Two-time Tony-winning actress Judith Ivey for her performances in Steaming and Hurlyburly, talks about her transition to directing; why she was drawn to direct Lee Thuna's Fugue at the Cherry Lane Theatre rather than play the leading role; what she's learned from directors she's worked with, including Mike Nichols and Daniel Sullivan; why she moved from Chicago to New York in order to get better roles in Chicago -- only to find great success in New York once casting directors realized she wasn't British; her extraordinary year with Hurlyburly; and why she's willing to direct musicals, but won't ever act in them again.

Acclaimed director Michael Blakemore discusses his ongoing collaboration with playwright Michael Frayn during the Broadway run of "Democracy" and explores his famed virtuosity staging both plays and such musicals as the revival of "Kiss Me Kate" and the original production of "City of Angels". Original air date – February 18, 2005.

John Mahoney (Tony winner for The House of Blue Leaves in 1986) talks about returning to Broadway after a 20-year hiatus in the Roundabout Theatre production of Prelude to a Kiss, including why he had to be conscious of not making his stage role of The Old Man reminiscent of his long-running TV role as Frasier's father; recounts the story of his emigration to America from Manchester, England and how, at age 37, he suddenly decided to take up acting; recalls his early stage work with the St. Nicholas Theatre and being invited by John Malkovich to join the now-celebrated Steppenwolf Theatre ensemble; explains why he declined to travel to New York with Steppenwolf's productions of And a Nightingale Sang and Balm in Gilead; and remembers his breakthrough performances in Orphans and The House of Blue Leaves, the latter his first major show outside of his Chicago theatre family.

Director and actor Walter Bobbie (who won a Tony for his direction of the 1997 of Chicago) talks about returning to the acting stage in the "Encores!" production of Face The Music, and how he feels preparing to act in the famously brief "Encores" rehearsal period that he helped to create; recalls his experiences in the original cast of Grease, and shares his thoughts about the revivals and the current TV competition; remembers when Jerry Zaks asked him to don a "fat suit" to play Nicely-Nicely in the 1992 Guys and Dolls revival; explains how he became a director without the usual years of apprenticeship; describes the origins of the long-running revival of Chicago; and explains why he wants his next production to invo

Billy Crudup recalls how he messed up his first audition but still managed to be cast in his Broadway debut, "Arcadia"; describes the communal spirit that guided the 2002 production of "The Elephant Man", and how it differed from his work with director Simon McBurney in "The Resistible Rise Of Arturo Ui"; relates the thrill of manipulating audiences in Martin McDonagh's "The Pillowman"; and reflects on whether we -- and he -- should be reading up on Russian history to prepare for "The Coast Of Utopia". Original air date – March 2, 2007.

Kristin Chenoweth reminisces about her move from Oklahoma to Manhattan and how she was discovered after an all-day wait for an audition; tells how she was cast as Patty in the revival of "You're A Good Man Charlie Brown", but ultimately won a Tony as Sally; charts the evolution of her role as Glinda in "Wicked"; explains why she was drawn to "The Apple Tree" and what she hopes she's achieved with her multiple roles; describes how she constructed the song list for her solo concert debut at the Metropolitan Opera -- including what she had to leave out; and shares her thoughts about her upcoming Met Opera debut in "The Ghosts Of Versailles". Original air date – February 23, 2007.

Mercedes Ruehl shares her passion for art and for playing art patron Peggy Guggenheim in "Woman Before A Glass" talks about her early training and her roles in regional theatre, her Off-Broadway success in the financial comedy "Other People's Money", and her Tony Award-winning turn in Neil Simon's "Lost In Yonkers". Original air date – March 18, 2005.

Kevin McCollum talks about how his "contrarian" nature applies to his work as a producer, including mounting the 22-actor musical "In The Heights" Off-Broadway when many say even small musicals can't succeed off the Great White Way, deciding to send "Avenue Q" to Las Vegas rather than on a standard national tour, and creating a multi-city model for "Irving Berlin's White Christmas". Original air date – February 16, 2007.

Len Cariou looks back over his career on stage, from his days with his own cabaret act in his native Canada to his immersion into classical theatre at the Manitoba Theatre Center and the Stratford Festival to his triumphs on Broadway in two Sondheim premieres. Along the way, he tells the stories of his first meeting with director Harold Prince, his "A Little Night Music" audition -- for the role of Carl-Magnus, which he was prepared to turn down -- and why he actually did turn down the role of Frederik when it was offered; and the experience of the very first preview of "Sweeney Todd" -- which took place with the show not having completed a full tech rehearsal. Original air date - February 2, 2007.

Rita Moreno reflects on her career, from her Broadway debut at age 13; her efforts to break out of being constantly cast as a Latin spitfire; her arduous preparation for her audition for "West Side Story"; her experience working on the debut of Lorraine Hansberry's second Broadway play; her London appearances in "She Loves Me" and "Sunset Boulevard"; and how she came to find herself only five feet from Dr. Martin Luther King as he delivered his legendary "I Have A Dream" speech. Original air date - January 26, 2007.