With Marvel's "America Chavez," Gabby Rivera wrote a new kind of superhero -- one who can punch portals into other dimensions while also embracing her gentle, goofy, soft side. In a funny, personal talk, Rivera shares how her own childhood as a queer Puerto Rican in the Bronx informed this new narrative -- and shows images from the comic book that reveal what happens when a superhero embraces her humanity. As she says: "That myth of having to go it alone and be tough is not serving us."

With Marvel's "America Chavez," Gabby Rivera wrote a new kind of superhero -- one who can punch portals into other dimensions while also embracing her gentle, goofy, soft side. In a funny, personal talk, Rivera shares how her own childhood as a queer Puerto Rican in the Bronx informed this new narrative -- and shows images from the comic book that reveal what happens when a superhero embraces her humanity. As she says: "That myth of having to go it alone and be tough is not serving us."

With Marvel's "America Chavez," Gabby Rivera wrote a new kind of superhero -- one who can punch portals into other dimensions while also embracing her gentle, goofy, soft side. In a funny, personal talk, Rivera shares how her own childhood as a queer Puerto Rican in the Bronx informed this new narrative -- and shows images from the comic book that reveal what happens when a superhero embraces her humanity. As she says: "That myth of having to go it alone and be tough is not serving us."

How does Hollywood choose what stories get told on-screen? Too often, it's groupthink informed by a narrow set of ideas about what sells at the box office. As a producer, Franklin Leonard saw too many great screenplays never get made because they didn't fit the mold. So he started the Black List, an anonymous email that shared his favorite screenplays and asked: Why aren't we making these movies? Learn the origin story of some of your favorite films with this fascinating insider view of the movie business.

How does Hollywood choose what stories get told on-screen? Too often, it's groupthink informed by a narrow set of ideas about what sells at the box office. As a producer, Franklin Leonard saw too many great screenplays never get made because they didn't fit the mold. So he started the Black List, an anonymous email that shared his favorite screenplays and asked: Why aren't we making these movies? Learn the origin story of some of your favorite films with this fascinating insider view of the movie business.

How does Hollywood choose what stories get told on-screen? Too often, it's groupthink informed by a narrow set of ideas about what sells at the box office. As a producer, Franklin Leonard saw too many great screenplays never get made because they didn't fit the mold. So he started the Black List, an anonymous email that shared his favorite screenplays and asked: Why aren't we making these movies? Learn the origin story of some of your favorite films with this fascinating insider view of the movie business.

Over the course of her fearless career, extreme action specialist Elizabeth Streb has pushed the limits of the human body. She's jumped through broken glass, toppled from great heights and built gizmos to provide a boost along the way. Backed by footage of her work, Streb reflects on her lifelong quest to defy gravity and fly the only way a human can -- by mastering the landing.

Over the course of her fearless career, extreme action specialist Elizabeth Streb has pushed the limits of the human body. She's jumped through broken glass, toppled from great heights and built gizmos to provide a boost along the way. Backed by footage of her work, Streb reflects on her lifelong quest to defy gravity and fly the only way a human can -- by mastering the landing.

You don't have to work on Broadway to design a set, says creative director David Korins -- you can be the set designer of any space in your life. Sharing insights from his work on hits like "Hamilton" and "Dear Evan Hansen," Korins offers a three-step process to start creating the world you want to live in.

Inspired by the events of Hurricane Katrina in 2005, TED Fellow Camille A. Brown choreographed "New Second Line," a celebration of the culture of New Orleans and the perseverance of Black people in the midst of devastation. The performance borrows its name from the energetic, spirited people who follow the traditional brass band parades for weddings, social events and, most notably, funerals in New Orleans. "It honors our ability to rise and keep rising," Brown says. (Music includes "New Second Line" by Los Hombres Calientes featuring Kermit Ruffins)