Melvyn Bragg examines the social and aesthetic impact of the Avant Garde and discusses whether it has failed in making painting relevant in the 20th century.Avant-garde is in the dictionary as 'anything that is in the forefront of new developments in their media'. Jackson Pollack in the 1960s was seen as one of the leaders of Avant Garde painting. But for the Marxist historian Eric Hobsbawm, Jackson Pollack is merely representative of the uncertainty which has plagued the Avant Garde visual arts movements in the twentieth century, and which has led to paintings' ultimate demise and lack of relevance in the modern age. With Professor Eric Hobsbawm, eminent historian and author of Behind The Times: The Decline and Fall of the Twentieth Century Avant-Gardes; Frances Morris, specialist in contemporary art and Art Programme Curator for the Tate Gallery of Modern Art.