In 1947, paranoia swept through Hollywood like wildfire. The House Un-American Activities Committee (HUAC) launched investigations into suspected Communist sympathizers in the entertainment industry, and careers were destroyed with a single accusation. This is the story of the Hollywood Blacklist—when actors, writers, and directors found themselves unemployable, their names erased from film credits, their livelihoods destroyed for their political beliefs or associations.

The Hollywood Ten refused to cooperate, invoking their First Amendment rights. They were held in contempt of Congress, sentenced to prison, and blacklisted from the industry. More than 200 entertainment professionals ultimately found themselves on lists compiled by HUAC, the American Legion, and publications like Red Channels. Some were actual Communist Party members; many were simply associated with the wrong people or held progressive views. The paranoia reached absurd heights—Walt Disney testified about Communist infiltration, CBS required loyalty oaths, and studios removed writers' names from films they'd created.

The blacklist didn't officially end until 1960, when director Otto Preminger and actor Kirk Douglas openly credited Dalton Trumbo for their films Exodus and Spartacus. But the damage had been done. Bartley Crum, a lawyer who defended the Hollywood Ten, committed suicide in 1959 after FBI harassment destroyed his practice. Countless careers ended, families were torn apart, and American cinema lost voices that might have enriched the silver screen for decades.

Discover how Cold War paranoia transformed Hollywood into a battleground where assumptions and fear prevailed over logic and tolerance—and why it took nearly 60 years for some artists to receive the credit they deserved.

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Show Notes:

In the late 1940s and throughout the 1950s, Hollywood became ground zero for one of America's darkest chapters—the systematic persecution of entertainment professionals accused of Communist sympathies. This is the story of the Hollywood Blacklist, where careers were destroyed, families torn apart, and constitutional rights trampled in the name of patriotism.

KEY TIMELINE

• 1938 - House Un-American Activities Committee (HUAC) releases first report claiming Communist infiltration in Hollywood. John Leach names 42 Hollywood figures as Communists; Lionel Stander becomes first to lose his job at Republic Pictures.
• July 1946 - William Wilkerson publishes "A Vote for Joe Stalin" column in The Hollywood Reporter, sparking "Billy's List" and "Billy's Black List" naming suspected Communist sympathizers.
• October 1947 - HUAC hearings begin. The "Hollywood Ten" refuse to cooperate, citing First Amendment rights. Walt Disney, Gary Cooper, Ronald Reagan, and Robert Taylor testify about alleged Communist influence.
• November 24, 1947 - House of Representatives votes 346-17 to hold Hollywood Ten in contempt of Congress.
• November 25, 1947 - The Waldorf Statement: Studio executives meet at Waldorf Astoria Hotel, announce they will fire or suspend the Hollywood Ten until they clear their names. First official Hollywood Blacklist begins.
• June 1950 - Publication of Red Channels, listing approximately 150 entertainment and journalism figures as Communists or Communist sympathizers. CBS requires all employees to sign loyalty oaths.
• 1952 - Peak of blacklist era. Screenwriter's Guild allows studios to erase names from credits. Dalton Trumbo's name vanishes from films he wrote.
• 1959 - Bartley Crum, lawyer who defended Hollywood Ten, commits suicide after years of FBI harassment destroyed his law practice.
• 1960 - The Blacklist Ends: Director Otto Preminger (Exodus) and actor Kirk Douglas (Spartacus) openly credit Dalton Trumbo, marking official end of blacklist era.
• 2011 - Dalton Trumbo finally receives full screen credit for Roman Holiday screenplay, nearly 60 years after the film's release.

THE HOLLYWOOD TEN

The original group who refused to cooperate with HUAC in 1947:

1. Alvah Bessie - Screenwriter
2. Herbert Biberman - Screenwriter/Director
3. Lester Cole - Screenwriter
4. Edward Dmytryk - Director (later cooperated in 1951)
5. Ring Lardner Jr. - Screenwriter
6. John Howard Lawson - Screenwriter
7. Albert Maltz - Screenwriter
8. Samuel Ornitz - Screenwriter
9. Adrian Scott - Producer/Screenwriter
10. Dalton Trumbo - Screenwriter

Each served approximately one year in federal prison and paid $1,000 fines (equivalent to ~$21,000 today) for contempt of Congress.

KEY FIGURES & ORGANIZATIONS

Government & Investigators:

• House Un-American Activities Committee (HUAC) - Congressional committee that investigated alleged Communist activity
• Martin Dies Jr. - HUAC chairman who led early Hollywood investigations (1938)
• FBI - Conducted surveillance, wiretapping, and intimidation campaigns against suspected Communists

Private Blacklisting Organizations:

• The American Legion - Veterans group that pressured Hollywood; created list of 128 suspected Communists
• American Business Consultants - Published Red Channels (1950), naming ~150 entertainment/journalism figures
• Counterattack - Anti-Communist publication that influenced blacklisting

Those Who Cooperated (Named Names):

• Elia Kazan - Director who testified, later defended decision in On the Waterfront (1954)
• Budd Schulberg - Screenwriter who cooperated, wrote On the Waterfront
• Sterling Hayden - Actor who later called himself "a rat, a stoolie" for cooperating

Those Who Resisted:

