside Aubrey Plaza’s consciousness, watching her have a stroke? Do podcasters like Rogan and Theo Von have a responsibility to change what they do in light of their massive audiences?

Intro music “Brightside of the Sun,” by Basin and Range. Outro: “That’s What I Got,” by Marcelo D2.

A few of the issues stumbled over: The complicated ethics of revenge against a corporation. Yet more evidence that we don’t live in the real world. On old creeps like Woody Allen, Cormac McCarthy, and me. And more!

Here’s the article about Cormac McCarthy I mentioned and the response from The Guardian.

Here’s that holiday Amazon link.

Intro music “Brightsi…

— Responses to comments on the Wim Hof thing.

— Is football like sex work?

— How to behave in the End Times.

— A few words in defense of Woody Allen and Joe Rogan.

— The night Daryl Hanna asked me to sign a copy of Sex at Dawn.

Intro music “Brightside of the Sun,” by Basin and Range. “Party at the End of the World,” by Carsie Blanton. “Accidentall…

Meet me in the kitchen! Anger vs gratitude. The perverse appetite for disaster. Who are we to judge?

Intro music “Brightside of the Sun,” by Basin and Range. "Roll the Bones,” by Shakey Graves. “Watch it Fall,” by Billy Strings.

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