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As a follow-up to his podcasts about exercise guru Richard Simmons and then Y2K, Dan Taberski set out to investigate the darker aspects of the long-running show ‘Cops.’ Taberski tells us about making ‘Running from COPS,’ the product of an 18-month deep-dive into in the show. Turns out, if you live in a town where it films, ‘Cops’ might come for you whether you’re a bad boy or not.
Growing up, Sally Wainwright visited Shibden Hall, a historic house and park in West Yorkshire. But she wasn’t taught much about Anne Lister, who had lived there in the 19th century. Years later, Wainwright learned that Lister was truly ahead of her time: a businesswoman and a gay-marriage pioneer. Wainwright tells us about ‘Gentleman Jack,’ her new HBO-BBC series based on the extraordinary life of Lister.
For years, Ryan O’Connell was in the closet: not because he’s gay, which he is, but because he was ashamed of having cerebral palsy. His cover? He’d been hit by a car--which was true. But eventually, that lie took a toll. O'Connell wrote a book about it, and now, with his Netflix show ‘Special,’ O’Connell is out in a big way. He tells us about the 4-year struggle to find a home for his autobiographical comedy.
Elise Pearlstein has dedicated her life to non-fiction film, first as award-winning producer, and since 2013, as SVP of Documentary at Participant Media. Her career in docs wasn’t always a foregone conclusion--she used to keep lists of other jobs she could do--but now says there's no place she'd rather be. She talks to Matt Holzman about an industry in transition and some of Participant's newest projects.
Stephen Falk thought he had gotten his big break in 2012, when NBC picked up his series ‘Next Caller.’ But after he’d shot just 4 episodes, NBC pulled the plug. He vowed for his next project, he'd write what he wanted. That would be the dark rom-com, ‘You’re the Worst’--it just wrapped its final season on FXX. Falk talks about the road to making ‘You’re the Worst,’ which critics concur is actually the best.
Actress, director, producer Elizabeth Banks is a member of a very small club: women who make commercial big-studio movies. After directing ‘Pitch Perfect 2’ and a ‘Charlie’s Angels’ reboot set for release this fall, plus producing the heartfelt Hulu comedy ‘Shrill,’ Banks has even bigger ambitions. She talks about getting bored with acting and moving into producing, directing, and making it in the mainstream.
Earlier this year, actor Steven Yeun joined us to talk about his role in the Oscar-shortlisted Korean film, ‘Burning.’ We talked about other topics too, and this week, for the first time, we’re airing that part of the conversation. Yeun tells us about getting his start in the industry and what he’s looking for in future roles. Plus, a visit to the set of Sebastian Lelio’s new film ‘Gloria Bell.’
When comedian Kathy Griffin posed for a photo holding what appeared to be the bloody head of Donald Trump, she became a pariah overnight. So she did the only thing she could do: turned her story into an act, and took it around the world. This week, we revisit our conversation with Griffin, whose movie version of her stand-up special just premiered at SXSW.
A potentially epic confrontation is on the horizon, pitting the Writers Guild against the talent agencies. And, after Todd Douglas Miller made a short film about Apollo 17, he figured he was done with outer space. Then he got an email from an employee at the National Archives who had found some old reels labeled: Apollo 11. Miller talks about the never-before-seen footage that led to his new movie, ‘Apollo 11.’
Dan Reed’s documentary ‘Leaving Neverland’ features interviews with two men who say Michael Jackson sexually abused them for years when they were children. Initially conceived as just one hour of television, Reed soon realized it’d have to be longer. He talks about making this unflinching four-hour film and how, despite a lawsuit from the Jackson estate, HBO is standing behind ‘Leaving Neverland.’
From the publisher's feed
Lively banter about entertainment industry news and in-depth interviews with directors, producers, writers and actors, hosted by award-winning journalist Kim Masters of The Hollywood Reporter.
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