In this episode of The Writing Life, NCW Programme Manager Rebecca DeWald had the pleasure of talking with Katherine Gregor and Caroline Lamarche about the process of writing and translating The Memory of the Air, a novella by Caroline which explores a universal experience of gender and sexual violence and challenges common notions of victimhood. The book was translated into English by Katherine and published by Héloïse Press in 2022.

Together with Rebecca, they discuss how Katherine first discovered Caroline’s book and the experience of it being rediscovered and translated in a post-#MeToo era. Caroline talks about the process of drawing on personal experiences to write this book, and about finding her voice.

Please note that this conversation contains references to domestic violence and sexual assault, so listener discretion is advised.

On this episode of The Writing Life, we are delighted to welcome Max Porter back to Norwich! Max was here in April for an event hosted by The Book Hive to celebrate the publication of his latest novel, Shy.

NCW Executive Director Peggy Hughes settled in for a cosy chat with Max upstairs in The Book Hive. Their expansive conversation covers the special power of bookshops, questions of masculinity and vulnerability portrayed through Shy’s protagonist, the musicality of Max’s language, and much more.

Max’s first novel Grief Is the Thing with Feathers won the Sunday Times/Peter, Fraser + Dunlop Young Writer of the Year, the International Dylan Thomas Prize, the Europese Literatuurprijs and the BAMB Readers’ Award and was shortlisted for the Guardian First Book Award and the Goldsmiths Prize. His second novel, Lanny, was a Sunday Times bestseller and was longlisted for the Booker Prize. The Death of Francis Bacon was praised as a ‘miniature masterpiece’ and his new book, Shy, has been called a ‘miracle of language’. 

Editing by Omni Mix

On this episode of The Writing Life, we speak to news journalist turned non-fiction writer and biographer Richard Balls about interviewing difficult subjects.

Richard is the author of three books: A Furious Devotion: The Life of Shane MacGowan; Be Stiff: The Stiff Records Story, and Sex & Drugs & Rock 'n' Roll: The Life of Ian Dury. In this conversation with Steph McKenna, he talks about using the experience and techniques acquired through a 20-year journalism career to inform the way he approaches, interviews, and writes about high-profile figures such as Shane MacGowan, whose life story is as much fiction as fact!

How do you secure an interview with a reluctant subject? What do you do when an interview isn’t going to plan? And what ethics or responsibilities are involved when writing about someone’s complex, contradictory, or unacceptable behaviour? Richard covers all this and more on the podcast.

A conversation from the archive! National Centre for Writing’s Kate Griffin talks to writer, translator and editor Rabi Thapa. Kate is our Associate Head of Programmes and Rabi stayed in the Dragon Hall cottage as part of our Visible Communities programme in June 2021.

Rabi is a British-born Nepali writer and translator. He is also the Editor of La.Lit, the literary magazine from Nepal, and the author of Nothing to Declare and Thamel, Dark Star of Kathmandu. From 2010 to 2011, he was the Editor of the weekly paper, Nepali Times.

Kate and Rabi discuss a number of topics including his background - spending the first six years of his life in Plymouth - his relationship to the UK and Nepal, the Katmaundu literary scene, bridge languages and the 123 languages used in Nepal.

As part of the annual Norfolk and Norwich Festival we run a series of events called City of Literature. A central part of our programme is the Harriett Martineau Lecture which celebrates the legacy of a remarkable, world-changing woman by inviting globally-renowned radical speakers to respond to her life and work.

In 2022, we were excited to welcome bestselling novelist, memoirist and literary activist Kit de Waal - presenting the lecture in the beautiful environs of the Spiegeltent. Kit gave a thought-provoking lecture covering a range of topics, including human rights, equality, hunger and, as she calls it, ‘compassion without judgement’.

Kit is a fantastic writer and speaker, and, in the course of the lecture, talks about social mobility and what it really takes; how smartphones are essential for some of the most marginalised people in society; as well as quoting Terry Pratchett as she explains what keeps the poorest in our society poor.

This episode is that lecture - recorded at the event back in May - more relevant now than ever with inflation rampant, the cost of living impacting everyone in society, and the energy crisis hitting those with the least worst of all.

We speak to writer and teacher Okechukwu Nzelu. Why? To discuss that greatest pillar of creative writing - character.

Gill and Okechukwu discuss many aspects of character development, including those in his latest novel Here Again Now. Based in Manchecter, Okechukwu Nzelu was the recipient of a Northern Writers' Award from New Writing North in 2015. His debut novel, The Private Joys of Nnenna Maloney won a Betty Trask Award. It was also shortlisted for our very own Desmond Elliott Prize among others. In 2021, it was selected for the Kingston University Big Read. 

His second novel, Here Again Now was published by Dialogue Books in March 2022. He is also a Lecturer in Creative Writing at Lancaster University so he is perfectly positioned to help us understand how we can write compelling characters.

Earlier in the year, our very own Ellie Reeves spoke to local writer James Kinsley. James’s first novella, Playtime’s Over, was published by Propolis in 2021 - a love letter to his native Norwich.

James Kinsley’s new book, Greyskin, will be published by Deixis Press on 27th April. Greyskin is a stylish collection of interconnected fantasy stories, inspired by the cinematic mythology of the Old West. On its first day of pre-order, the book topped the Amazon chart for Western Science Fiction.

Ellie sat down with James following the publication of Playtime's Over. They discuss his journey from self-publishing to traditional publishing, and offers an insight into the challenges of drawing personal experiences into fiction. They also discuss genre, mental health, and the ability of writing to move beyond the writer's intentions.

Norwich-based poet and writer Shannon Clinton-Copeland speaks to our virtual residents Akshita Nanda, Crispin Rodrigues and Daryl Qilin Yam about writing and literary life in Singapore. Their residencies are supported by Singapore’s National Arts Council. 

Akshita, Crispin and Daryl touch on everything from the relationship between writing and culture, to writing as a method for finding common experiences. They also discuss understanding across social, cultural and linguistic borders. 

Virtual residencies for writers and translators can bring national and international voices and ideas to places like Norwich. Through commissions, online events and podcasts like this one, those voices can also reach a global audience. 

You can find out more about our virtual and in-person residences on our website: nationalcentreforwriting.org.uk.

We speak to Caimh McDonnell about humour. Caimh is a comedian and writer. He’s written for TV shows such as Mock The Week and Have I Got News for You. He was also a professional stand-up comedian and has written a dozen books under the names Caimh and CK McDonnell. 

Being funny in fiction is hard, so we wanted to ask the Manchester-based Irishman how to do it - or at least, how he does it. The cover of The Stranger Times says: What if the weird news was the real news? An apt way to describe the premise. 

The book is the first in a series of novels set in Manchester in which the weird phenomena of the Fortean Times is alive and well - from mythical beasts to UFOs. We get to explore this weird world through the staff of the namessake newspaper and the result is a Pratchett-esque treatment of the supernatural thriller/mystery genre. And it is funny.

Some things are easier to teach than others. You might argue that being funny is the hardest thing of all. Nonetheless, the conversation will hopefully give you some insights into how to bring humour to your writing. The conversation covers characters, dialogue, conflict, genre and the inversion of expectation.

Find out more about Caimh at whitehairedirishman.shop