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EPISODE 41 - “The Death of the Dream Factory” - 06/24/2024

When the early movie studios began to pop up in Hollywood during the 1920s and 1930s, the major studio chiefs produced magnificent films and further advanced the art form of film, but they also created a system where they controlled the supply and demand flow and treated the artists who made the films like indentured servants. This is the story of how the servants rose up to end the traditional studio system. 

SHOW NOTES: 

Sources:

The Hollywood Studio System: A History (2019), by Douglas Gomery;

Death of the Moguls: The End of Classical Hollywood (2012), by Wheeler Winston Dixon;

“A Century in Exhibition: The 1960s: The End of the Hollywood Studio System,” August 12, 2020, by Vassiliki Malouchou, www.boxofficepro.com;

“Why The US Supreme Court Broke Up The Hollywood Studio System,” February 3, 2023, www.WNYC.org;

IMDBPro.com;

Wikipedia.com;

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EPISODE 40 - “Old Hollywood's Forbidden Love Story/ Lon McCallister & William Eythe” - 06/17/2024

As we celebrate gay pride month in June, Nan and Steve bring a special episode about 20th Century Fox contract players LON McCALLISTER and WILLIAM EYTHE. Both were handsome, talented, and on their way to becoming major film stars. But there was only one problem — the two young men had fallen in love and wanted to live their lives as a couple. This love was forbidden back then and went against the wishes of 20th Century Fox studio head DARRYL F. ZANUCK. Listen to this inspiring and heartbreaking story of their love story. 

SHOW NOTES: 

Sources:

Behind the Scenes: How Gays and Lesbians Shaped Hollywood (2001), by William J. Mann;

It Might As Well Be Spring (1987), by Margaret Whiting;

“Terrific Trio,” May 1944, by Marcia Daughtrey, Modern Screen;

“Keyhole Portrait: William Eythe,” June 4, 1944, by Harriet Parson, Los Angeles Examiner;

“Bill Eythe’s Triumph Over Pain,” April 1, 1945, New York Times;

“The Role I Liked Best…” September 2, 1950, by Lon McCallister, The Saturday Evening Post;

“Film Actor Eythe Jailed on Writ of Former Wife,” September 4, 1950, Los Angeles Daily News;

“Actor Suffered Hangover in Durance Vile,” June 3, 1952, Los Angeles Daily News;

“William Eythe, Producer, Held as Drunk Driver,” June 4, 1952, Los Angeles Times;

“Eythe, McCallister Prep ‘Joy Ride’ for Broadway,” March 12, 1956, Hollywood Reporter;

“William Eythe Ill With Hepatitis, Condition Serious,” January 26, 1957, by Hedda Hopper, Los Angeles Times;

“William Eythe Dies,” January 28, 1957, The Hollywood Reporter;

Lon McCallister, 82, Actor Had Brief but Busy Career Before Becoming Investor,” June 18, 2005, by Mary Rourke, Los Angeles Times;

“McCallister’s Heart Outshine His Stardom,” June 21, 2005, by Robert Osborne, Hollywood Reporter;

“Mars Actor Had Meteoric Career,” February 4, 2007, by Sandy Marwick, Butler-Eagle Focus;

IMDBPro.com;

Wikipedia.com;

Movies Mentioned: 

The Other Woman (1942), starring Virginia Gilmore, Dan Duryea, and Lon McCallister;

Stage Door Canteen (1943), starring Katharine Hepburn, Paul Muni, Merle Oberon, and Lon McCallister;

The Ox-Bow Incident (1945), starring Henry Fonda, Dana Andrews, Henry Morgan, and Mary Beth Hughes;

The Moon Is Down (1936), starring Cedric Hardwicke, Henry Travers, and Lee J. Cobb;

The Song of Bernadette (1943), starring Jennifer Jones, Vincent Price, Charles Bickford, and William Eythe; 

The Eve of St. Mark (1943), starring William Eythe and Anne Baxter;

A Wing and a Prayer (1944), starring Don Ameche, Dana Andrews, and William Eythe;

Wilson (1944), starring Alexander Knox, Geraldine Fitzgerald, and William Eythe;

Home In Indiana (1944), starring Lon McCallister, Jeanne Crain, and June Haver;

Winged Victory (1944), starring Lon McCallister, Edmond O’Brien, and Jeanne Crain;

