Emerging Form

Everyone gets stuck. And in this interview with writer and teacher Ramona Ausubel, we talk about why this is normal and practical, usable ways to meet a page when we don’t think we can go on. Drawing from her newest book, Unstuck:101 Doorways leading from the Blank Page to the Last Page, Ramona shares with us why certain strategies work only at certain stages of creative projects. We talk about finding patterns, ways to develop characters and create scenes, different ways to approach different drafts, the half-draft approach, finding opposition and so much more.

Ramona Ausubel is the national bestselling author of Unstuck: 101 Doorways Leading From the Blank Page to the Last Page, The Last Animal, Awayland: stories, Sons and Daughters of Ease and Plenty, A Guide to Being Born and No One is Here Except All of Us. She is the recipient of the National Book Foundation Science + Literature Prize, the PEN/USA Fiction Award, the Cabell First Novelist Award and has been a finalist for both the California and Colorado Book Awards and the New York Public Library Young Lions Award. Her work has been published in The New Yorker, The New York Times, The Paris Review daily, One Story, Tin House, The Oxford American, Ploughshares and elsewhere. She is a professor at Colorado State University and lives in Boulder, Colorado with her family.

A poet and a science writer walk into a podcast—and laugh, tease, joke, uplift, and ask each other tough questions about creative process. In this episode of Emerging Form, the hosts Rosemerry Wahtola Trommer and Christie Aschwanden ask each other some of the questions they like to ask their guests. It’s a raucous, fun episode in which they rib each other as only best friends can do, taking turns being in the hot seat to talk about ambition, how getting older has affected creative practice, sincerity, empathy, curiosity and, of course, wine.

Christie Aschwanden is the author of the New York Times bestseller, Good to Go, What the Athlete in All of Us Can Learn from the Strange Science of Recovery. She’s also host and producer of Uncertain, a podcast from Scientific American. She’s the former lead science writer at FiveThirtyEight and was previously a health columnist for The Washington Post. Her work has appeared in dozens of publications, including New York Times, Wired, Smithsonian, Slate, Popular Science, Discover, Science and Nature, and she’s received fellowships from the Santa Fe Institute, the Carter Center, and the Pulitzer Center for Crisis Reporting. She lives on a small farm in western Colorado.

Rosemerry Wahtola Trommer is a poet, teacher, speaker, and writing facilitator. Her daily audio series, The Poetic Path, is on the Ritual app. Her poems have appeared on A Prairie Home Companion, PBS NewsHour, O Magazine, Washington Post Book Club, and Carnegie Hall Stage. Her recent collections are All the Honey and The Unfolding. In 2024, she became Poet Laureate for Evermore, helping others explore grief and love through poetry. Since 2006, she’s written a poem a day, sharing them on her blog, A Hundred Falling Veils. Her one-word mantra is adjust.

“It feels like a radical practice not to be productive, to allow the space to guide what comes next,” says prolific poet and beloved writing teacher James Crews. “I have tendencies toward control.” In this episode, we talk about the importance of slowing down and doing less, and why a creative practice depends on this. James reads several poems from his new collection, Breathing Room: Poems of Rest and Retreat, and we talk about creating healthy boundaries around productivity, embodiment in a creative practice, and poetry as a spiritual practice.

James Crews lives on forty rocky acres in Southern Vermont, on the unceded lands of the Abenaki people, with his husband Brad Peacock, with whom he co-edited Love Is for All of Us: Poems of Tenderness & Belonging from the LGBTQ+ Community & Friends (Storey Publishing). Crews is the author of several collections of poems, including Unlocking the Heart, Turning Toward Grief and Breathing Room. To sign up for free weekly poems and for more info, visit: jamescrews.net.

For thirty years, Dimity McDowelll made a life–and a living–with running and writing about running. Then, for health reasons, she had to stop. In this episode of Emerging Form, we talk with Dimity about how our creative identity is linked with other identities and what to do when that radically changes. We discuss her new book The Twenty-Seventh Mile: How to Smooth the Rough Transition out of Your Running Years, and the difference between writing a book with a partner and writing alone. We talk about embodied writing, the importance of empathy when incorporating other people’s stories, and the challenges of writing about loss.

Before focusing her career on running, Dimity McDowell was a sports journalist, holding staff positions at Self, ESPN: The Magazine, and Sports Illustrated for Women. She co-authored three running books (Run Like a Mother, Train Like a Mother, and Tales from Another Mother Runner) and co-founded Another Mother Runner, an inclusive community for all female runners, with Sarah Bowen Shea. A personal trainer and running coach, she has finished countless races, including Ironman Coeur d’Alene and the Pike’s Peak Half Marathon. Dimity is the mother of two adult children, and lives in Denver with her husband and two dogs.

What’s the secret to making a living doing your art? “There really is no magic trick … spoiler,” says Mason Currey, author of Making Art and Making a Living. But in this episode of Emerging Form, we talk with Currey about what he learned by studying how other creatives across genres, cultures and centuries have made it work. We also talk about his own relationship to creative practice–little tricks and attitude shifts, the importance of repetition and habit, developing trust in our own practice, and which compromises can really harm our creative energy.

