“I am just discovering myself as a novelist,” says international bestselling novelist Shelley Read, author of Go as a River. In this conversation, Shelley shares with us how her journey from poet and non-fiction writer shifted into fiction with a single moment of observation and wonder. She shares with us how she crafts scenes, her penchant for playing with language, why she didn’t share with anyone about what she was doing for many years, how a love affair with her main character drove the whole novel, and what she has learned about her own creative process along the way.

Shelley Read’s debut novel,Go as a River, is an international bestseller that has sold over a million copies worldwide, been translated into thirty-four languages, and is in development for film with the Mazur Kaplan Company. Winner of the High Plains Book Award for Fiction and the Reading the West Book Award for Debut Fiction, Go as a River is also a Sunday Times bestseller, a Goodreads Choice Award finalist, an Amazon Editors’ Pick Best Debut Fiction, an Indie Next Pick, and a Colorado Public Radio Books We Love selection, among other national and international accolades. Shelley was an award-winning senior lecturer at Western Colorado University for nearly three decades, where she taught writing, literature, environmental studies, and honors. She is a mom, mountaineer, world traveler, and fifth-generation Coloradan who lives with her family in the Elk Mountains of Colorado’s Western Slope.

You can meet Shelley in person at the Grand Mesa Writer’s Symposium August 8-10 in Cedaredge. The event features numerous workshops and gatherings, including an open mic. For the keynote, Christie will talk with Shelley, the poet Wendy Videlok (a previous guest on our show) and nonfiction writer Tim Winegard about their work. More info at: https://www.grandmesawriters.org/

“I try to be really open to anything that comes my way,” says bestselling author Bonnie Tsui. Her newest book, On Muscle, isn’t a memoir, but it begins with her recounting her father encouraging her and her brother to “make a muscle.” Tsui appears in many sections of the book interacting with the various characters she introduces. Yet it’s not a book explicitly about her, and if there’s a main character it’s probably human muscle. In this episode we speak with Tsui to find the right balance of personal storytelling, history, science, experts and interesting characters. Plus why poetry is a part of her research and the value of pulling multiple disciplines into her writing.

Bonnie Tsui is a longtime contributor to The New York Times and the author of the new book On Muscle: The Stuff That Moves Us and Why It Matters—a vivid, thought-provoking celebration of musculature and one of the most anticipated books of the year; it is currently being translated into six languages. Her bestselling books include Why We Swim, a New York Times Book Review Editors’ Choice and a Time magazine and NPR Best Book of the Year, and American Chinatown, which won the Asian/Pacific American Award for Literature. Her work has been recognized and supported by Harvard University, the National Press Foundation, the Mesa Refuge, and the Best American Essays series. She lives, swims, and surfs in the San Francisco Bay Area.

Links:

Website www.bonnietsui.comInstagram www.instagram.com/bonnietsui8https://www.bonnietsui.com/Rosemerry’s new album, Risking Love videos or on SpotifyGrand Mesa Writer’s Symposium

“You have to have a lot of patience,” says science writer Jennie Erin Smith about working on a long-term creative project. She adds, “You have to have a lot of patience with eccentric people.” In this bonus episode, we talk about patience, plus about sharing work with creative heroes, the importance of taking a good long break, the art of pushing through, what to do when the words aren’t coming, and why having a “breakthrough” isn’t a necessary part of the process.

Jennie Erin Smith is the author of Valley of Forgetting: Alzheimer's Families and the Search for a Cure. She is a regular contributor to The New York Times and has written for The Wall Street Journal, The Times Literary Supplement, The New Yorker, and others. She is a recipient of the Rona Jaffe Foundation Writers’ Award; the Waldo Proffitt Award for Excellence in Environmental Journalism in Florida; and two first-place awards from the Society for Features Journalism. She lives in Florida and Colombia.

When a creative project lasts for many years, how do you create a cohesive story? How do you gather and organize that much research? At what point do you begin writing? How do you handle the changing of an editor? What happens when you don’t know the ending? And what if you hoped for a different ending? We cover all these questions with Jennie Erin Smith, author of Valley of Forgetting, a book ten years in the making, about a vast Columbian family and the Alzheimer’s researchers who studied them.

Jennie Erin Smith is the author of Valley of Forgetting: Alzheimer's Families and the Search for a Cure. She is a regular contributor to The New York Times and has written for The Wall Street Journal, The Times Literary Supplement, The New Yorker, and others. She is a recipient of the Rona Jaffe Foundation Writers’ Award; the Waldo Proffitt Award for Excellence in Environmental Journalism in Florida; and two first-place awards from the Society for Features Journalism. She lives in Florida and Colombia.

How can looking at the past help us understand what to do about a current crisis? “I’m a firm believer that history can help give us perspective here,” says science writer Lisa S. Gardiner. She’s speaking about her research with coral reefs, but it’s an apropos metaphor for how our past experiences with creative endeavors can help inform our current struggles. In this episode, we talk about the importance of the book proposal (and tips for getting one done), the art of weaving the self into a story that’s not memoir, and how essential our curiosity is to, well, everything.

