Few figures have shaped fashion’s visual language like Marie-Amélie Sauvé. From her formative years at French Vogue to her lasting collaborations with Nicolas Ghesquière, she has navigated an industry that thrives on change while staying true to her creative convictions.

In this episode, Sauvé reflects on the golden era of editorial freedom, the founding of her own magazine, Mastermind, and why true innovation demands risk. She also shares how yoga sharpens her creative discipline, why she gravitates toward brands in need of reinvention, and what she believes is fashion’s biggest challenge today.

A rare glimpse into the mind of one of the industry's most influential yet elusive figures.

"Mastermind isn’t just about fashion. It’s about cinema, architecture, politics—because if you only look at fashion, you miss the bigger picture." - Marie-Amélie Sauvé

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Fashion thrives on newness but resists change, celebrates young designers yet makes survival nearly impossible. Olya Kuryshchuk, founder of 1Granary, knows this contradiction well. What began as a student-run blog at Central Saint Martins has become one of the industry’s most unfiltered voices, exposing the gaps between talent, opportunity, and success.

In this episode, Kuryshchuk unpacks why magazine editors are shifting to brand consulting, how ageism shapes studio culture, and why true innovation isn’t about aesthetics but structure, sustainability, and survival. With characteristic candor, she lays bare fashion’s broken pipeline, the illusion of overnight success, and what it actually takes to build a lasting career today.

"What’s contemporary now? Long-term thinking. Creating with intention. The industry is obsessed with speed, but the future belongs to those who build for longevity." - Olya Kuryshchuk

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For years, celebrity stylists were seen as separate from those consulting for brands and shaping fashion imagery. But the red carpet, like concerts and live performances, is its own battleground - one where fashion meets spectacle and commands cultural attention.

Today, with "earned media value" driving the industry, the role of the celebrity stylist has become central, crafting moments that break through the algorithmic noise and recall an era when culture felt more unified. Few understand this better than Jahleel Weaver, whose work with Rihanna, Dua Lipa, and Taylor Russell has positioned him as a defining force at the intersection of fashion, music, and celebrity.

In this episode, we move beyond the spectacle to discuss why the work matters more than how it’s received, the power of staying present, and the creative force of surprise. For Weaver, influence is a byproduct, not the goal.

"Love doing this podcast stuff, but you know, in general, I would love for the work to just speak for itself and not have to say anything." - Jahleel Weaver

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The inevitability of change is something we can either fear or embrace with insatiable curiosity, and one of them, of course, yields far better results than the other.

Today's guest is a serial entrepreneur and self-described "forever intern" who co-founded Basic.Space, which later acquired Design Miami, where he now serves as chairman. Up next is Design.Space, a project that explores the power of quality curation within an IRL/URL retail experience while bringing together the worlds of design, art, and fashion.

In a culture where the concept of community has been co-opted by big business and marketing teams, Jesse Lee shares a different approach that, for this conversation, we’ll call a club. Whether or not you're familiar with the burgeoning world of design and its evolving role in communicating status the way a highly coveted watch or luxury fashion once did, Jesse’s mindset is one to emulate. His perspective is especially valuable for those seeking their own point of convergence where passion and purpose meet in a way that is both meaningful and profitable.

"It's not just about the work ethic, but also about wanting to learn. If it wasn't for that mindset, I don't think I'd be able to learn from music, fashion, technology, art, design, culinary—whatever it is. That's sort of been the mantra since day one." - Jesse Lee 

Design.Space will showcase a curated selection of archival and contemporary pieces from top artists, designers, galleries, and brands, including:

Alexander May, AMEN, Archived, Avery Wheless, Brett Robinson, Brian Thoreen, Cadogan Tate, David Kelley, Enorme, Ettore Sottsass, Found Objects, George Davies, GUFRAM, Guido, Jahlil Nzinga, Jean Pigozzi, Jeffrey Deitch, Jess Hannah, Jeaux de Peau by Purienne, Justin Reed, Keiko Moriuchi, Laura Sattin, Leyla Fisher, Lily Clark, Marcin Rusak, Marquel Williams, Marta, Max Lamb, Memphis, Meritalia, Michelle Jane Lee, niceworkshop, Nick Thomm, Nike, NM3, NO GA, Paulin Paulin Paulin, Period Correct, Puck, Raiffe Glass, Roham Shamekh, Sabine Marcelis, Sam Klemick, Same Old/BASA Vintage, Sasha December, Spaceless Gallery, Stephanie Ketty, Stickymonger, Studio Ker, The Future Perfect, The Pink Lemonade, Tokio., Tristan Marsh, Tsu Lange Yor, USM, Verre d'Onge, Wexler Gallery, Willo Perron, Yung Jake & more to be announced soon.

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We often bring up the idea of humanity on this show, exploring the anthropology of it all with the creative industry as our backdrop. When sitting down to speak with the absolutely lovely Francesca Burns about her journey - and all of the people, places, and things that have shaped it - we have the opportunity to go beyond the obvious and touch on the human interest of it all. From her early days with Kylie Minogue, the prolific career she's enjoyed working across titles and brands like i-D, British Vogue, Italian Vogue, Self Service, Beyond Noise, Chanel, Gucci, Louis Vuitton, Nensi Dojaka and her own magazine, PRINT, Burns takes us on an even more holistic journey in this conversation as we move past the obvious benchmarks and begin to explore possibility through the unlimited power source that is inspiration.

