Blank Check with Griffin & David

On the week of it’s release in May of 2018, Griffin and David discussed Solo: A Star Wars Story.

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Writer and comedian Rebecca Drysdale (Key and Peele, High Maintenance) joins Griffin and David for a conversation on the animated superhero family adventure, The Incredibles. But what is Syndrome’s villainous motivations? Is Rebecca the Pixar of people? And, seriously, where is Frozone’s super suit? Together they discuss their favorite Pixar films, earning tears, turtlenecks and summer camp.

Music by Kevin MacLeod “Parisian” (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

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This week Blank Check begins a new mini series reviewing the filmography of director Brad Bird with a discussion of 1999’s critically acclaimed animated feature, The Iron Giant. But does the Iron Giant wear a shirt? Did the studio request this movie be set in present day and have a hip hop soundtrack? Should Griffin and David fight more? Together, in their worst episode ever, they examine Brad Bird’s origin story, the hotness of Harry Connick Jr. as beatnik industrial artist Dean McCoppin, the upcoming Blank Check Pictures slate and booger stores.

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This week is with special guest, Angela Ferraguto, associate producer and social media manager for this very podcast! And for this episode she picked 2001’s satirical rock comedy, Josie and the Pussycats. But was Griffin a big Rachael Leigh Cook fan growing up? Did Beyoncé audition for this film? Who misses Last Call with Carson Daly? Together they discuss the careers of Rosario Dawson, Alan Cumming and Tara Reid, the Muppet Baby versions of themselves, and why this is a pitch perfect send up of the early aughts that only early aught kids would get. And to purchase tickets to Producer Ben's upcoming live sketch comedy show ＶＡＰＯＲ　２０９９ on May 11th 9:30pm at the Brick Theater in Williamsburg, Brooklyn go to https://web.ovationtix.com/trs/pe.c/10284577 or for more information https://www.brooklyncc.com/show-schedule/2018/5/11

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In the final episode of our mini series devoted to the filmography of James L. Brooks, Griffin and David discuss the disastrous 2010 film How Do You Know. But why would Brooks at this moment in history sympathize with the business executives being held accountable for their corporate malfeasance? What does it mean when referring to a scene as a steam room? And also how do you know? Together they examine the careers of Reese Witherspoon, Paul Rudd and Owen Wilson, the Australian word for ‘grogan,’ and the 120 million dollar budget. This episode is sponsored by WeTransfer and Light Stream (lightstream.com/blank).

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Richard Lawson (author of All We Can Do Is Wait) returns to discuss 2004’s Spanglish. But is this movie really about James L. Brooks attempting to justify why he wants to sleep with his maid? Is it believable a character has never seen a man cry? Is this film available on blu-ray and will it’s value increase over time like bitcoins? Together they examine Adam Sandler’s career, Téa Leoni’s VERY big performance, using monologues from Spanglish for auditioning and birthdays at a themed restaurant called Mars 2112.

Music selection:

“As I Figure” by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

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Chris Gethard (the Chris Gethard Show on TruTV, Beautiful/Anonymous podcast) joins Griffin and David to discuss 1997’s OCD dramedy, As Good as It Gets. But is the dog the fourth lead of this film? Should the term ‘residuals’ be changed to ‘Ratzenbergers?’ Could a painter really afford to live in downtown Manhattan in the late 1990s? Together they examine the “but I like her” genre of movies, the careers of Greg Kinnear, Cuba Gooding Jr., Nien Nunb and more!

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James L. Brooks had originally shot I’ll Do Anything as a musical. But in the test screening it was so disastrous the studio insisted he cut all the musical sequences out and reshoot new scenes to fill it in. Having reviewed that theatrical cut, Griffin and David revisit this film with returning guest Esther Zuckerman and discuss the lost, coveted musical cut of I’ll Do Anything in a special bonus episode. But what would the child of Albert Brooks and Julie Kavner sound like? Why does Griffin insist on singing the horrid song “You Are The Best?” Is this episode haunted? Together they go through all the musical numbers and try to decide if this version of the movie makes it any less worse.

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Writer and friend of the show Esther Zuckerman joins Griffin and David to discuss 1994’s I'll Do Anything. But was this film originally developed and shot as a musical only to be reedited into a mostly non-musical? Were prolific musicians Prince, Sinéad O'Connor and Carole King brought on to write the songs for this movie? Did Nick Nolte really win People Magazine’s Sexiest Man Alive in 1992? Together they examine the inside baseball dealings of Hollywood, the bad 90’s fashion, honest curses and comedic frontal nudity.

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In March of 2018, Griffin and David discussed director Steven Spielberg’s new film Ready Player One. But did Griffin audition for a part? Was Gene Wilder rumored to have been considered for one of the roles? Will only 90’s and 2000’s kids understand the references? Together they examine Tye Sheridan’s career, Deadpool bits, author Ernest Cline’s novel and more!

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