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You’re either right or you’re wrong, there is no in between. At least, that’s what most versions of Christianity in the U.S. have taught for decades, saying that if a spiritual practice falls in the “fully wrong” category, we should have nothing to do with it. But what if there’s a lot to be learned from other religions and practices? What if they understand aspects of faith and God that we have lost? That’s something Rachel Pieh Jones had to confront when she moved from Minnesota to the horn of Africa and found herself the minority amongst Muslims. We talked with her about how her experience has changed how she sees others and their faith practices, as well as expanded her understanding of God.
Follow Rachel on Instagram and Twitter (@rachelpiehjones).
For show notes, click here or go to holyheretics.org.
Follow us on social media! Twitter: @holyheretics | Instagram: @holyhereticspodcast | Facebook: @holyheretics
Credits
This episode was produced by The Sophia Society. Music is by Faith in Foxholes, and sound engineering is by Joshua Mudge.
By The Sophia Society4.7
128128 ratings
You’re either right or you’re wrong, there is no in between. At least, that’s what most versions of Christianity in the U.S. have taught for decades, saying that if a spiritual practice falls in the “fully wrong” category, we should have nothing to do with it. But what if there’s a lot to be learned from other religions and practices? What if they understand aspects of faith and God that we have lost? That’s something Rachel Pieh Jones had to confront when she moved from Minnesota to the horn of Africa and found herself the minority amongst Muslims. We talked with her about how her experience has changed how she sees others and their faith practices, as well as expanded her understanding of God.
Follow Rachel on Instagram and Twitter (@rachelpiehjones).
For show notes, click here or go to holyheretics.org.
Follow us on social media! Twitter: @holyheretics | Instagram: @holyhereticspodcast | Facebook: @holyheretics
Credits
This episode was produced by The Sophia Society. Music is by Faith in Foxholes, and sound engineering is by Joshua Mudge.

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