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Writing about the Bedhead career retrospective 1992-1998 for Pitchfork, writer Mark Richardson put it nicely: “Bedhead had no time for or interest in anything extraneous to the music…And this is what it sounded like—serious, intense, smart, beautiful, occasionally frightening...” Today on the show, we are joined by the Kadane Brothers, who founded Bedhead in 1991 in Dallas, Texas. Matt Kadane calls in from his place in New York, where he teaches history, and Bubba Kadane from Texas, where he composes music for film and television.
One of the defining bands of the “slowcore” movement, Bedhead had three guitars but was sparse, melding post-punk to humming Velvets-inspired intensity. Following the end of Bedhead, they formed another pioneering indie rock band, The New Year, and they’ve dabbled in side projects all along the way, including Overseas, with David Bazan of Pedro the Lion and Will Johnson of Centro-matic, and Bubba’s ambient project Sigh of Relief. On this episode of Transmissions, we dig into Bedhead’s history and idiosyncratic approach, exploring how they worked “remotely” and by telephone long before remote work was standard, the space carved out by Bedhead’s unique sound, their cover of Cher’s “Believe,” and much more.
Thanks for checking out Transmissions. If you dig the show, please consider leaving a five star rating or a review—or just forwarding your favorite episodes to a friend. We’re a part of the Talkhouse Podcast Network. Next week on the show: Kid Congo Powers.
By Aquarium Drunkard4.8
248248 ratings
Writing about the Bedhead career retrospective 1992-1998 for Pitchfork, writer Mark Richardson put it nicely: “Bedhead had no time for or interest in anything extraneous to the music…And this is what it sounded like—serious, intense, smart, beautiful, occasionally frightening...” Today on the show, we are joined by the Kadane Brothers, who founded Bedhead in 1991 in Dallas, Texas. Matt Kadane calls in from his place in New York, where he teaches history, and Bubba Kadane from Texas, where he composes music for film and television.
One of the defining bands of the “slowcore” movement, Bedhead had three guitars but was sparse, melding post-punk to humming Velvets-inspired intensity. Following the end of Bedhead, they formed another pioneering indie rock band, The New Year, and they’ve dabbled in side projects all along the way, including Overseas, with David Bazan of Pedro the Lion and Will Johnson of Centro-matic, and Bubba’s ambient project Sigh of Relief. On this episode of Transmissions, we dig into Bedhead’s history and idiosyncratic approach, exploring how they worked “remotely” and by telephone long before remote work was standard, the space carved out by Bedhead’s unique sound, their cover of Cher’s “Believe,” and much more.
Thanks for checking out Transmissions. If you dig the show, please consider leaving a five star rating or a review—or just forwarding your favorite episodes to a friend. We’re a part of the Talkhouse Podcast Network. Next week on the show: Kid Congo Powers.

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