The Treatment

Mary Beth Barone has been carving out her comedic persona for more than a decade. A seasoned stand up, she also co-hosts the comedy podcast Ride with Benito Skinner, and is featured in the Prime Video comedy Overcompensating, which Skinner created and stars in. Her newest comedy triumph is the Netflix special Galaxy Brain. Barone tells The Treatment why she enjoys bringing the audience into her stand up, how her punchlines are often in the middle of the joke, and whether her delivery is actually deadpan.

Writer, director, and actor Mario Van Peebles is perhaps best known for his 1991 breakthrough film 'New Jack City,' which he directed and starred in. Since then he has frequently been on both sides of the camera, which has taken him all over the world. For his treat, he explains why travel has been life changing for him and what it has taught him about humanity. 

For historian and professor Elizabeth Stordeur Pryor, wrestling with  language is part of her job. However, she admits she was left speechless the day a student in one of her classes used the N-word. That moment was the impetus for her new book 'Something We Said: Richard Pryor, a Notorious Word, and Me.'

Stordeur Pryor is the daughter of the late comedian, who often used the word in his comedy. The book is an examination of her complicated relationship to the word and to her father. Stordeur Pryor talks to Elvis about what her father was like off stage, how the N-word led to a rift between her father and her white mother, and how she feels now about that day in class. 

Jordan Peele’s films tackle uncomfortable truths about race in this country through humor, horror and many homages to classic films. Peele won an Oscar for Best Original Screenplay in 2017 for his hit directorial debut, 'Get Out.' For his treat, he talks about the film whose technical wizardry and problematic take on race inspired his 2022 film 'Nope.'

Actress Mariska Hargitay has played Captain Olivia Benson on 'Law & Order: SVU' for more than two decades keeping audiences rapt with her ability to balance her character’s vulnerability and strength through wrenching situations. 

Her latest project, 'My Mom Jayne,' put her in the director’s chair for the first time as she delved into the complicated and tragically short life of her mother Jayne Mansfield. The documentary is nominated for three Emmys and Hargitay will host the awards show in September, a first for her.

Hargitay tells Elvis that making the film was a cathartic experience for her. Plus, she shares her hope that people see themselves and their families in her story, and insists that forgiveness is the only way forward.

Note: This episode originally aired on June 27, 2025

Emmy-winning actor and writer Richard Gadd purposely puts his characters under great tension. He wrote and starred in the 2024 Netflix series 'Baby Reindeer,' which won three Emmys, and most recently created and starred in the HBO series 'Half Man.' He’s up for another Emmy in September for his performance. For his treat, Gadd celebrates an iconic duo, who also often found themselves under great tension, which led to classic comedy.

For actor and director Mario Van Peebles, talent runs in the family. Mario, the son of the late director Melvin Van Peebles, is perhaps best known for his groundbreaking 1991 film 'New Jack City,' which he directed and starred in. He also wrote, directed and starred in the 2003 film 'Baadasssss!' playing his father during the making of his breakthrough film 'Sweet Sweetback’s Baadasssss Song.' 

Mario Van Peebles has kept himself busy since then and his latest project is as producer and director of the Netflix crime drama 'Nemesis.' He talks to Elvis about his improvisational directing style, what he learned from working with Clint Eastwood on the film 'Heartbreak Ridge,' and he explains the 'New Jack City' callbacks in 'Nemesis.'

Chelsea Peretti’s work as a comedian and as an actress on shows such as 'Brooklyn Nine-Nine' demonstrates how her gift for deadpan can highlight the humor in the material. In 2023, she directed her first film aptly titled 'First Time Female Director.' For her treat, she cites a 1957 absurdist play that got plenty of laughs in spite of its bleak story.

Writer-director Wes Anderson has been talking film on The Treatment since his directorial debut, 1996’s 'Bottle Rocket.' Since then he has spoken with Elvis about making 'The Grand Budapest Hotel,' 'Asteroid City,' and his most recent project, 'The Phoenician Scheme.' His films are beloved for their visual aesthetics, but fans know the scores and soundtracks are just as unique. 

 The Hollywood Bowl will be celebrating the music from his 30-year filmography with a special concert series from June 10-12, hosted by Bill Murray. Beck, Jackson Browne, Karen O, and even some actors will perform their favorite music selections from across Anderson’s films. 

Anderson tells Elvis about the countless collaborators who have informed his scores and soundtracks, how a certain musician brought another dimension to his 2004 film 'The Life Aquatic with Steve Zissou,' and he reveals what piece of music both he and director William Friedkin used in their soundtracks.

Among other things, director Wes Anderson is famous for his particular aesthetic taste, which runs through his films such as 'The Royal Tenenbaums,' 'The Darjeeling Limited,' and 'The Grand Budapest Hotel.' He is also known for the distinctive music scores and soundtracks that set the tone. That music will be celebrated in a three-concert event at the Hollywood Bowl on July 10-12. For his treat, however, he focuses on the visual: an architectural wonder in France whose ingenious design makes one wonder how it holds itself up.