A Royal Scandal (1945), starring Tallulah Bankhead, Lon McCallister, and Anne Baxter;

The House On 92nd Street (1945), starring Signe Hasso and William Eythe;

Centennial Summer (1946), starring Jeanne Crain, Cornel Wilde, Linda Darnell, and William Eythe;

The Red House (1947), starring Edward G. Robinson, Lon McCallister, and Judith Anderson;

Thunder in the Valley (1947), starring Edmund Gwenn, Peggy Ann Garner, and Lon McCallister;

Scud Hoo! Scudda Hay! (1948), starring Lon McCallister, Walter Brennan, and June Haver;

Meet Me at Dawn (1947) starring William Eythe and Hazel Court;

The Big Cat (1949), starring Lon McCallister and Peggy Ann Garner;

The Story of Sea Biscuit (1949), starring Lon McCallister and Shirley Temple;

The Boy From Indiana (1950), starring Lon McCallister and Lois Butler;

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EPISODE 39 - “Father Knows Best: Classic Cinema's Best (and Worst!) Dads” - 06/10/2024

When you stop to think about the great fathers of classic cinema, Atticus Finch, the mild-mannered Southern lawyer in “To Kill A Mockingbird” (1962), has to be at the top of the list. But who else would be on that list? And what about the horrible fathers of old Hollywood? As you scramble to find that last-minute tie or cologne for dear old Dad for Father’s Day, make sure you check out this week’s episode, where Steve and Nan celebrate some of old Hollywood’s most memorable fathers — the good and the bad. 

SHOW NOTES: 

Sources:

“20 Best and Worst Movie Fathers,” June 19, 2020, by David Fear, Rolling Stone.com

“Noah Cross (John Huston) Character Analysis: Mad, Bad, and Dangerous to Know,” 

schmoop.com

Yahoo.com

RogerEbert.com

IMDBPro.com;

Wikipedia.com;

Movies Mentioned: 

How Green Was My Valley (1941), starring

Walter Pidgeon, Maureen O’Hara, Donald Crisp, Patric Knowles, Anna Lee, Roddy McDowell, Sara Allgood, and Barry Fitzgerald;

Bicycle Thieves (1948), starring Vittorio De Sica, Enzo Staiola, and Lianella Carell; 

Splendor in the Grass (1961), starring Natalie Wood, Warren Beatty, Pat Hingle, Audrey Christie, Barbara Loden, Zorah Lampert, Sandy Dennis, and Phyllis Diller;

The Heiress (1949), starring Olivia de Havilland, Montgomery Clift, Ralph Richardson, Miriam Hopkins, Vanessa Brown, and Mona Freeman;

The Swiss Family Robinson (1960), starring John Mills, Dorothy McGuire, James MacArthur, Tommy Kirk, Kevin Corcoran, and Janet Munro;

Shane (1953), starring Alan Ladd, Jean Arthur, Van Helfin, Brandon De Wilde, Jack Palance, Ben Johnson, Edgar Buchanan, Elisha Cook Jr, and Ellen Corby;

Chinatown (1974), starring Jack Nicholson, Faye Dunaway, John Huston, Perry Lopez, Diane Ladd, and John Hillerman;

Rebel Without A Cause (1955), starring James Dean, Natalie Wood, Sal Mineo, Dennis Hopper, Jim Backus, Corey Allen, Ann Doran, Nick Adams, William Hopper, and Edward Platt;

Our Vines Have Tender Grapes (1945), starring Edward G. Robinson, Margaret O’Brien, Agnes Moorhead, James Craig, Jackie “Butch” Jenkins, Frances Gifford, Morris Carnovsky, and Sara Haden;

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EPISODE 38 - “Ruth Roman: Star of the Month (June)” - 06/03/2024

RUTH ROMAN was more than a pretty face; she was a survivor! She survived childhood poverty, the fickle nature of Hollywood, the wrath of Alfred Hitchcock, several marriages, and the sinking of the luxury liner Andrea Doria in 1956. Yes, Roman was a warrior. This week, Roman is our Star of the Month for June. Join us as we take a look at her life and her long and fruitful career, where her versatility kept her working for five decades in great films such as “Good Sam” (1948), “The Window” (1949), “Strangers On A Train” (1951), and “The Far Country” (1954).

