In this episode, textile artist Shelly Goldsmith works across hand weaving, digital cloth and installation to explore inheritance, motherhood and the origins of self. In conversation with Jo Wright, she reflects on slow process, psychological theory and the courage to trust intuition. This thoughtful episode moves between the intimate and the cosmic, revealing how cloth becomes a vehicle for life’s biggest questions.

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In this episode, textile artist Julian Jamaal Jones reimagines quilting as contemporary fine art – bold, abstract works built from sketches, printed cloth, and rhythmic stitching. In conversation with Angela Truscott, Julian reflects on making through grief, family lineage, and the freedom of abstraction as protection. A thoughtful episode about taste, confidence, and building a signature language in cloth.

And some good news: we are filming a course with Julian soon! Join the waiting list on our website - taketwoart.com/courses/julian-jamaal-jones

Visit our website to explore our courses, or dive into more articles and interviews. 

In this episode, psychologist, writer and textile maker Nicole Nehrig joins Jo Wright for a wide-ranging conversation on the social, historical, and cultural power of making. Drawing from her book and lived experience, Nicole reflects on craft as a therapeutic practice, a cultural language, and a tool for connection, protest and meaning-making across time.

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In this episode, quilter and multidisciplinary artist Casey Engel moves between fibre, ceramics, printmaking and painting – chasing that “magnificent wobble” only handwork can hold. In this conversation, she reflects on embracing imperfection, trusting risk, and making work that resists utility while staying deeply intimate. From thrifted textiles to residencies without internet, Casey shares a practice built on courage, surprise, and renewal.

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In this episode, Claire Benn joins Deborah White to reflect on handwriting as an expressive, material practice. Working across ink, paper and textiles, Claire speaks about text as mark, texture and gesture rather than language. The conversation explores learning through repetition, suspending judgement, and how slowing down can open new creative pathways. Claire also shares insights into the ideas and approaches woven through her new course TEXTure, offering a glimpse of what participants can expect when they begin transforming their own handwriting into material expression.

Learn more about Claire’s course TEXTure.

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As a new brand (and new era!) of the business begins, founder Angela Truscott speaks to Creative Director Jo Wright about building an inclusive creative community rooted in education, quality, and care. Angela shares the personal and professional journey behind Take Two – from leaving corporate life to championing artists, students, a caring team, and collaboration. This episode offers rare insight into values-led creative leadership.

From her studio on the Hampshire coast, textile sculptor Bryony Jennings stitches soulful creatures from vintage cloth, forgotten buttons and timeworn threads. In this thoughtful conversation, Bryony reflects on the slow magic of her making process, how fabric holds memory, and the quiet bravery of balancing motherhood, art and imagination.

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Marian Jazmik is a UK-based textile artist known for her inventive mixed media sculptures inspired by nature’s quiet details. In this conversation, Marion shares how retirement became her creative beginning, why texture speaks louder than colour, and how found objects and experimental play underpin her captivating practice.

Visit our website to view Marian’s work, explore our courses, or dive into more articles and interviews. 

Ukrainian artist Olga Radionova transforms wood, metal and textiles into sculptural works that explore strength, vulnerability and rebirth. From soft sculptures to weapon remnants reborn as flowers, Olga’s practice is both a tactile celebration of material and a profound response to life in a war-torn country. This episode is a powerful meditation on creativity, resilience, and the transformative nature of art.

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What does it mean to know a place? For textile artists Dorothy Caldwell and Claire Benn, it begins with walking, listening, collecting – and letting the land leave its mark. In this rare and intimate conversation across three continents, these lifelong artists and friends reflect on pigment, place, and the deep, quiet power of working with cloth, soil, and time.

Visit our website to view Dorothy and Claire’s work, explore our courses, or dive into more articles and interviews.