The most played episodes among Podcast App listeners.

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   Number 1: Tracey Emin

   Dame Tracey Emin is BACK on The GWA Podcast! Hailed for her paintings, videos, textiles, neons, writing, sculptures, installations, and now, her extraordinary work as an educator, raising the next generation of artists at TKE Studios in Margate, right by where we are recording today – Emin has been at the forefront of art for more than four decades. Born in Croydon, and raised in Margate with her twin brother Paul, Emin had a complex child- and teenagehood, which she details in her part-memoir, Strangeland – as well as in works such as Why I Never Became a Dancer or Mad Tracey From Margate. Officially leaving school aged 15, Emin went to Maidstone College of Art, and onto the Royal College – where she won over her interviewees with her impressive sketch book selection. In 1993, she kept a shop in Brick Lane, titled “The Shop”, which ended with a party on her 30th birthday, and that year had her first exhibition – at a then-new gallery called White Cube. On view were objects she had collected over the years – from teenage diaries to toys, paintings, drawings and unsent letters. She titled it My Major Retrospective, just in case she never had another show. However, this was just the start. Emin has since exhibited all over the world – most recently the Yale Center for British Art, where I saw her work a floor above JMW Turner, getting me to realise the painterly relationship between the two artists – despite working 250 years apart – from how Emin plays with moods akin to his stormy weathers, to how the bodies in her paintings evoke his mountainous landscapes, with vein-like rivers. As well as Palazzo Strozzi, highlighting Emin's relationship to the history and iconography in Italian art – such as life, death and the crucifixion, to the decay of the body and enlightenment through spiritual (and sexual) quests. It challenged the city’s history, revealing the rawness of a woman's perspective in a culture that so rarely addressed it. Now, we meet in Margate on the occasion of the largest – and perhaps the most important – exhibition in her life so far, “A Second Life” opening at Tate Modern on 27 February, in the very city where her artistic life thrived. But it’s also a show taking place after monumental personal shifts, such as her mother’s passing in 2016, surviving cancer in 2020, the opening of her free studio-based art school in 2023, but also when the world couldn’t be more excited for Emin. She has said of this show to be a “true celebration of living” and I can’t wait to find out more… -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

   February 25, 2026·1h 0min
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   Number 2: Venice Biennale special: Lubaina Himid

   TODAY on the GWA Podcast: a very special bonus episode with Lubaina Himid, on her British Council Commission for the British Pavilion at Venice Biennale 2026, "Presenting History: Testing Translation". Returning to the podcast for the second time, Lubaina Himid is an acclaimed Lancashire-based artist working in paintings, sculpture, installations, archives, and more, whose career spans from the 1980s – when she was established as one of the leaders and trailblazers of Britain's Black Arts movement – to the 2020s, where she uses her art and her training in theatre to create all-encompassing works that tackle silenced histories. While you can go to episode 33 to hear a deep dive into Himid's life and work, today we are focusing on her pavilion for Great Britain at the 61st Venice Biennale! An event that happens every two years, thought of as the most important space to showcase art and artists, the Venice Biennale revolves around a central exhibition, this year curated by the late Koyo Kouoh, titled "In Minor Keys", and is often a signifier to define not just what is happening in the world, but how we can understand it through art. The rest of the Biennale is made up of pavilions – think of it like the Olympics of art, whereby countries have exhibition spaces, nominating an artist to stage a show to compete for the gold medal equivalent, The Golden Lion. For the British Pavilion this year Himid will showcase large multi-panel paintings drenched in her signature vibrant palette. In conversation with the British Pavilion's neoclassical architecture, the installation will present Britain as welcoming and airy, brimming with potential, albeit with an underlying sense of unease as the texts, images, and soundscape (made in collaboration with artist Magda Stawarska) subtly introduce tension. And I can't wait to find out more. Lubaina Himid's British Council Commission for the British Pavilion at the Venice Biennale will run from the 9th of May to the 22nd of November, 2026, and is curated by Ese Onojeruo. –– THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: www.famm.com/en/ www.instagram.com/famm_mougins // www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Mikaela Carmichael Music by Ben Wetherfield