SHOW NOTES: 

Sources:

Femme Noir: Bad Girls of Film (1998), by Karen Burroughs Hannsberry;

Ruth Roman: A Career Portrait (2022), by Derek Sculthorpe;

“Stardom Seen for Ruth Roman,” December 11, 1949, by Hedda Hopper, The Los Angeles Times; 

“The Progress of a Rising Star: Ruth Roman,” May 1, 1950, Life Magazine;

“Hollywood Hasn’t Changed Her,” May 17, 1950, by Lloyd L. Sloan, The Hollywood Citizen News;

“Roman Holiday,” August 12, 1950, Look Magazine;

Bachelor Girl Life Liked by Ruth Roman,” August 29, 1950, by Ruth Roman, The Los Angeles Evening Herald;

“The Role I Liked Best,” November 4, 1950, by Ruth Roman, The Saturday Evening Post;

“Ruth Roman Aiming at Film Personality,” November 26, 1950, by John L. Scott, The Los Angeles Times;

“Film Star and Radio Executive Plan No Honeymoon,” December 18, 1950, by Louella Parsons, The LA Examiner;

“Hollywood’s ROMAN Candle,” March 17, 1951, by Gladden Hill, Colliers Magazine;

“6-Pound Boy Born To Ruth Roman,” November 13, 1952, The Hollywood Citizen News;

“Matrimony, Motherhood Revive’s Ruth’s Career,” February 1, 1953, by Edwin Schallert, The Los Angeles Times; 

“Ruth Roman Saves Her Son,3, and Loses Dress,” July 27, 1956, by Ruth Roman, The Hollywood Citizen News;

“Weeping Ruth Roman Reunited With Her Son,” July 28, 1956, The LA Examiner;

“Hall To Leave Ruth Roman for Diana Lynn,” October 9, 1956, by Louella Parsons, The LA Examiner;

“Ruth Roman says ‘I Do’ in Panama,” November 9, 1956, The Los Angeles Times; 

“SeeSaw Star Isn’t Tumbling,” May 13, 1959, by Margaret Harford, The Mirror News;

“Annulment of Marriage Won by Ruth Roman,” August 11, 1961, The Los Angeles Times;

“Ruth Roman Just Unsinkable Star,” October 30, 1963, by Hal Humphrey, The Los Angeles Times;

“Passing Time Has Left Ruth Roman Untouched,” January 10, 1971, by Jim Meyer, The Miami Herald ;

“Ruth Roman,” April 1973, by Don Stance, Film Fan Monthly Magazine; 

“Ruth Roman: The Ride of a New Roman Empire,” January 1986, Los Angeles Magazine;

“Ruth Roman, 75, Glamorous and Wholesome Star, Dies,” September 11, 1999, by William Honan, The New York Times;

IMDBPro.com;

Wikipedia.com;

Movies Mentioned: 

Stage Door Canteen  (1943);

Ladies Courageous (1944);

Since You Went Away (1944);

Song of Nevada (1944);

Jungle Queen (1945);

You Came Along (1945);

Incendiary Blonde (1945);

Gilda (1946);

The Big Clock (1948);

Good Sam (1948);

Belle Starr's Daughter (1948);

The Window (1949);

Champion (1949);

Beyond The Forest (1949);

Always Leave Them Laughing (1949);

Barricade (1950);

Colt .45 (1950);

Three Secrets (1950);

Dallas (1950);

Lightning Strikes Twice (1951);

Strangers On A Train (1951);

Tomorrow Is Another Day (1951);

Invitation (1952);

Mara Mara (1952);

Young Man With Ideas (1952);

Blowing Wild (1953);

The Far Country (1954);

Down Three Dark Streets (1954);

Great Day In The Morning (1956);

Rebel In Town (1956);

5 Steps To Danger (1956);

Bitter Victory (1957);

Desert Desperados (1959);

Love Has Many Faces (1965);

Go Ask Alice (1973);

The Baby (1973);

The Killing Kind (1973);

Impulse (1974);

Day Of The Animals (1977);

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EPISODE 37 - “Memorial Day Movies” - 05/27/2024

War is Hell. As our nation prepares to honor the brave men and women who lost their lives defending our freedom on Memorial Day, Steve and Nan offer up a special episode where they will discuss a few war-themed films that have resonated with them over the years. Their choices cover everything from the Civil War to World War II. 

