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The divide between movies that make money and movies that get awards has been growing in the last few years. Why? And what does that say about how Hollywood is changing? Plus, the 1967 Oscars signaled a coming cinematic revolution. Is this year's crop of best picture nominees the harbinger of another?
The writers' strike has meant reruns, reality and rankor. So how will things change now that the strike is over? Plus, when will the digital pie that the writers want a piece of actually be out of the oven?
TV was already getting more and more into unscripted fare before the strike. Now, there's so much reality programming it's unreal! We get the lay of the unscripted landscape with Joel McHale of E! Entertainment's show The Soup. Plus, while most of the industry suffers, video games rock on (redux).
The directors seem to have made a deal with producers. Will the
Steve Samuels is the third generation of successful Boston-based real estate developers. He's also one of many outsiders who've brought their fat wallet to Hollywood. Will he get his pocket picked or make the show business sit?
(National broadcast)
The big four record labels are finally offering some music free of copyright protection. Is it too little too late? And, no Globes, no Oscars = no box office? Plus, swag--Hollywood's silent scourge.
From scandals to the strike to the surprise success of mega-sequels it's the Hollywood year that was! We get ready for the year ahead with our annual look at the stories of year just ended with Cynthia Littleton of Variety and Carl Diorio of the Hollywood Reporter.
This week, it's the Best of The Business. The strike will put a gaggle of TV shows "on the bubble," and we're not talking about being drunk on champagne. So today, between Dove products and the producers of a remake of the 1939 classic film The Women, we revisit our conversation with the producers of Scrubs and Jericho, shows that came back from the brink of extinction earlier this year.
This week we present the best of The Business. In honor of
There's been a surge in Iraq and a surge of Iraq movies here at home. It might be working in Baghdad but it's tanking at the local cineplex. We talk to the director of In the Valley of Elah, Paul Haggis. Plus, the strike promises a not-very-happy new year or winter or spring for Hollywood.
From the publisher's feed
Lively banter about entertainment industry news and in-depth interviews with directors, producers, writers and actors, hosted by award-winning journalist Kim Masters of The Hollywood Reporter.
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