Culture Gabfest

On this week’s show, the hosts discuss Max’s new medical drama The Pitt – a show that we legally can’t call an ER reboot but does have Noah Wyle donning scrubs and handling the next bodily emergency yet again. Our regular hosts also discuss an article from the Intelligencer, The Cruel Kids’ Table about how young Republicans now feel empowered to bring cruelty back into public discourse. Finally, we welcome LA Film Critic Amy Nicholson to discuss the Oscar-nominated film September 5 about the hostage crisis during the 1972 Munich Olympics.

Also, we’re looking for a new Production Assistant! To apply, send us an email introducing yourself and give two ideas for segments to [email protected]. 

In the exclusive Slate Plus segment, the panel tackles the biggest luminary question of the year: Do you use ‘The Big Light’? 

Email us at [email protected]. 

Endorsements:

Dana: Just sort of a beautiful moment: Live wolf howls in Manitoba, Canada 

Julia: Branded in Memory | Signs.com / Draw Logos From Memory – Test your recall and see if you can recreate popular brand logos

Steve: The Wired Starter Pack on bsky and Subscribe to Wired

Podcast production and research by Vic Whitley-Berry.

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, Dan Kois sits in for Dana Stevens. First, the hosts discuss One of Them Days, a new buddy comedy starring Keke Palmer and SZA that’s quickly becoming a critical darling — and a box office success. Then, they dive into Asura, Japanese director Hirokazu Kore-eda’s Netflix show that’s about the dynamics between three sisters and is “totally uninterested in the rhythms of a TV show.” Finally, it’s time to explore the “manosphere.” The trio dissected a deftly reported package from Bloomberg, “The Second Trump Presidency, Brought to You by YouTubers.” 

Also, we’re looking for a new Production Assistant! Please send your resume and two ideas for segments to [email protected]. 

In the exclusive Slate Plus segment, the panel tackles modern TV title sequences and asks the age-old question: do you skip or play? This conversation was inspired by James Poniewozik’s article for The New York Times, “Why Do TV Title Sequences Have So Much… Stuff?” 

Email us at [email protected]. 

Endorsements:

Dan: Playworld by Adam Ross. 

Julia: A cookbook by Ben Mims, Crumbs: Cookies and Sweets from Around the World. 

Steve: (1) Bar Merenda, a restaurant located right outside of Melbourne. (2) “For the Love of the World” by Daegan Miller for Poetry Foundation. 

Kat: Calmly Writer Online, a distraction-free text editor. 

Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong.

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, the hosts dive into A Complete Unknown, director James Mangold’s surprisingly charming Bob Dylan biopic that’s all about fame and what it looks like to be adjacent to it. Then, the three explore Dick Wolf’s latest project: On Call, a half-hour cop procedural set in Long Beach, California that’s streaming on Prime Video. Finally, the trio remembers David Lynch, the iconic, singular filmmaker who passed away last week at the age of 78. 

In the exclusive Slate Plus segment, the panel goes electric themselves and responds to a listener question from Rob: “Would you reminisce about the most electric experience you’ve had consuming a piece of culture with other people?”

Email us at [email protected]. 

Endorsements:

Dana: The Soul of the Dance, a one-hour documentary about ballerina Ulyana Lopatkina. 

Julia: The Thursday Murder Club by Richard Osman. Alos, Julia is looking for nonfiction recommendations about Japan! Email her at [email protected]. 

Steve: Two Australia-related endorsements: (1) The Fatal Shore by Robert Hughes. (2) BUSH, a restaurant in Sydney’s Redfern neighborhood. 

Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong.

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, Slate staff writer Nadira Goffe sits in for Stephen. First, the panel explores Babygirl and its kinks. The latest feature from Dutch writer-director Halina Reijn stars Nicole Kidman and Harris Dickinson, and is fascinated by sex (mostly, as a concept.) Then, the three puzzle over Nickel Boys and the film’s audacious use of first-person point-of-view in filmmaker RaMell Ross’ adaptation of Colson Whitehead’s Pulitzer Prize-winning novel, The Nickel Boys. Finally, what does a Hollywood smear campaign look like? The trio discusses the messy legal and PR conflict embroiling Blake Lively and former It Ends With Us co-star and director, Justin Baldoni. 

In the exclusive Slate Plus segment, the panel checks in with Julia and production assistant Kat, as they share their experiences of the L.A. wildfires.  

Email us at [email protected]. 

Endorsements:

Nadira: Transa by Red Hot Org. Specifically, “Is It Cold In The Water” performed by Moses Sumney and ANOHNI.

Julia: Niksa sleep masks.