SHOW NOTES: 

Sources:

100 Great War Movies: The Real History Behind the Films (2018), by Robert J. Niemi;

101 War Movies You Must See Before You Die (2009), by Steven Jay Schneider;

Hollywood War Movies, 1937-1945 (1996), by Michael S. Shull and David Edward Wilt;

IMDBPro.com;

Wikipedia.com;

Movies Mentioned: 

Sergeant York (1941), starring Gary Cooper, Walter Brennan, Joan Leslie, Margaret Wycherly, George Tobias, June Lockhart, Dickie Moore, Ward Bond, and ,Noah Beery, Jr;

Mrs. Miniver (1942), starring Greer Garson, Walter Pidgeon, Teresa Wright, Dame May Witty, Richard Ney, Reginald Owen, and Henry Travers; 

So Proudly We Hail (1943), starring Claudette Colbert, Paulette Goddard, Veronica, Lake, George Reeves, Sonny Tufts, Barbara Britton, Mary Treen, Cora Witherspoon, and Walter Abel;

12 O’Clock High (1949), starring Gregory Peck, Dean Jagger, Millard Mitchell, Gary Merrill, Hugh Marlowe, John Kellogg, Richard Anderson, Robert Patten, and Lawrence Dobbin;

Operation Petticoat (1959), starring Cary Grant, Tony Curtis, Dina Merrill, Joan O’Brien, Arthur O’Connell, Marion Ross, Gavin MacLeod, and Dick Sergeant;

Shenandoah (1965), starring James Stewart, Patrick Wayne, Glenn Corbett, Phillip Alford, Doug McClure, Rosemary Forsythe, Katharine Ross, Harry Carey, Jr, Strother Martin, and George Kennedy;

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EPISODE 36 - “Classic Hollywood Clones: The Remaking of a Movie Star” - 05/20/2024

SHOW NOTES: 

They say that imitation is the highest form of flattery. That may not be the case when it came to the star system of old Hollywood. When an actor like CLARK GABLE or GRETA GARBO or ROCK HUDSON emerged as a star, every studio in town tried to capitalize and create their own version. For every MARILYN MONROE, there’s a dozen CLEO MOOREs. Often studios would groom an actor with similar looks and skills to be a “threat” to bigger stars who become difficult to work with, or get older and less appealing, or refuse to appear in assigned films. Most of the stars groomed as a threat to a bigger star usually faded into obscurity, but others learned to get out of the looming shadow of the big star and carve out a career of their own. So this week, we pay tribute to the stars who got their starts by being groomed to replace another star.

Sources:

Jayne Mansfield: A Biography (1973), by May Mann;

Clark Gable: A Biography (2005), by Warren G. Harris;

Marilyn Monroe: The Private Life of a Public Icon (2018), by Charles Casillo;

Ingrid Bergman: My Story (1980), by Ingrid Bergman;

High Society: The Life of Grace Kelly (2017), by Jay Jorgensen and Manoah Bowman;

IMDBPro.com;

Wikipedia.com;

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EPISODE 35 - “The Mystery Behind the Columbia Pictures’ Torch Lady and MGM’s Leo, the Lion” - 05/13/2024

Every major Hollywood studio has its recognizable logo. Paramount has its “mountain of stars,” 20th Century Fox has its roving klieg lights, and RKO has its radio towers. But two of the most famous studio logos have to be MGM’s “Leo, the lion” and Columbia’s regal “torch lady.” In this week’s episode, Steve and Nan dive into the history of these two iconic symbols of Hollywood excellence. From the image design to the models used to the roaring lions, we will tell you how these two ever-evolving images came to represent two of Hollywood’s finest movie studios.

SHOW NOTES: 

Sources:

“The Story Behind Columbia Pictures’ Iconic Logo: How Photographer Found Model for 1992 Shoot,” One 8, 2023, by Tommy McArdle, People magazine;

“The Complete History of the Columbia Pictures Logo,” by Rachel Smith, Hatchwise.com;

“The Story of the Most Famous Lion,” April 17, 2107, by Kat Escher, Smithsonian Magazine;

“The Brief History of the MGM Lion,” June 25, 2022, www.silvescreenings.org;

“The MGM Lion,” April 15. 2020, The Vernacular;

IMDBPro.com;

Wikipedia.com;

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In “It’s A Wonderful Life,” BEULAH BONDI played the most loving mother to JAMES STEWART. Ma Bailey is the epitome of sweetness, kindness, and supportiveness so it’s quite shocking when we meet the Ma Bailey who would have existed had George Bailey not been born. She’s cold, bitter, and unkind. It gives Bondi the wonderful opportunity to play two versions of the same character, which she does flawlessly. So to celebrate Mother’s Day, Nan and Steve are taking a page from Bondi’s playbook as they discuss the good and bad mothers of classic cinema. 

