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Five writers and artists not normally associated with classical music, discuss a specific example of Vaughan Williams’s work to which they have a personal connection, and why it speaks to them.
Following on from the successful Five Kinds of Beethoven Radio 3 essay series in 2020, where a wide range of Beethoven fans shared their personal relationship to the composer and his work, this new series gives similar treatment to Vaughan Williams.
Our essayists share their unexpected perspective on Vaughan Williams’s work, taking it outside the standard ‘English pastoral’ box, in a series of accessible essays, part of the Vaughan Williams season on Radio 3.
The Lark Ascending is Dr Rommi Smith’s favourite piece by Vaughan Williams. It has accompanied her all over the world in her travels as a poet and teacher, reminding her of her Englishness and her home, even when as a Black woman, she is often not ‘seen’ as being English. The piece is a key part of her English DNA. This was brought home to her vividly when the violinist Tai Murray, a Black American woman, played the piece during the Proms in 2018. There was subsequent racist twitter comment, saying she had only been ‘let in’ because she is Black. Dr Rommi Smith considers her own connection to The Lark Ascending and how who performs it is significant.
Dr Rommi Smith is an award-winning poet, playwright, theatre-maker, performer and librettist. A three-time BBC Writer-in-residence, she is the inaugural British Parliamentary Writer-in-Residence and inaugural 21st century Poet-in-Residence for Keats’ House, Hampstead. A Visiting Scholar at City University New York (CUNY), she has presented her research and writing at institutions including: THE SEGAL THEATRE, THE SCHOMBURG CENTER FOR RESEARCH IN BLACK CULTURE and CITY COLLEGE NEW YORK. Rommi’s performance at THE SCHWERNER WRITERS’ SERIES in New York was at the invitation of Tyehimba Jess, Pulitzer Prize winner for Poetry.
Writer and reader Rommi Smith
Photographic Image by Lizzie Coombes
A Naked Production for BBC Radio 3
4.2
8282 ratings
Five writers and artists not normally associated with classical music, discuss a specific example of Vaughan Williams’s work to which they have a personal connection, and why it speaks to them.
Following on from the successful Five Kinds of Beethoven Radio 3 essay series in 2020, where a wide range of Beethoven fans shared their personal relationship to the composer and his work, this new series gives similar treatment to Vaughan Williams.
Our essayists share their unexpected perspective on Vaughan Williams’s work, taking it outside the standard ‘English pastoral’ box, in a series of accessible essays, part of the Vaughan Williams season on Radio 3.
The Lark Ascending is Dr Rommi Smith’s favourite piece by Vaughan Williams. It has accompanied her all over the world in her travels as a poet and teacher, reminding her of her Englishness and her home, even when as a Black woman, she is often not ‘seen’ as being English. The piece is a key part of her English DNA. This was brought home to her vividly when the violinist Tai Murray, a Black American woman, played the piece during the Proms in 2018. There was subsequent racist twitter comment, saying she had only been ‘let in’ because she is Black. Dr Rommi Smith considers her own connection to The Lark Ascending and how who performs it is significant.
Dr Rommi Smith is an award-winning poet, playwright, theatre-maker, performer and librettist. A three-time BBC Writer-in-residence, she is the inaugural British Parliamentary Writer-in-Residence and inaugural 21st century Poet-in-Residence for Keats’ House, Hampstead. A Visiting Scholar at City University New York (CUNY), she has presented her research and writing at institutions including: THE SEGAL THEATRE, THE SCHOMBURG CENTER FOR RESEARCH IN BLACK CULTURE and CITY COLLEGE NEW YORK. Rommi’s performance at THE SCHWERNER WRITERS’ SERIES in New York was at the invitation of Tyehimba Jess, Pulitzer Prize winner for Poetry.
Writer and reader Rommi Smith
Photographic Image by Lizzie Coombes
A Naked Production for BBC Radio 3
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