Dana: Exploring your local college radio stations. She likes WFUV (owned by Fordham University) and Columbia University’s WKCR. 

Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong.

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, it’s an all-movie week! Isaac Butler — author of The Method: How the Twentieth Century Learned to Act and host of the new Criterion Channel series, The Craft of Acting — sits in for Stephen Metcalf. First, the panel explores The Brutalist, director Brady Corbet’s two-part epic following the life of László Tóth (Adrien Brody), a Hungarian-born Jewish architect who survives the Holocaust then emigrates to the United States. Then, the three unpack Carry-On, an action thriller set in Los Angeles International Airport. It’s a well-made film with a dumb concept, and smashed Netflix records over the holiday. Finally, it’s that time of year again: Dana leads the panel through Slate’s Movie Club 2024, a cherished tradition in which she chats with other critics over email about the year in cinema. (Read her first post, here.)

In the exclusive Slate Plus segment, the all-movie theme continues, as the three spoil The Brutalist.  

Email us at [email protected]. 

Endorsements:

Dana: Adaptation, directed by Spike Jonze and written by Charlie Kaufman. 

Julia: A two-part endorsement: (1) My Cousin Vinny and (2) the production design of Three Men and a Baby (that apartment!) 

Isaac: “Eat What You Kill,” a masterfully reported piece by J. David McSwane for ProPublica. 

Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong.

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, it’s one of the Gabfest’s most cherished traditions: the yearly call-in show. Dana, Julia, and Stephen answer listen-submitted questions that run the gamut – can cooking for one be a joy? Should philosophy be studied more? And how did you make your most recent friend? 

In the exclusive Slate Plus segment, the panel dishes about pottery. Listener Dave asks: “what's your relationship to pottery? How do you drink your hot beverages in the morning or throughout the day? And then, is it okay to use an art object utilitarianly?” Oh, and the hosts have a lot to say. 

Email us at [email protected]. 

Podcast production by Jared Downing. Production assistance by Kat Hong.

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, the hosts indulge in the cozy pleasures of A Man on the Inside, a six-part Netflix series from showrunner and feel-good sitcom vet Michael Schur. Ted Danson stars as a grieving retired professor who is offered the chance to start life anew – and goes undercover inside a San Francisco retirement home.

Then, the trio dives into The Seed of the Sacred Fig, Iranian director Mohammad Rasoulof’s most daring — and most dangerous — film yet. Finally, the panel considers Kyle Chayka’s piece for the New Yorker, “2024 Is the Year Creators Took Over,” and discusses a few who stand out, including Haliey Welch, a.k.a. the “Hawk Tuah” girl. 

In the exclusive Slate Plus segment, the panel travels down memory lane and discusses their history on stage: what roles they played, the reviews they received, and the first time someone had to flirt publicly.  

Email us at [email protected]. 

Endorsements:

Dana: Defector! Particularly, this piece by Patrick Redford, “The Hawk Tuah Memecoin Rug Pull Is the Apotheosis of Bag Culture.”

Julia: In the Culture Gabfest’s first rewind endorsement, a clip from Julia that she still stands by to this day: her riffing on The Clapper sound activated light switch. 

Steve: Brad Mehldau’s After Bach and After Bach II. 

Podcast production by Jared Downing. Production assistance by Kat Hong. 

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, the hosts chew over Nightbitch, Marielle Heller’s (Queen’s Gambit, Can You Ever Forgive Me, The Diary of a Teenage Girl, MacGruber), fourth feature film. Amy Adam stars as “Mother,” a former artist who has given up her creative pursuits to care for her infant son full-time — a transition so taxing, that she begins dissociating and transforming into a dog at night. And while there’s a lot to like here (it’s an adaptation of Rachel Yonder’s magical realism novel of the same name, for example), does the film ever achieve lift-off? 

Then, the three rip Black Doves to shreds, Netflix’s latest espionage show starring Keira Knightly, Sarah Lancashire, and Ben Whishaw that has far too many plot holes to name (although, Stephen does try to.) Finally, the panel digs into the strange case of Luigi Mangione, the suspected shooter in the murder of UnitedHealthcare CEO Brian Thompson — and the internet’s sardonic, if not jubilant, reaction to the fatal shooting.

In the exclusive Slate Plus segment, the panel explores the celebrity look-alike contest: a puzzling and mildly delightful phenomenon that’s been sweeping the nation. (Read Nadira Goffe’s excellent reporting on the Timothée Chalamet tournament that started it all, here.)

