If Stanley Kubrick’s previous two films were exercises in learning on the job, THE KILLING is where we start to see him put that knowledge into action. A thrilling noir, it allowed Kubrick to connect his passion for chess to a story about the best laid plans of a too ambitious crook. We couldn’t be more thrilled to welcome dream guest Patton Oswalt as we swap insane Timothy Carey stories, debate whether or not Rodney Dangerfield appears in the background of a scene, and suggest that Sterling Hayden’s Johnny Clay should have added a “Karen” to his plan to solve his baggage check-in situation at the airport.

Check out Patton in I Love My Dad from Magnolia Pictures

Read his Silver Screen Fiend: Learning About Life from an Addiction to Film

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