   May 05, 2026·43min
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   Number 3: Briony Fer on Sophie Taeuber-Arp

   TODAY on the GWA Podcast: esteemed art historian Briony Fer on the avant-garde icon, Sophie Taeuber-Arp. The Professor of History of Art at University College London and a Fellow of the British Academy, Briony Fer is one of the leading art historians in the world. Writing and publishing extensively on modern and contemporary art, specialising in the history of abstraction in the 20th century, Fer has curated monumental exhibitions on artists such as Anni Albers at the Tate Modern, Louise Bourgeois at the National Museum, Oslo, Eva Hesse at the Fruitmarket, Mel Bochner at Whitechapel, and more But the reason we are speaking with Fer today is because she has also just curated an exhibition “Sophie Taeuber-Arp: The Rule of Curves” at Hauser & Wirth Paris, and published a stunning book on the great artist, dancer, performer, puppet maker, bag weaver, teacher, stained-glass maker, sculptor, architect, and so much more, Sophie Taeuber-Arp… Born in Switzerland in 1889, Taeuber-Arp is famously associated with the Dada movement, a group of artists who formed post-devastation of World War I to make sense of a nonsensical world. Performing dance routines set to Hugo Ball poetry and turning to her geometric abstractions, full of explosions of colour, that can look equally mechanical as they are made with a human hand – as Fer writes, "diagrammatic and decorative” – Taebuer-Arp was at the forefront of modernism, conjuring new ways of working with form and colour, and exploring – and twisting – the grid, the icon of modern art, for the modern world - and I can’t wait to find out more. The book: https://shop.hauserwirth.com/products/sophie-taeuber-arp-la-regle-des-courbes-the-rule-of-curves THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: www.famm.com/en/ www.instagram.com/famm_mougins // www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Mikaela Carmichael Music by Ben Wetherfield

   April 29, 2026·46min
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   Number 4: Katherine Rundell – World Book Day Special!

   I am so excited to say that my guest on the GWA Podcast is the author, academic, screenwriter, creator of fantastical worlds and nocturnal roof-climber, Katherine Rundell. An award-winning non-fiction author for adults and fiction writer for children – whose books have sold over 4million copies worldwide, Rundell has penned works that span from the Impossible Creatures series – set in magical, endangered Archipelago – to Rooftoppers, about a young girl called Sophie who climbs the roofs of Paris in search of her mother, which is, one of my favourites. Because another of Rundell’s great works is Why You Should Read Children’s Books Even Though You Are So Old and Wise, a small yet mighty book that argues for children’s fiction as integral to our reading output. A place which invites us not only to understand the fundamentals of good and evil, but reminds us of the importance of taking kids seriously, as Sophie, the protagonist in Rooftoppers, reminds us: “Do not underestimate children, do not underestimate girls.” I also highly recommend Rundell’s lecture on this subject that was published in the London Review of Books last winter. A Fellow of St Catherine’s College, Oxford and quondam fellow of All Souls College, Oxford – where she was admitted as the youngest fellow in 2008 – Rundell is also a scholar on the 16th century poet, preacher, politician, lawyer, Dean of St Paul’s Cathedral (and more) John Donne, with her electrically-written biography, Super Infinite: The Transformations of John Donne that won her the Baillie Gifford Prize. A #1 NYT and ST bestselling author, the winner of Waterstones Book of the Year, and the Author of the Year, as recognised by the British Book Awards, Rundell is one of our greatest thinkers, writers, creators, and campaigner for “putting imagination first”. And it is reading her books that I am reminded of that superpower, the brilliance of human capability that not only gets us to dream up different worlds, but imagine how we can make this complex one a much more beautiful and better place. This week marks World Book Day 2026, and excitingly the publication of my first children's book, so I couldn't be more honoured to speak with Katherine today, about writing, art, books, and more. –– KATHERINE'S BOOKS: https://www.waterstones.com/author/katherine-rundell/53343 MY CHILDREN'S BOOK! https://www.waterstones.com/book/the-story-of-art-without-men/katy-hessel/9780241824214 -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