FINAL CALL: We are down to the final week! To submit your question for our annual call-in show (for inspiration, check out last year’s episode), please call (260) 337-8260 to leave us a voicemail, or record a voice note and email it to us at [email protected]. 

Or, email us at [email protected] if you just want to gab. 

Endorsements:

Dana: The Year of Lear audiobook, written by James Shapiro and narrated by Robert Fass. 

Julia: Tree.fm — a project by Sounds of the Forest and aporee, where you can tune into forest soundscapes from around the world. 

Stephen: A cover of Richard and Linda Thompson’s “Down Where the Drunkards Roll,” performed by Loudon Wainwright III and Rufus Wainwright. 

Podcast production by Jared Downing. Production assistance by Kat Hong.

Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more.

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, Slate experts June Thomas (author of A Place of Our Own: Six Spaces That Shaped Queer Women's Culture) and Dan Kois (author of Hampton Heights: One Harrowing Night in the Most Haunted Neighborhood in Milwaukee, Wisconsin) fill in for Dana and Julia. First, the trio tackles Blitz, director Steve McQueen’s new film about the German bombings of London during World War II, which stars Saoirse Ronan, Harris Dickinson, and randomly, Paul Weller. For a McQueen movie, it’s quite traditional – predictable plot beats, an easy to understand moral viewpoint – but as a piece of culture, does it work? Is the film informative and incredibly ambitious? Or didactic and boring? 

Then, the panel unravels HBO’s Get Millie Black, a British crime drama set in Kingston, Jamaica. Created by Marlon James, the five-part detective series delivers a good, old-fashioned mystery (there’s corruption! Familial complications! Rich queer narratives! And way too much voiceover!) that reveals itself slowly, like peeling back the layers of an onion. Finally, can a “vibe” be copyrighted, in a world built on copying? The hosts pour over “Bad Influence,” a reported piece by The Verge about the groundbreaking legal case between two lifestyle influencers that has the potential to radically alter the online commerce industry. 

In the exclusive Slate Plus segment, the panel discusses movie credits and debates the merits of sitting through them. 

We are still taking questions for our annual call-in show! To submit your question, either leave us a voicemail at (260) 337-8260 or send us a voice note via email at [email protected]. 

Email us at [email protected]. 

Endorsements:

Dan: The Mighty Quinn (1989), starring a very handsome Denzel Washington. 

June: Our Evenings by Alan Hollinghurst. 

Steve: A quote by Vladimir Nabokov.  

Podcast production by Jared Downing. Production assistance by Kat Hong.

Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more.

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, the hosts consider ‘Glicked’ (or is it ‘Wadiator’? ‘Gladicked?’), the Wicked and Gladiator II double feature that promised to be this year’s ‘Barbenheimer.’ But did it deliver? Or even come close? First, the trio inspects Wicked, which won the weekend by a long shot (and broke a few records along the way.) At times, director Jon M. Chu’s film adaptation of the famed Broadway musical (which is, itself, an adaptation of a series of novels inspired by Frank Baum’s The Wonderful Wizard of Oz) can feel overstuffed and exhausting, but as Dana puts it in her review, “it’s so buoyant it lifts both witches-to-be, along with the audience, into the stratosphere.” 

Then, the panel moves on to Gladiator II, the very belated follow-up to Ridley Scott’s 2000 Best Picture Winner. Which is… a really bad movie. No longer is the question “are you not entertained?", but “are men okay, actually?” The panel attempts to make sense of Scott’s “dismal retread” and debate whether Denzel Washington’s free reign over his character benefited the movie at large. Finally, Slate’s Dan Kois joins to discuss “The 25 Most Important Recipes of the Past 100 Years,” a wonderful and lovely mega package compiled by Kois and J. Bryan Lowder that explores the history of home cooking in America and how it’s changed over time. (Dan also cooked all 25 recipes, and then some, an epic saga which he chronicled.)

In the exclusive Slate Plus segment, it’s the long-awaited Bluesky debate. Following the mass exodus from Twitter/X, the hosts discuss the pros and cons of migrating over to a new, remarkably similar, platform. 

We are still taking questions for our annual call-in show! To submit your question, either leave us a voicemail at (260) 337-8260 or send us a voice note via email at [email protected]. 

Email us at [email protected]. 

Endorsements:

Dana: A recipe perfect for Thanksgiving: Laurie Colwin’s Creamed Spinach With Jalapeño Peppers.

Julia: Opal, a screen time app that blocks distractions. 

Steve: “The Loudest, Brightest Thing” by Sam Huber for The New York Review.

Podcast production by Jared Downing. Production assistance by Kat Hong.

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

Hosted on Acast. See acast.com/privacy for more information.