Curious Objects

Like host Benjamin Miller, Oliver Newton specializes in silver—specifically, that from England, and especially silver from the nineteenth century and before. He has in hand a 1713 Anthony Nelme shaving bowl, one of those otherwise workaday objects made exceptional by fine craftsmanship, distinguished provenance, and, of course, the luster and value of its material. From the bowl’s history to the ins and outs of slinging hollowware, Oliver and Ben cover the antiquing gamut in the collegial manner what befits two young swells of the trade.

Nick Dawes knows as much about antiques as probably anyone alive. With more than one hundred appearances on “Antiques Roadshow” since its US edition debuted in 1996, Dawes has sifted through thousands, perhaps millions, of family heirlooms in the thirty to sixty seconds allotted for each supplicant by the busy TV production schedule. Talking antiques, Dawes reminisces about “the ones that got away,” and the time he discovered a ceramic vase painted by Picasso that sold for $400,000. Word to the wise: if you ever hear the phrase “this is a very interesting object . . .” brace yourself—your curio is probably worthless.

Benjamin Miller is joined by Nathan Raab, principal at the Raab Collection, a purveyor of historic documents, manuscripts, and autographs that range from medieval codices to notes, signatures, and letters by the likes of Napoleon and Amelia Earhart. The firm’s inventory includes several items of especially national significance, such as the never-before-seen missive by George Washington—written just before the Continental Army’s encampment at Valley Forge for the winter of 1777–1778—that is the subject of this episode.

Clarissa von Spee, curator and Chair of Asian Art at the Cleveland Museum of Art, comes on the pod to discuss a pair of ornately carved Qing Dynasty jade vessels, made by masters in Suzhou, China. Probably luxury objects and perhaps gifts, they’re just a couple of the more than two hundred objects on view as part of the exhibition "China’s Southern Paradise: Treasures from the Lower Yangzi Delta," the first exhibition in the West that focuses on the artistic production and cultural impact of a region located in the coastal area south of the Yangzi River.

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This week host Benjamin Miller welcomes back an old friend: Glenn Adamson, ANTIQUES contributor and now editor of Material Intelligence, an online quarterly published by the Chipstone Foundation. The upcoming issue of the journal concerns leather, one of the oldest as well as the commonest human-worked materials. From its sartorial to industrial applications (machine belts—sorry American bison), and its prevalence in sadomasochistic paraphernalia, Ben and Glenn cover the gamut.

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Benjamin Miller continues his odyssey through the PEM’s James B. and Mary Lou Hawkes Collection Center, which embraces a sizeable portion of the museum’s nearly 2 million objects sourced from around the globe. Christian Louboutins and a $2.1 million copy of the Declaration of Independence are on the menu, as Ben speaks with Angela Segalla, director of the Collection Center, curators Karina Corrigan and Paula Richter, and Dan Lipcan, director of PEM’s Phillips Library.

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The Peabody Essex Museum in Salem, Massachusetts, is the United States’ oldest continuously operating museum. Today it embraces nearly 1 million objects from around the globe. However, as with most museums, space and programming constraints mean that only a fraction of these can be on view at any one time. Enter PEM’s James B. and Mary Lou Hawkes Collection Center, a massive new facility that gives curators, visiting scholars—and Ben Miller, host of Curious Objects—access to Jingdazhen punch bowls, documents from the Salem Witch Trials, showy Persian shoes, and much, much more.

Feat. Angela Segalla, director of the Collection Center, curators Karina Corrigan and Paula Richter, and Dan Lipcan, director of PEM’s Phillips Library.

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In 1963, archaeologists from the Corning Museum of Glass in upstate New York began excavations in an ancient Levantine town called Jalame, in today’s Israel. For eight years they uncovered objects—many of which were brought back to the Corning—related to the production of glass in the Late Roman Empire. Most of the pieces produced in the Jalame workshop were workaday, monochrome items, but a few were more luxurious, such as a conical beaker decorated with blue dots (from copper). Untreated glass is naturally green or blue, from the iron found in sand, so the glass for this beaker would have to have been de-colorized with manganese. “The Jalame excavation was transformative because it was really the first scientific investigation of a glass workshop from antiquity,” says Katherine Larson, the guest for this episode of Curious Objects and curator of the exhibition "Dig Deeper: Discovering an Ancient Glass Workshop in Corning."

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Host Benjamin Miller welcomes back his erstwhile co-host, Michael Diaz-Griffith, to discuss the latter's new book, "The New Antiquarians." A survey of the up-and-coming generation of antiques collectors, who are taking up the mantle of the wealthy, socially competitive collectors who preceded them, the book takes readers into the homes of “people who are independent of mind, who want to create an interior that’s expressive of who they are"—from fashion designer Emily Bode to artist Andrew LaMar Hopkins, and many in between.

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The cope, a long, loose-fitting ceremonial cloak worn by a priests or bishops, is a curious object. “Imagine a circle cut in half—a cope is the shape of that half,” explains Thomas Campbell, director of the Fine Arts Museums of San Francisco. Henry VII commissioned thirty of these richly embroidered vestments for the English clergy, helping to lay the foundation for that special blend of religion, power, and material prestige that would mark the reign of his son, the notorious Henry VIII. One of these copes is our focus piece this week. But twenty-nine of its brothers and sisters shared the fate of so many Renaissance textiles: oblivion.

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