Sean Fennessey, the editor in chief of Bill Simmons's new site The Ringer, talks with Recode's Peter Kafka about the decisions that go into launching a media business in 2016. Fennessey reflects on the slow death of Grantland, the site Simmons launched under ESPN in 2011, and what the staff is trying to do differently this time. Among the many challenges facing The Ringer: Balancing fun with legitimacy, figuring out an online video strategy and trying not to sound too drunk.

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Duncan Jones, director of the new movie "Warcraft," talks with Recode's Peter Kafka about pleasing both gamers and non-gamers while adapting a popular video game to the big screen. He describes "Warcraft" as a spectacle that should be seen in theaters, but is already working on "Mute," a smaller-scale follow-up to his low-budget debut picture "Moon." Jones also reflects on the death of his father, David Bowie, and the current state of the digitally shifted movie business.

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Live Nation CEO Michael Rapino talks with Recode's Peter Kafka about the challenges and opportunities for live music and events in 2016. He says concerts have changed dramatically in the past 10 years, becoming spectacles rather than just vehicles to sell records. Rapino also delves into why consumers hate Live Nation subsidiary Ticketmaster and how the company has tried to fight overseas bots that buy and scalp most tickets sold online.

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Jason Hirschhorn talks with Peter Kafka about his past jobs at Viacom, Dish Network and MySpace and at his new startup Redef. Expanding on the Redef Media email newsletter, which Hirschhorn started in 2006, Redef now has more than 50,000 subscribers in several industries, including music, fashion and sports. He also talks (in great detail) about his quadruple bypass surgery and how Redef's fans saved his life when his doctors were confounded by complications.

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Samantha Bee talks with Peter Kafka about leaving "The Daily Show with Jon Stewart," launching her own late-night comedy show "Full Frontal" and what she's doing to make the new show unique. One of the priorities from day one, Bee says, was making a concerted effort to hire women, which has led to some standout stories. She also talks about the 2016 election and why comedy can't be decided by committee.

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"The Nightly Show" host Larry Wilmore talks about his instantly controversial roast at the White House Correspondents' Dinner. He mocked Brian Williams, Wolf Blitzer and Barack Obama, among many others, and not everyone was laughing. Wilmore also discusses Donald Trump's rise in the Republican Party and why he closed his WHCD speech by referring to the president as "my n---a."

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New York Times Magazine staff writer Jenna Wortham talks with Peter Kafka about covering the intersection of culture and technology at Wired magazine and then at the Times. Wortham has also pursued several side projects, including the journalism-as-live-performance show Pop-Up Magazine. She argues that today's journalists must constantly reinvent themselves and that there's value in zigging where others zag.

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"Veep" executive producer and New York magazine writer-at-large Frank Rich talks with Peter Kafka about the 2016 election, why he underestimated Bernie Sanders and what future candidates can learn from Hillary Clinton's gaffes and Donald Trump's larger-than-life persona. Formerly a theater critic and political columnist for the New York Times, Rich explains why he left the Times in 2011 and how he got involved with HBO. Plus: Other than "Hamilton," how is Broadway doing?

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Venture capitalist Hunter Walk, the co-founder of Homebrew, talks with Peter Kafka about his pre-investing career at Second Life, YouTube and "Late Night With Conan O'Brien." He also joined Google in 2003, when the 1,000-employee company was only known for search and before it went public. He discusses why venture capitalists like him need to be patient; how YouTube started making money and paying its users; and why Vine, Instagram and Snapchat should follow YouTube's example.

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Dan Lyons, author of the new book "Disrupted: My Misadventure in the Start-Up Bubble," tells Peter Kafka how he came to work at a "cult-y" unicorn where "grown-up" meant anyone experienced enough to have worked somewhere else. He traces his career from Forbes Magazine, where he secretly created the satirical Internet personality Fake Steve Jobs, to Newsweek, HubSpot, ReadWrite and Gawker's Valleywag. Most recently, he's been a writer on HBO's hit comedy "Silicon Valley" and shares some behind-the-scenes stories.

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