Mason Currey is the author of the Daily Rituals books, featuring brief profiles of the day-to-day working lives of more than 300 brilliant minds. His latest book, Making Art and Making a Living was published on March 31, 2026. Currey lives in Los Angeles and writes Subtle Maneuvers, a twice-monthly newsletter on the creative process.

“I discovered a narrative though my journaling,” says author, creative coach and workshop leader GG Renee Hill. “Writing is a place I can be raw and honest with myself.” In this episode, we speak with GG about her new book, Story Work: Field Notes on Self-Discovery and Reclaiming Your Narrative. We talk about

* How to rewrite a victim narrative

* The intersections of creativity and psychology

* How to build your capacity to be vulnerable

* How to discern when, where and why to share your story

* The role of hope in creative practice

* The importance of breaking the silence around mental health

GG Renee Hill is an author, creative coach, and workshop facilitator whose work centers writing as a tool for healing, self-discovery, and creative expression. Her mission is to help others enrich their lives and communities through the transformative power of the written word. She is the author of Self-Care Check-In: A Guided Journal to Build Healthy Habits and Devote Time to You (2020) and A Year of Self-Reflection Journal: 365 Days of Guided Prompts to Slow Down, Tune In, and Grow (2021). Her most recent book, Story Work: Field Notes on Self-Discovery and Reclaiming Your Narrative was published by Broadleaf Books in November 2025. When she’s not writing, GG facilitates writing workshops for a diverse list of corporate and non-profit clients and literary organizations.

Books: allthemanylayers.com/books

Instagram: @ggreneewrites

Substack: thelayers.substack.com

“Elation and connection” are two of the side effects of communal singing, and for over four decades, Kate Munger has been writing songs to be sung in tender and difficult moments–at the bedside of the dying, in prisons, and now at gatherings to repair democracy. We talk with Kate about what makes a good communal song, her writing process, how song can transform a negatively charged moment, and what are some of the challenges for communal singing in this moment.

Kate Munger has been passionate about community singing since she was 8 years old at Girl Scout Camp and has led community singing now for over 45 years. In 2000 she founded the first of now 200 Threshold Choirs around the world, singing at the bedsides of people who are dying. Now retired from running the Threshold Choir, Kate has returned to her passions of writing songs for medicinal use and singing for people in coma and with folks who are incarcerated she is offering monthly free sessions to learn 60 new songs to sing on the way to, at and from protests to repair democracy, called “Hate Has No Home Here.” An email to Kate ([email protected]) will sign you up.

Imagine you’ve just heard an hour-long keynote full of history, statistics, personal story and social justice. And then someone comes to the stage, sits at the piano, and sings back a song that encapsulates the emotional and intellectual content you’ve just heard. That is the improvisational talent of Ken Medema, a keyboardist/pianist, singer, storyteller and performer. In this episode of Emerging Form, we speak with Ken about the importance of a “fence” when it comes to creative play, how to listen for key phrases, how to make people feel truly seen and heard through creative response, plus there’s a spontaneous mid-interview performance!

Ken Medema has shared his passion for learning and discovery through storytelling and music and has been writing and performing as a singer and pianist/keyboardist for 52 years in many different venues: churches, conventions, colleges, corporations and more. Though blind from birth, Ken sees and hears with heart and mind, improvising stories from his audience and speakers. Ken lives in the San Francisco Bay area and is celebrating the 50th anniversary of his Tree Song, which premiered at a youth convention in Princeton in 1976. He has written and produced over 30 albums.

“I was acutely aware of not feeling part of the club,” says Alia Hanna Habib, now a leading literary agent. “As I started to become an insider, I saw other people feel that same way.” In this episode Habib talks about writing her book, Take It From Me: An Agent’s Guide to Building a Nonfiction Writing Career from Scratch, and offers ideas for where to start writing your book, how having talented friends might both inspire and intimidate you, how to choose a topic, and why she now finds ways–with her book and her work–to open the door for other creatives.

Alia Hanna Habib is a Vice President and literary agent at The Gernert Company, where she represents MacArthur Fellows, Pulitzer Prize-winning journalists, National Book Award finalists, and numerous New York Times bestselling authors. Her new book, Take It From Me: An agent’s guide to building a nonfiction writing career from scratch, is a guide to nonfiction writing careers for emerging and established writers. She lives in Brooklyn, NY.

“The least dangerous humor is to make fun of yourself and your foibles,” says comedian Chris Duffy. How might such a sense of humor help jumpstart and nourish your creative life? In this episode of Emerging Form, we talk with Chris about

* what is a sense humor and why is it essential for our creative lives

* why noticing specific details is an essential to both creativity and our humanity

* the joy in heckling ourselves

* how the feedback loop of a stage differs from the feedback loop of a reading audience

* ways to laugh at yourself and why this is so important

Both silly and sincere, this is an episode for linking your sense of humor to the rest of your life in a generous, creative way.

Chris Duffy is an award-winning comedian, television writer, and radio/podcast host. Chris currently hosts the hit podcast How to Be a Better Human. He wrote for both seasons of Wyatt Cenac’s Problem Areas on HBO, executive produced by John Oliver. His new book Humor Me: How Laughing More Can Make You Present, Creative, Connected, and Happy is out now.

Image: Chris launching his book on the Staten Island Ferry on his book launch day. He’s the real deal, folks.