   March 04, 2026·49min
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   Number 5: Ekow Eshun on Toni Morrison, Octavia E. Butler, Hilary Mantel, Wangechi Mutu, and more

   I'm so excited to say that today’s guest on the Great Women Artist Podcast is the esteemed curator, writer, broadcaster and cultural trailblazer, Ekow Eshun. Born in North-west London in 1968, Eshun has been at the forefront of creative culture for decades. Writing across subjects and presenting documentaries, Eshun has curated groundbreaking exhibitions. From the 2022 In the Black Fantastic, at the Hayward in London – to The Time Is Always Now, a study of the Black figure and its representation in contemporary art, that began at London’s National Portrait Gallery, and has since travelled across the US. The author of multiple books: in 2006, he published his memoir: “Black Gold of the Sun: Searching for Home in England and Africa” an exploration of identity and race, that sees Eshun travelling through Ghana in search of his roots. And in 2024, The Strangers, a stunning work of creative nonfiction that tells the story of five pioneering Black men set against a vivid backdrop of art, culture, and resistance. So for this special episode we are going to deep dive into the women writers and artists who have influenced his life and career, including Morrison, the pioneering science fiction writer, Octavia E. Butler, Kenyan-American artist Wangechi Mutu, the Rotterdam based artist Ellen Gallagher, and photographer Liz Johnson Artur. Because, as Eshun himself says, “The great thing about working with artists is they don’t walk a straight line or think along linear paths; they think in patterns, allowing us to approach long-established conversations from a novel perspective.” Octavia E. Butler (1947–2006) Hilary Mantel (1952–2022) Wangechi Mutu (b.1972) Ellen Gallagher (b.1965) Liz Johnson Artur (1964) Toni Morrison (1931–2019) Exhibitions mentioned: In the Black Fantastic, 2022, Hayward Gallery, London: https://www.southbankcentre.co.uk/venues/hayward-gallery/past-exhibitions/in-the-black-fantastic/ The Time Is Always Now, 2024-present, touring: https://www.npg.org.uk/whatson/exhibitions/2024/the-time-is-always-now The Clearing, space Un gallery, Tokyo, November 2025; https://www.artweektokyo.com/en/institution-gallery/space-un/ Books mentioned: Octavia Butler - Parable of the Sower (1993) https://www.waterstones.com/book/parable-of-the-sower/octavia-e-butler/9781472263667 Octavia Butler - XenoGenesis trilogy; Dawn (1987), Adulthood Rites (1988), and Imago (1989) https://www.octaviabutler.com/xenogenesis-series Hilary Mantel - The Wolf Hall trilogy; Wolf Hall (2009), Bring Up the Bodies (2012), and The Mirror & the Light (2020) https://www.waterstones.com/book/wolf-hall/hilary-mantel/9780008381691 Ekow Eshun - Black Gold of the Sun: Searching for Home in England and Africa (2006): https://www.waterstones.com/book/9780141010960?sv1=affiliate&sv_campaign_id=117976&awc=3787_1761656125_d069bd054bf50de1a9bfc45991a52d17&utm_source=117976&utm_medium=affiliate&utm_campaign=Penguin+Books Ekow Eshun - The Strangers (2024): https://www.waterstones.com/book/the-strangers/ekow-eshun/9780241990698 Herman Melville - Moby Dick (1851) https://www.waterstones.com/book/moby-dick/herman-melville/andrew-delbanco/9780142437247 Toni Morrison - Beloved (1987) https://www.waterstones.com/book/beloved/toni-morrison/9780099760115 -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

   October 29, 2025·1h 3min
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