Curious Objects

How much should you spend? What kind of stone should you get? Is antique better than modern? These are just a few of the many questions that any courter must consider when ring-hunting. Here to share his ring lore on this special Valentine’s Day episode is a true jewelry expert, Matthew Imberman of Kentshire Galleries. First things first: don’t worry about cursed jewelry. In Imberman’s experience, it’s usually not.

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In 1909, Daisy Makeig-Jones was hired by the Wedgwood firm in Staffordshire, England, to decorate pottery. She would go on to develop the “Fairyland” luster pattern, which combined dazzling iridescent glazes with motifs from fairy tales and would serve to revitalize the Wedgwood brand. Bailey Tichenor, one half of the duo behind Artistoric gallery, comes on the pod to discuss a mid-1920s example of Makeig-Jones’s work called Poplar Trees, which boasts depictions of cypresses and other trees, a Japanese bridge, and winding river on the outside; inside are elves, flowers, and a mermaid medallion set among sparkling waves of glaze, along with a hidden treasure: the designer’s monogrammed signature.

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In what has become an annual tradition, Curious Objects host Benjamin Miller capped off January with a panel discussion at the Winter Show. This year’s edition was named “Catching the Bug: Enriching Your Life Through Collecting,” and featured three distinguished collectors and the objects they live by and through. The Hawkes bowl belonging to conservator Lloyd Zuckerberg, interior designer Marcy Masterson’s Italian side chair, and the Etruscan hand mirror of artist and educator Thomas Lollar provide evidence not only of the discernment of their owners, but of some twenty-five hundred years of design history.

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In the summer of 1966 the Beatles were in Japan, whirling through the first leg of what would be their final world tour. Hoping to forestall the dangerous excesses of Beatlemania, Japanese authorities confined the Fab Four to their hotel suite at Tokyo’s Hilton Hotel for almost the duration of their one-hundred-hour stay. Casting about for things to do, the Beatles fell to painting: each took upon himself to design one quadrant of an acrylic-and-watercolor artwork known as Images of a Woman, currently on offer from Christie’s as part of the auction house’s annual Exceptional Sale. The painting offers a novel look inside the collaborative practice of John, Paul, George, and Ringo, a story that Casey Rogers, senior vice president at Christie’s, elaborates on in this week's episode.

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In 1543 Andreas Vesalius published a seven-part book that would become the foundational text of modern anatomy: On the Fabric of the Human Body. With it, the Flemish anatomist overturned more than a millennium’s worth of medical dogma, many of his breakthroughs coming while dissecting human corpses—a method of study unavailable to physicians of classical antiquity. Part education and part art, Vesalius’s illustrated anatomy is as respected today for its woodcut specimen drawings—flayed “muscle men” and skeletons who pose like figures from medieval paintings—as for its no-nonsense organization . . . and it might have been even better. In this week’s episode, Benjamin Miller speaks with Rhiannon Knol, specialist at Christie’s, which is currently offering Vesalius’s own annotated copy of his book’s second edition. Its margins dark with suggestions—in Latin—for transposition, rephrasing, and new contextual information, this fascinating document of medical history hints at what a third edition would have offered, if not for Vesalius’s untimely death in 1564.

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In this week’s episode, interior designer Tara McCauley gives listeners an inside look at her practice, which she likens, curiously, to a travel agency. She says: “I like to think of myself like I’ve gone into the market and I’ve done the research and I’ve talked to the experts and the locals and I’m bringing you the best kind of experience you’re looking for.” She's also brought along a small splatter-painted box by artist Thomas Engelhart, a veteran of the houses of Mugler and Hermès. For his series of handmade objets d’art in the shapes of pyramids, platters, obelisks, and disks, Engelhart has taken inspiration from porphyry, a material prized by the ancient Romans and employed in the construction of monuments and tombs—just one more instance of the fertile cross-pollination between the arts of the past and the present.

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Over the past couple weeks we’ve been fielding and compiling questions that listeners have put to host Benjamin Miller. A taste: “Has any object ever truly baffled you?” “What’s the best town for antiquing?” and “Will Curious Objects ever do an adults-only episode?” This week’s episode represents a taste of his own medicine for Ben, usually the interviewer, and offered a chance for us at The Magazine ANTIQUES to learn a little more about what the Curious Objects community puzzles over.

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A top-tier orchestra might well have tens of millions of dollars–worth of instruments on stage. Many of them are antiques. And there are few people who know these instruments more intimately than Paul Becker. He’s the fifth-generation owner and director of Carl Becker and Son, a 150-year-old luthier business in Chicago. He and his family have restored the most famous instruments in the world, and they’ve put violins, violas, and cellos in the hands of many of the world’s finest musicians. In a wide-ranging conversation, podcast host Ben Miller and Becker delve into all things stringed—from the the way the timbre of ancient violins compares to their modern counterparts (and competitors), the market for fakes, and the unique relationship between musician and instrument. Tune in for some great stories, and some great violin music, courtesy of special guest—and Ben's mom—Katherine Lehman.

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“Conservative” by the standards of its day, the three-piece suit worn by American statesman and bon vivant Lewis Littlepage (1762–1802) at the court of Catherine the Great is sewn of silk and embroidered with sprays of blue, white, and grey flowers. Neal Hurst, curator of textiles and historic dress at Colonial Williamsburg, comes on our Curious Objects podcast to discuss this colorful garment in connection with Littlepage’s similarly colorful life—from contretemps with American Founding Father John Jay and service in the Spanish Army, to his career as chamberlain to Stanislaw II of Poland. 

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This week Benjamin Miller is joined by filmmaker Rachel Gould, better known on YouTube as the Art Tourist, to discuss Thomas Cole’s Course of Empire cycle of about 1834–1836. A watershed in the genre of landscape painting, Cole’s canvases use an allegory of empire—germination, prosperity, decline—to preach a cautionary tale about environmental and spiritual overreach. It was message delivered with earnest intent to the citizens of the young and ravenous American republic, and is hardly less relevant today.

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