The Business

Steve James, the filmmaker behind “Hoop Dreams,” is out with a new series called “City So Real,” which documents Chicago’s political landscape and the lives of its residents.

Following Quibi’s announcement of closing, The Business e revisits an  interview with founder Jeffrey Katzenberg on his gamble to launch Quibi.

Alex Gibney ’s documentaries often delve into high-level corruption. He’s out this fall with two projects that focus on the Trump administration.

“The Good Lord Bird” started with a handshake deal between Ethan Hawke and author James McBride. The witty, irreverent telling of John Brown’s life story is now airing on Showtime.

The Hollywood Commission, a new organization chaired by Anita Hill, is out with a survey on harassment in Hollywood and plans to launch a reporting platform next year.

Writer/director Billy Ray talks about the making of his Showtime limited series “The Comey Rule,” which stars Jeff Daniels as former FBI director James Comey and Brendan Gleeson as Donald Trump.

COVID-19 has buffeted the entertainment industry. The Business looks at major challenges, such as how to release big-budget pictures and how to manage the awards season. 

Isabel Sandoval’s new indie drama “Lingua Franca” arrived on Netflix this month. She produced, wrote, and stars in the film as an undocumented trans Filipina living in New York City.

The Netflix series “Cheer” earned six nominations at this year’s Emmys, including Outstanding Unstructured Reality Program. The Business revisits its interview with director Greg Whiteley.

Amanda McBaine and Jesse Moss made their biggest documentary yet with “Boys State,” a process that required many leaps of faith, from securing funding to showing up at Sundance without a distributor.