In this episode, Peter and Kenyon delve into "Do You Want to Know a Secret?" from the Beatles' "Please Please Me" album. Written by John Lennon in late 1962 and inspired by Disney's "Snow White and the Seven Dwarfs" and a 1961 release by The Stereo's, the song has an intimate backstory. The hosts discuss the recording techniques, including George Harrison's lead vocals, the use of echo chambers, and examine the song's place in the Beatles' early catalog and its connection to the Liverpool music scene.

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In this lecture series, Kenyon breaks down the lyrics and music of the Do You Want To Know A Secret. A masterclass in how to telegraph songwriting subtlties, Lennon hides dozens of chromatic motifs through the song. And, there may be a hidden message in the lyrics. If you ever wanted to know more about how a Beatles song works, the lecture series is more than illuminating.

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Peter and Kenyon explore "Baby, It's You," a track from the Beatles' debut album "Please Please Me," in this episode. Written by Burt Bacharach, Mack David, and Barney Williams, and first recorded by The Shirelles, the Beatles' version features John's soulful lead vocals and George Martin's skillful production. Recorded during the marathon session on February 11, 1963, the hosts analyze the band's approach to cover songs and the recording techniques that distinguish this track, highlighting how the Beatles made "Baby, It's You" their own.

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In this episode, Peter and Kenyon examine "Boys" from the Beatles' debut album "Please Please Me." Originally by The Shirelles, this track features Ringo Starr's first recorded lead vocal performance with the Beatles. The hosts discuss the song's history, its popularity in the band's early live shows, and the unique recording techniques used during the February 11, 1963 session. They compare the Beatles' version with The Shirelles' original and share interesting anecdotes about the album cover photoshoot and other milestones for the band.

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Peter and Kenyon delve into "Chains," a track from the Beatles' "Please Please Me" album, in this episode. They explore the song's origins, written by Gerry Goffin and Carole King and initially performed by The Cookies. The discussion includes the Brill Building era's significance in the music industry and its influence on the Beatles. The hosts compare the Beatles' rendition with The Cookies' original, debating the merits of each, and highlight the song's role in the Beatles' live performances and recording practices.

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In this episode, Peter and Kenyon analyze "Anna (Go to Him)" from the "Please Please Me" album. They trace the song's roots to writer Arthur Alexander and its 1962 release. Peter prefers Alexander's original version, praising its soulful quality, while Kenyon admires John Lennon's rhythmic precision and emotive delivery in the Beatles' cover. The hosts discuss the recording process, which involved a single take without overdubs, and examine the song's cultural impact, including its feature in a "Married with Children" episode.

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Peter and Kenyon explore "Misery" from the Beatles' album "Please Please Me" in this episode. They discuss the band's groundbreaking approach of writing and performing their own material and the song's origin, initially penned by John Lennon for Helen Shapiro. While Peter expresses initial indifference towards the song, Kenyon appreciates its complex musical structure and Lennon's use of half steps to evoke a sense of desolation. The hosts touch on the recording process, including George Martin's pioneering half-speed overdubbing technique, and acknowledge the song's role in cementing the Beatles' legacy.

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In this lecture series, Kenyon breaks down the lyrics and music of Misery. Discover all the hidden secrets that Lennon wrote into this song to make you sing along. Find out why a song called Misery is in a happy, major key. If you ever wanted to know more about how a Beatles song works, the lecture series is more than illuminating.

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In this episode, Peter and Kenyon discuss "I Saw Her Standing There" from the Beatles' debut album "Please Please Me." They explore the song's creation, originally titled "Seventeen", and its composition by Paul McCartney in late 1962. The hosts highlight the song's energetic vibe and the iconic count-off, emphasizing its reflection of the Beatles' dynamic live performances. They also delve into the musical influences, such as Chuck Berry, and the innovative recording techniques employed by George Martin, examining the song's place in the Beatles' early catalog and its enduring appeal.

Website: https://www.notebynoteseries.com

Patreon: https://www.patreon.com/cw/NoteByNoteSeries

Instagram: https://www.instagram.com/notebynoteseries

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In this lecture series, Kenyon breaks down the lyrics and music of the very first release of the Beatles. Surprisingly, I Saw Her Standing There is a rewrite of a very popular song. Discover it's unexpected origins and how Paul McCartney developed the sing beyond the scope of its humble origins. If you ever wanted to know more about how a Beatles song works, the lecture series is more than illuminating.

Website: https://www.notebynoteseries.com

Patreon: https://www.patreon.com/cw/NoteByNoteSeries

Instagram: https://www.instagram.com/notebynoteseries

Hosted on Acast. See acast.com/privacy for more information.