SHOW NOTES: 

Sources:

Moms in the Movies (2014), by Richard Corliss;

Actresses of a Certain Character (2007), by Axel Nissen;

Irene Dunne: First Lady of Hollywood (2006), by Wes D. Gehring;

Shelley: Also Known as Shirley (1981), by Shelley Winters;

Gene Tierney: Self Portrait (1979), by Gene Tierney and Mickey Herkowitz;

“Mrs. Miniver: The film that Goebbels Feared,” February 9, 2015, by Fiona Macdonald, February 9, 2015, BBC.com; 

"Greer Garson, 92, Actress, Dies; Won Oscar for 'Mrs. Miniver’,” April 7, 1996, by Peter B. Flint, New York Times;

“Stella Dallas,” August 6, 1937, New York Times Film Review;

“Barbara Stanwyck, Actress, Dead at 82,” Jan. 22, 1990, by Peter B. Flint, New York Times;

“1989 Kennedy Center Honors, Claudette Colbert,” Kennedy-Center.org;

“Moving Story of War Against Japan: ‘Three Came Home’,” by Bosley Crowther, Feb. 21, 1950, New York Times Film Review;

“Queen of Diamonds: Angela Lansbury on ‘The Manchurian Candidate’,” 2004;

“Manchurian Candidate: Old Failure, Is Now A Hit,” by Aljean Harmetz, February 24, 1988, New York Times;

“Jo Van Fleet,” by Dan Callahan, May 10, 2017, Film Comment; 

“Pacific’s largely forgotten Oscar winner made impact on screen,” March 3, 2024, 

University of the Pacific;

IMDBPro.com;

Wikipedia.com

Movies Mentioned: 

The Grapes of Wrath (1940), starring Henry Fonda, Jane Darwell, John Carradine, and Charley Grapewin;

The Ox-Bow Incident (1943), starring Henry Fonda, Dana Andrews, Mary Beth Hughes, Henry Morgan, Jane Darwell, Anthony Quinn, and William Eythe;

Mrs. Miniver (1942), starring Greer Garson, Walter Pidgeon, Teresa Wright, Henry Travers, and Richard Ney;

Leave Her To Heaven (1945), starring Gene Tierney, Cornel Wilde, Jeanne Crain, Vincent Price, Mary Phillips, and Darryl Hickman;

The Manchurian Candidate (1962), starring Lawrence Harvey, Frank Sinatra, Janet Leigh, and Angela Lansbury;

The Manchurian Candidate (2004), starring Denzel Washington, Meryl Streep, Live Schreiber, and Jeffrey Wight;

Gaslight (1944), starring Ingrid Bergman, Charles Boyer, Joseph Cotten, and Angela Lansbury;

I Remember Mama (1948), starring Irene Dunne, Philip Dorn, Barbara Bel Geddes, Oscar Homolka, Ellen Corby, Sir Cedric Hardwicke, and Barbara O’Neil;

Stella Dallas (1937), starring Barbara Stanwyck, Anne Shirley, John Boles, Barbara O’Neil, and Alan Hale;

Stella (1990), starring Bette Midler, Trini Alvarado, John Goodman, Stephen Collins, Marsha Mason, and Eileen Brennan;

White Heat (1949), starring James Cagney, Virginia Mayo, Edmond O’Brien, Steve Cochran, Margaret Wycherly, Fred Clark, and John Archer;

The Little Foxes (1941), starring Bette Davis, Herbert Marshall, Teresa Wright, Patricia Collinge, Dan Duryea, and Richard Carlson;

The Ten Commandments (1956), starring Charlton Heston, Anne Baxter, Yul Brynner, Edward G. Robinson, Yvonne DeCarlo, Martha Scott, John Derek, Debra Paget, Vincent Price, and John Carradine;

Three Came Home (1950), starring Claudette Colbert. Sessue Hayakawa, and Patric Knowles; 