"You can't bend and shape yourself to meet other people's expectations. It's absolutely impossible. And what each of us has is completely unique to us. How we see the world is completely unique to us. I think there's no limit to what we can do if we're inspired."

- Fran Burns

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Daniel Arnold's work can be seen anywhere one consumes visual content, whether it's on the walls of a gallery, the cover of a magazine, or his own well-engaged Instagram feed. But beyond the humanity captured through his lens—with all its bells and whistles of what makes the individual an interesting subject—is the humanity of Daniel himself and the speed with which he can disarm you with his contagious brand of honesty. Speaking to generally relevant subjects as much as his more personal anecdotes, with the same level of fluency that somehow always sounds informed yet ever questioning, the trending power of relatability is alive and well in this episode. Pointing out that we are all well-trained to be entertained while living in this culture of distraction, the former writer-turned-photographer and director believes that anyone can tune into the frequency of viewing life as a source of entertainment rather than as something to validate us or prove our value. More than anything, in an era brimming with more questions than answers, Arnold leaves us with a multitude of soundbites to ponder long after the episode ends.

"Letting go of any kind of visualized destination, any kind of idea of what was—what was the right way to do things—and just being kind of fluid and, you know, brave in a way that didn’t come naturally to me. But it sort of enforced this new counter-nature, where I had to survive. So I did." - Daniel Arnold 

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The audacity of achievement is beautifully illustrated in the story of LUAR’s Raul Lopez, whose show has been one of the most anticipated at New York Fashion Week for several seasons and counting. Having discovered the power of stepping away when necessary, his process is one we can all learn from when it comes to fueling our own dreams and rediscovering our sense of purpose. The miseducation of humility can all too easily convince us that playing small does anyone favors—or even that it might make us better people. But Raul? He’s not here to ask for permission. Whether it’s one of his designs becoming a cultural phenomenon or the media spectacle surrounding his shows, the New York native has brought a newfound excitement to what has often been considered a somewhat staid schedule for the city’s fashion week. Ahead of his next show, we sit down with the designer to learn how one might weave a world as wide-reaching as his, the irrelevance of things like social class, and to better understand the reality of a life where dreams come true.

"I don't care who you are. I don't care if you're a celebrity. I don't care where you come from—if you're from the hood—I treat everyone the same. And I think you can see that at my show." - Raul Lopez

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Under Michael Kliger’s stewardship, Mytheresa has emerged as perhaps the most profitable platform of its kind. Unlike its sprawling competitors, Mytheresa thrives on a philosophy of precision—offering a tightly curated selection shaped by an intimate and ongoing dialogue with its discerning customer base.

Where most brand events aim for maximum visibility and the optics of adjacency to “the right people,” Mytheresa takes a different route. Their gatherings are a masterclass in exclusivity, designed with their fiercely loyal repeat customers in mind—a rarefied echo chamber that isn’t trying to be everything to everyone, but everything to the few who matter most when it comes to their bottom line.

"You need to define your audience and then be as good as you can to serve them and to stay close. Again, it's this dichotomy of they are looking for inspiration, but they're not willing to scroll through 500 depictions of products" - Michael Kliger 

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While many in the fashion industry were already well-versed in the work of journalist Lauren Sherman, the early days of The Line Sheet sparked rumblings across the dinners and drinks that often define the social musings through which the industry connects. Having captured everyone's attention, she went on to launch her podcast, Fashion People, and has since amassed a dedicated audience.

In this episode, Lauren shares her personal journey while helping us dissect the cultural moment we’re navigating—a world fractured into countless niches yet searching for universal connections.

From the evolving role of journalism in an oversaturated media landscape to the rise of authenticity as a cultural currency, Lauren offers a compelling look at what it takes to thrive in a world that rewards staying true to yourself.

“There's no need to compare yourself to other people because everybody is coming from a different perspective. And so, I don't believe in objectivity in any way. I think that people who claim it exists should strive for it, but you also have to know that it's not a real thing.” - Lauren Sherman

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Comment sections are often awash with bold opinions, many of them originating from anonymous or private accounts. Some might attribute this to the suffocating grip of modern political climates, while others may see it as little more than cowardice in action. Yet today, anonymity is no longer confined to the comment box; it’s spilling over into the growing world of creator accounts, where individuals deliberately choose to remain faceless. For today’s guest, freedom of speech is at the heart of this decision, and, let’s face it, part of what makes it so compelling is the unshackled nature of content that exists beyond the constraints of identity—content untethered from the finite definitions that attach themselves to people, with all their associations, traits, and the labels that so often reduce us to mere concepts. The debate around regulation and fact checking is, of course, alive and well, particularly in an age where information battles are fought daily. But how much weight does this carry in the world of fashion media? Well, the jury’s still out—but Boringnotcom, naturally, has something to say about it.

“I feel like there's always going to be those people who are going to want to be anonymous because not everyone wants to be in front of the camera.” - Boringnotcom

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