Georgina Colby joins us in the studio to discuss our growing recognition of the punk writer Kathy Acker, an experimental late-modernist; Alev Scott on 'Weinsteining' in publishing and what we should do about it; Tove Jansson is best known as the creator of the Moomins, but there is a great deal more to her oeuvre than those strange hippopotamus-like creatures – TLS Arts editor Lucy Dallas visits a new retrospective of Jansson's work

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With Stig Abell and Thea Lenarduzzi – The Mexican-born novelist Valeria Luiselli joins us to discuss her new book, Tell Me How It Ends: An essay in 40 questions, about America's role in an ongoing immigration crisis where tens of thousands of Mexican and Central American children arrive at the border, unaccompanied and undocumented; Is Matthew Arnold responsible for the worst opening line of a sonnet in English? Seamus Perry gives an impassioned defence of the poet's dissonant and awkward verse; "If you are transgender, and if you come out as an adult in a position of authority (a tenured professor, say), non-trans people may treat you as an expert." So argues Harvard Professor Stephanie Burt, who has reviewed two accounts of being a trans person, Trans Like Me, by C. N. Lester and The Gender Games by Juno Dawson. She joins us to discuss.

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The Mexican-born novelist Valeria Luiselli joins us to discuss her new book, Tell Me How It Ends: An essay in 40 questions, about America's role - and her own - in an ongoing immigration crisis where tens of thousands of Mexican and Central American children arrive at the border, unaccompanied and undocumented.

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Joining Stig Abell and Lucy Dallas this week: Muriel Zagha, to discuss the redolent funk of French cinema; and James O'Brien, to summarise the rancid political mess of Great Britain. Meanwhile, Sam Graydon goes to see the National Poetry Library in London.

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With Stig Abell and Thea Lenarduzzi – As a new anthology of stories brings the thrills-and-chills of genre writing to bear on the experiences of the "wrongfully convicted", the author and essayist Leslie Jamison discusses competing impulses in the writer–convict–reader relationship, why we need to talk about guilt rather than innocence, and her own correspondence with three prisoners; Federico García Lorca is well-known as a modernist, avant-garde poet and playwright, but what of his proficiency in haiku? And how does this Japanese tradition relate to the Spanish art of flamenco? We're joined by Paul Chambers, himself a haiku poet who has translated a number of Lorca's poems for the first time

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With Stig Abell and Thea Lenarduzzi – "For every competent feminist book”, Camille Paglia wrote in 1995, “there are twenty others shot through with inaccuracies, distortions, and propaganda.” Charlotte Shane runs us through a clutch of recent books by, among others, Laurie Penny, Rebecca Solnit and Paglia herself; How do we account for the extraordinary and enduring popularity of the French theorist Roland Barthes? Might it have something to do with his incurable boredom? Samuel Earle joins us in the studio to discuss the bundle of contradictions that was, and is, Barthes

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A bonus episode: Stig Abell hosts a debate at the Brooklyn Literary Festival in which the New Yorker's Jelani Cobb, the New York Times' Michelle Goldberg and Pen America's Suzanne Nossel consider what is going on in American universities and beyond when it comes to debates about race, gender and identity.

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With Stig Abell and Thea Lenarduzzi – Would you take fashion advice from Beckett? Was John Updike an early advocate of "norm-core"? We're joined in the studio by Laura Freeman to discuss a new book, Legendary Authors and the Clothes they Wore; addiction represents the height of paradox: the quest for fulfilment of individual desire that embraces the destruction of the individual self. Eric Iannelli considers a clutch of studies and memoirs that seek to describe the causes and consequences of the addict's “self-perpetuating vortex”; Charlottesville, the college city in Virginia, has impinged on the global consciousness in recent weeks, since a rash of neo-Nazi-instigated violence spread from the University of Virginia's campus into the streets. Krishan Kumar, a sociology professor at UVA, reflects on the institution's legacy, and that of its founder Thomas Jefferson

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With Stig Abell and Lucy Dallas - we are in the studio with Ian Thomson discussing the unlikely collaboration between a Neo Dadaist and Dante; we talk to Mark Ford about Weldon Kees, the American poet you should have heard of; and Michael Caines delves into the theatrical mind of the great Peter Brook.

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In this bonus episode, visionary director Peter Brook talks about his life in the theatre – and explains why Shakespeare is like a skyscraper

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