• Humphrey Bogart & Lauren Bacall - Protested HUAC hearings, formed Committee for the First Amendment
• John Huston - Director who protested HUAC actions
• Carl Foreman - Screenwriter who wrote High Noon (1952) as allegory for blacklist
• Lillian Hellman - Playwright blacklisted until 1966

Victims:

• Jean Muir - First TV casualty; fired from The Aldrich Family (1950) after being named in Red Channels
• Louis Pollock - Screenwriter blacklisted due to mistaken identity
• Orson Bean - Conservative actor blacklisted for dating someone with Communist associations
• Bartley Crum - Lawyer for Hollywood Ten; committed suicide (1959) after FBI destroyed his career
• Lionel Stander - Actor blacklisted for 16 years, unable to find work until 1965

FILMS THAT REFLECTED THE ERA

• High Noon (1952) - Written by Carl Foreman as allegory for Hollywood abandoning those accused. Town marshal (Gary Cooper) faces threat alone after townspeople abandon him.
• On the Waterfront (1954) - Written by Budd Schulberg, directed by Elia Kazan (both cooperated with HUAC). Often interpreted as justification for "informing" on colleagues. Won 8 Academy Awards but criticized for glorifying informers.
• Roman Holiday (1953) - Dalton Trumbo wrote screenplay under pseudonym "Ian McLellan Hunter." Trumbo didn't receive official credit until 2011.
• Spartacus (1960) - Dalton Trumbo credited openly by Kirk Douglas, helping end the blacklist.
• Exodus (1960) - Otto Preminger openly credited Trumbo, contributing to blacklist's collapse.

THE CULTURE OF FEAR

The Hollywood Blacklist created a climate where:

• Over 200 entertainment professionals were named by HUAC, media, or private organizations
• Studios erased names from film credits of blacklisted writers
• Networks required loyalty oaths (CBS, 1950)
• FBI conducted surveillance including wiretapping phones, opening mail, constant monitoring
• Careers ended on suspicion alone - no trials, no evidence required
• Mistaken identity destroyed lives - wrong person blacklisted due to name confusion
• Guilt by association - dating, friendship, or family connection to suspected Communists resulted in blacklisting

WHY THE BLACKLIST HAPPENED

Cold War Context:

• US-Soviet geopolitical struggle for global dominance
• Fear that Communism would infiltrate and undermine American institutions
• Widespread belief that Communist ideology threatened democracy, capitalism, and individual freedoms

The Communist "Threat":

• Communism advocated classless society, common ownership of production means
• Soviet totalitarianism seen as proving dangers of Communist governance
• Any sympathy for Communist ideas viewed as betrayal of American values

Hollywood as Target:

• Perceived as influential platform for shaping public opinion
• Some entertainment figures had joined Communist Party during 1930s Depression era
• Conservative politicians viewed Hollywood as liberal/progressive and dangerous

THE BLACKLIST'S END

Legal Challenges:

• John Henry Faulk (radio host) sued firm behind blacklisting, won case—showed blacklisters could be held accountable
• Legal victories shut down blacklist publications like Counterattack

Industry Resistance:

• CBS began hiring blacklisted talent in late 1950s
• Otto Preminger & Kirk Douglas openly credited Dalton Trumbo (1960)
• Success of Exodus and Spartacus proved blacklisted artists could still create hits

Cultural Shift:

• By late 1950s, anti-Communist hysteria began fading
• Public opinion slowly turned against McCarthy-era tactics
• First Amendment advocates successfully challenged blacklist constitutionality

LASTING IMPACT

The Hollywood Blacklist remains a cautionary tale about:

• The danger of guilt by association and ideological persecution
• Constitutional rights violations in the name of national security
• The cost of paranoia - talent lost, lives destroyed, families torn apart
• The importance of standing up for First Amendment protections

Even today, debates continue about those who cooperated versus those who resisted, and whether posthumous credit corrections can ever make amends for destroyed careers and lost lives.

SOURCES & FURTHER READING

This episode drew from the following credible sources:

1. U.S. House of Representatives Historical Archives - Official HUAC hearing transcripts and records (1947-1960)
2. The Waldorf Statement (November 25, 1947) - Association of Motion Picture Producers official declaration
3. Red Channels: The Report of Communist Influence in Radio and Television - American Business Consultants (June 1950)
4. Library of Congress - Hollywood Blacklist documentation and primary source materials
5. Academy of Motion Picture Arts and Sciences - Historical records, credit corrections, archival materials
6. FBI FOIA Released Documents - Surveillance records of blacklisted individuals (declassified)
7. Naming Names by Victor Navasky (1980) - Definitive history of Hollywood blacklist
8. A Journal of the Plague Years by Stefan Kanfer (1973) - Comprehensive blacklist chronicle
9. Dalton Trumbo Papers - Wisconsin Historical Society archives
10. Hollywood Ten Court Records - Contempt of Congress trial transcripts

RELATED HOMETOWN HISTORY EPISODES

If you enjoyed this episode about Cold War-era persecution and American history, check out:

• Episode [X]: The Rosenberg Trial - When Cold War paranoia led to executions
• Episode [X]: Joseph McCarthy's Downfall - How the Wisconsin senator's anti-Communist crusade ended
• Episode [X]: The Lavender Scare - LGBTQ+ persecution during the Red Scare era

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