Lisa S. Gardiner is a freelance writer, geoscientist, and educator. She is the author of Reefs of Time: What Fossils Reveal about Coral Survival and Tales from an Uncertain World: What Other Assorted Disasters Can Teach Us About Climate Change. Her writing has appeared in Nautilus Magazine, Scientific American, bioGraphic, and Audubon, among other places.

What happens when the subject of your creative practice scares you? Not only that, but what if you’re scared, too, of what might happen when you put your work into the world? We speak with physicist and author Adam Becker about his new book, More Everything Forever: AI Overlords, Space Empires, and Silicon Valley's Crusade to Control the Fate of Humanity, in which he writes about the terrible plans tech billionaires have for the future and why they won’t work. Our conversation includes why doubt is a strength, being a planner vs. a pantser, why bringing your body into your practice is important, and why Adam spends time with trees.

Adam Becker is a science journalist with a PhD in physics. He is the author, most recently, of More Everything Forever: AI Overlords, Space Empires, and Silicon Valley's Crusade to Control the Fate of Humanity. In addition to his books, he has written for the New York Times, the BBC, NPR, Scientific American, New Scientist, Quanta, and many other publications. He lives in California.

Adam’s first book, What Is Real?

Find Adam on Bluesky

Knowing your audience is everything for a storyteller, and sometimes that information comes in real time. “Within three minutes I am going to know if this is going to be terrible for all of us or great,” says storyteller Bil Lepp. In this bonus episode, we talk about how to respond on stage to an audience’s laughter, what to do if you find yourself with an audience of middle schoolers, how to handle a show that doesn’t go so well, and how he got started in storytelling.

Bil Lepp is an award-winning storyteller, author, and recording artist. He’s the host of the History Channel’s Man Vs History series, the occasional host of NPR’s internationally syndicated Mountain Stage. Though a five time champion of the WV Liars’s Contest, Lepp’s stories often contain morsels of truth that present universal themes in clever and witty ways. Bil’s books and audio collections have won the PEN Steven Kroll Award for Children’s Book Writing, Parents’ Choice Gold Awards and awards from the National Parenting Publications Association. He’s also the recipient of the Vandalia Award, West Virginia’s highest folk honor. The Charleston Gazette calls him a “cross between Dr. Seuss and film noir.”

Humor for the joy of it is reason enough, but in this episode we speak with storyteller Bil Lepp about how humor might also be a way to earn trust with an audience so that we might bring in difficult conversations. He offers techniques for how to craft toward a punchline and how to use a “Lego” approach to crafting multiple stories. We also touch on how storytelling builds community.

Bil Lepp is an award-winning storyteller, author, and recording artist. He’s the host of the History Channel’s Man Vs History series, the occasional host of NPR’s internationally syndicated Mountain Stage. Though a five time champion of the WV Liars’s Contest, Lepp’s stories often contain morsels of truth that present universal themes in clever and witty ways. Bil’s books and audio collections have won the PEN Steven Kroll Award for Children’s Book Writing, Parents’ Choice Gold Awards and awards from the National Parenting Publications Association. He’s also the recipient of the Vandalia Award, West Virginia’s highest folk honor. The Charleston Gazette calls him a “cross between Dr. Seuss and film noir.”

“Practice teaches us to have faith in the process,” says Andrea Barrett, National Book Award winning author. In this episode of Emerging Form, we speak with her about her newest book, Dust and Light: On the Art of Fact in Fiction. It’s one of the most metaphor-rich, process-curious shows we’ve had yet. We explore the joys of rabbit holes, the importance of not knowing what we are looking for, the inevitability of false starts (and how to let go of the work we’ve done), why we shouldn’t worry about writing unreadable first drafts, how to develop the muscle of intuition, and the questionable wisdom of how we teach creative writing.

Andrea Barrett is the author of the National Book Award-winning Ship Fever, Voyage of the Narwhal, Servants of the Map, Natural History, and other works of fiction. She has received a MacArthur Fellowship, a Guggenheim Award, an Award in Literature from the American Academy of Arts and Letters, an NEA Fellowship, and the Rea Award for the Short Story, and been a finalist for the Pulitzer Prize. She lives in the Adirondacks.

“I turn to the poem, I turn to the page for a sense of hope, how to move through life, how to get through a day,” says Danusha Laméris. “I have come to a place where I trust the poem more than I trust myself.” In our second conversation with the award-winning poet, (We also interviewed her in Episode 29 on “the understory”), she shares from her newest collection, Blade by Blade, and we talk about how a writing practice grows us, how it allows us to “salvage time,” and how it helps us see how connected we other with the past and with others.

Danusha Laméris’ first book, The Moons of August (2014), was chosen by Naomi Shihab Nye as the winner of the Autumn House Press Poetry Prize and was a finalist for the Milt Kessler Book Award. A Pushcart Prize recipient, some of her work has been published in: The Best American Poetry, The New York Times, Orion, The American Poetry Review, The Gettysburg Review, Ploughshares, and Prairie Schooner. Her second book, Bonfire Opera, (University of Pittsburgh Press, Pitt Poetry Series), was a finalist for the 2021 Paterson Poetry Award and the winner of the Northern California Book Award in Poetry. She was selected for the Lucille Clifton Legacy Award, and was the 2018-2020 Poet Laureate of Santa Cruz County, California. She is on the faculty of Pacific University’s Low Residency MFA program.