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“I talked as much about the National Basketball Association in Syria as I did about politics. Syrians felt so global and interested in everything. As a young backpacker, I don’t know that I appreciated the historical moment that I was in.” –Rolf Potts
In this episode of Deviate, Rolf and Shaun talk about how they first came to know of Father Paolo and Deir Mar Musa monastery in Syria (3:00); the warm and hospitable experience of traveling in other parts of the country (10:00); Father Paolo’s “interfaith dialogue” initiatives at Deir Mar Musa (18:30); what happened to Father Paolo after the Syrian government cracked down on dissent and protest in 2011 (29:00); and how Father Paolo’s monastery fostered interfaith dialogue over debate, and what his legacy is in Syria (43:00).
Shaun O’Neill is the author of A Church of Islam: The Syrian Calling of Father Paolo Dall’Oglio.
Notable Links:
The Deviate theme music comes from the title track of Cedar Van Tassel’s 2017 album Lumber.
Note: We don’t host a “comments” section, but we’re happy to hear your questions and insights via email, at [email protected].
4.8
161161 ratings
“I talked as much about the National Basketball Association in Syria as I did about politics. Syrians felt so global and interested in everything. As a young backpacker, I don’t know that I appreciated the historical moment that I was in.” –Rolf Potts
In this episode of Deviate, Rolf and Shaun talk about how they first came to know of Father Paolo and Deir Mar Musa monastery in Syria (3:00); the warm and hospitable experience of traveling in other parts of the country (10:00); Father Paolo’s “interfaith dialogue” initiatives at Deir Mar Musa (18:30); what happened to Father Paolo after the Syrian government cracked down on dissent and protest in 2011 (29:00); and how Father Paolo’s monastery fostered interfaith dialogue over debate, and what his legacy is in Syria (43:00).
Shaun O’Neill is the author of A Church of Islam: The Syrian Calling of Father Paolo Dall’Oglio.
Notable Links:
The Deviate theme music comes from the title track of Cedar Van Tassel’s 2017 album Lumber.
Note: We don’t host a “comments” section, but we’re happy to hear your questions and insights via email, at [email protected].
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