The Filmmaking Stuff Podcast

In this filmmaking podcast, filmmaker Jason Brubaker shares a bit about his story and how you can get started in filmmaking.

In this filmmaking podcast, LA Based producer Jason Brubaker explains how to find a movie aggregator that makes sense for your distribution.

In this filmmaking podcast, producer Jason Brubaker shares three valuable tips on how to make, market and sell your movie without the middle-man.

He also announces his new Filmmaking Book, which is available through Amazon (as well as your Amazon Kindle.)

Two Options To Choose From

1. Order the Filmmaking Stuff Physical Book CLICK HERE

OR

2. Download Filmmaking Stuff Kindle Book CLICK HERE

Happy Filmmaking!

In this podcast, producer Jason Brubaker shares tips for screenwriters who ant to get your screenplay read. Do not repeat his mistakes.

http://www.filmmakingstuff.com/how-not-to-get-your-screenplay-read/

Sometimes it's difficult to manage your filmmaking life. In the following filmmaking podcast, I share some tips I utilize to make my life a little less hectic.

Nathan Wrann is a talented, experienced and enthusiastic movie producer. While his movies are still considered underground, his filmmaking philosophy is infectious. This is a man who went against the odds, made the movie he could make and got some features under his belt. I decided to interview him because I think Nathan serves as a good example for any filmmaker who ever wanted to make movies without asking permission.

In the interview, you'll get down and dirty tips for no-money productions, promotion, marketing and distribution.

Originally, I thought I would break this interview in two parts - but I ended up posting it in it's entirety.

The traditional independent filmmaking business was defined by a filmmaker finding a script, locating investors, raising money, making the movie and then landing an awesome distribution deal - and living happily ever after.  Over the last few years, the entire model of indie filmmaking has gone Topsy-Turvy. And nobody knows this better than Jon Reiss and Sheri Candler. Both are on the cutting edge of independent movie marketing and distribution.

In this Filmmaking Stuff Podcast, Jon Reiss and Sheri Candler provide tips, tricks and strategies so that you can succeed in this ever changing world of modern moviemaking.

Peter Broderick is President of Paradigm Consulting which helps filmmakers and media companies develop strategies to maximize distribution, audience, and revenues.

Peter stopped by Filmmaking Stuff earlier this week to talk about the the new world of distribution and how filmmakers can navigate the ever changing landscape of independent filmmaking.

Carole Lee Dean is an industry legend. As an entrepreneur, producer and supporter of independent film, her influence has had a positive impact on filmmaking around the world. Most notoriously, 30 years ago, Carole took a $20 bill and created the $50 million a year short end industry.  Her company was instrumental in the birth of the Hollywood independent film community because she offered film to Indies at prices they could afford.  Customers like Cassavetes took chances with her raw stock and succeeded.

In 1992, she created the Roy W. Dean Grant Foundation in honor of her late father. To date, Carole’s grant and mentorship programs have provided filmmakers with millions of dollars in goods and services and have played an instrumental role in creating important documentary films. She is the author of The Art of Film Funding: Alternative Financing Concepts and The Art of Manifesting: Creating your Future.

in the following podcast, Los Angeles based indie producer Jason brubaker interviews Carole Dean about non-profit filmmaking, her thoughts on the new model of modern filmmaking and in the process, learns a lesson or two about The Art of Manifesting.

Filmmakers want to know how to create multiple streams of movie income. In this audio recording from Los Angeles based independent producer, Jason Brubaker of Filmmaking Stuff covers new methods in film finance and how filmmakers can leverage video on demand distribution.