Medea kicks off right at the end of Jason and the Golden Fleece by Apollonius of Rhodes. Medea has just assisted Jason in subduing the dragon so that he can take the Golden Fleece. As thanks, Jason promises to marry Medea but then takes a second wife (the King’s daughter) to try to smooth things over in their new home.

Unsurprisingly, Medea doesn’t take kindly to being scorned and she plots her revenge. But this isn’t Clytemnestra type revenge of killing the perpetrator. This is much darker. Her revenge will take away all things dear to Jason while leaving him to live in the aftermath. It’s next step cruelty.

Medea kills wife #2, the king, and then stabs her two sons (shown above in a chariot pulled by dragons (or snakes depending on the translation). Medea tells Jason “your sons are dead.” He responds:

“Dead? No! They live to haunt your life with vengeance”

It’s a powerful line. And it begs the question—can you kill someone? Physically, yes. But what about mentally, morally, spiritually? It’s a question Dostoevsky explores in Crime and Punishment. Raskolnikov knows he can physically kill someone and get legally get away with it due to his superior intelligence. But the question is whether or not he can get away with it on another level. Can he look at himself in the mirror at night? Will he have Furies chasing after him? Paranoia? Depression? Mental degradation?

Can you truly kill someone?

I’m the business manager at Landmark Booksellers in Franklin, TN. Our owner recently purchased this book for all staff members so that we could read and discuss it. I’m so glad he did. I loved this book and it reignited a deep love and passion for bookstores.

It also provided a number of ideas that I highlight in this episode. I share three things that stuck out to me and got me thinking and then talk about some of my favorite bookstores over the years.

I read an illustrated edition of Aesop’s Fables earlier this year and came away quite disappointed. I knew Aesop lived in the 7th century BC, but the book of fables contained elements from much later during the Roman period. I came away confused and wanting to know more.

Someone suggested I pick up the Loeb Classical Library version of Babrius and Phaedrus to dig deeper. I’m so glad I did.

We don’t have actual writings or fables from Aesop. We do have collections from 600+ years later from these two, Babrius and Phaedrus, who collected, added, and made innovations to Aesop’s Fables. Babrius wrote in Greek and Phaedrus in Latin. So, technically, this Loeb book should look like this:

Here’s my original episode covering the illustrated Aesop’s Fables:

This is my favorite tragedy play by Sophocles. It’s absolutely stunning and shows the brilliance of the playwright in ways his other tragedies don’t. This is a story about means vs ends. Odysseus believes the adage “by any means necessary.” Deception is a legitimate means to reach a desired end. However, deception is not in the nature of Neoptolemus, whom Odysseus needs to fulfill a role. How will this play out? Will Neoptolemus give Odysseus “one day of shamelessness” to achieve a fated end?

In this episode, I provide a brief overview of the play, highlight three fascinating themes, and conclude with a question on whether Odysseus or Neoptolemus is wiser.

This tragedy covers themes like justice, freedom, and fate. The play culminates in the question of “whose justice?” Who has the right to exact justice? And who is in the right in exacting justice? Does justice exist beyond one’s individual conception or is there a higher law?

Sophocles may have written 130 plays during his lifetime. Only seven survive. This podcast episode covers a book a fragments of the 100+ other tragedy and satyr plays of Sophocles.

Fragments are phrases, sentences, or even paragraphs of content that were mostly referenced by other writers like Aristotle, Athenaeus, and Plutarch. They were aware of these plays that have since been lost to us and so they may have quoted a line within their own works. That’s how we have most of these fragments.

And the fragments are within familiar mythological stories, so we have a rough idea of the content of the play and then try to fit these fragments into particular characters, contexts, and situations. It’s thrilling!

There is an element of discovery and adventure in these fragments. Is this something Sophocles believed or did he have a character say it to prove another point? How did Sophocles expand on ideas from the seven play that have survived in his other plays?

In this episode, I cover fragments I liked, things I learned, and share a partial answer to a question I shared in last week’s episode about Sophocles’ Women of Trachis:

This tragedy concludes with a question - what law do you obey? Do you obey a father asking you to do terrible things from his deathbed? Or is there a higher law? Further, where does law come from? Is it divine? Is it dictated by those closest to you?

The Women of Trachis follows a set of characters as “Fate is on the march.” It’s a fascinating case of one of the women, Deianeira, the wife of Heracles, going “wrong trying to do right.”

There are so many connection points in Women of Trachis to other tragedy plays. In this episode, I cover some of those connections, talk about fate, Zeus, and characters moving things along, and close with that question about law.

In this podcast episode, I cover a pair of memoirs - one with a focus on a mother and the other with a focus on a father. Rick Bragg tells of his childhood in Alabama with an alcoholic father and a self-sacrificing mother, his pathway in journalism, and his attempt to pay back his mother. Debra King tells of her childhood in Wisconsin with an entrepreneurial father who was both a farmer and a gravedigger, and how that upbringing led to her path in life.

* All Over but the Shoutin’ by Rick Bragg

* Gravedigger’s Daughter: Growing up Rural by Debra Raye King

In this episode, I'm diving into Jonathan Haidt's new book, The Anxious Generation, to explore three startling facts about its damaging effects. I then highlight what I consider to be the most manipulative tactic hidden within new algorithms – one that targets our subconscious.

It’s been an incredible year of reading so far. I’ve been utterly shocked at the beauty and relevancy of Greek Literature. In this episode, I share what I’ve read so far for 2024, what I have coming up during my Summer Break, and the most important thing I’ve learned in Greek Literature.