A Patch of Blue (1965), starring Sidney Poitier, Elizabeth Hartman, Shelley Winters, Wallace Ford, Ivan Dixon, and Elizabeth Fraser;

East of Eden (1955), starring James Dean, Julie Harris, Raymond Massey, and Jo Van Fleet

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EPISODE 33 - “Zachary Scott: Star of the Month (May)” - 04/29/2024

Suave, debonaire, and effortlessly charming, ZACHARY SCOTT is best known for his role in MICHAEL CURTIZ's film noir classic Mildred Pierce (1945). As the duplicitous, silver-tongued charmer Monte Beragon, he romances Mildred, played by JOAN CRAWFORD (in her Oscar-winning role), and Mildred's daughter, Veda (ANN BLYTH). This became Scott's signature role: the sexy cad who was usually at his best swindling, seducing, or being a general scoundrel. It was always fun watching Scott's dastardly ways unfold. He could rock a tux, looked naked without a martini in his hand, and always had a cigarette close by. He was so magnetic that he could even make film-goers feel sorry for him. While he seldom got to play the good guy, when he did, as in what is perhaps one of his best roles in JEAN RENOIR's The Southerner (1945), you realize the versatility that he seldom had the opportunity to display. With a career that included over 40 films and dozens of television roles, ZACHARY SCOTT is our Star of the Month.

SHOW NOTES: 

Sources:

Zachary Scott: Hollywood’s Sophisticated Cad (2009), by Ronald L. Davis;

“Actor Zachary Scott, Leading Man for 3 Decades, Dies of Brain Tumor,” October 4, 1965, Akron Bacon Journal

“Who Was Zachary Scott?” www.zachtheatre.org;

“Zachary Scott’s Guilded Cage,” Spring 2020, by Farren Smith Nehme, www.filmnoirfoundation.org;

IMDBPro.com;

Wikipedia.com;

Movies Mentioned: 

Mildred Pierce (1945), starring Joan Crawford, Ann Blyth, Zachary Scott, Jack Carson, Eve Arden, Bruce Bennett, Lee Patrick, and Butterfly McQueen;

The Southerner (1945), starring Zachary Scott, Betty Field, Beulah Bondi, Norman Lloyd, J. Carroll Naish, Jay Gilpin, Jean Vanderwilt, Blanche Yurka, and Percy Kilbride;

The Mask of Dimitrios (1944), starring Zachary Scott, Faye Emerson, Peter Lorre, and Sydney Greenstreet;

Hollywood Canteen (1944), starring Bette Davis, John Garfield, Joan Crawford, Joan Leslie, Dane Clark, Joe E, Brown, Barbara Stanwyck, Id Lupino, Sydney Greenstreet, and Jack Benny;

Danger Signal (1945), starring Zachary Scott, Faye Emerson, Mona Freeman, Richard Erdman, Rosemary DeCamp, and Joyce Compton;

Her Kind Of Man (1946), starring Zachary Scott, Dane Clark, Janis Page, and Faye Emerson;

The Unfaithful (1947), starring Ann Sheridan, Lew Ayres, Zachary Scott, and Eve Arden;

Stallion Road (1947), starring Ronald Reagan, Alexis Smith, and Zachary Scott;

Cass Timberlane (1947), starring Spencer Tracy, Lana Turner, Zachary Scott, Tom Drake, Mary Astor, Margaret Lindsay, and Albert Dekker;

Ruthless (1948), starring Zachary Scott, Louis Hayward, Diana Lynn, Sydney Greenstreet, Lucille Bremer, and Martha Vickers;

Whiplash (1948), staring Dane Clark, Alexis Smith, Zachary Scott, Eve Arden, S.Z. Sakall, Jefferey Lynn, and Alan Hale Jr;

Flamingo Road (1949), starring Joan Crawford, Zachary Scott, Sydney Greenstreet, David Brian, Virginia Huston, Gladys George, and Fred Clark;

Shadow On The Wall (1950), starring Ann Sothern, Zachary Scott, John McIntire, Gigi Perreau, Kristine Miller, and Nancy Davis;

Born To Be Bad (1950), starring Joan Fontaine, Zachary Scott, Joan Leslie, Robert Ryan, and Mel Ferrer;

Stronghold (1951), starring Veronica Lake, Zachary Scott, and Rita Meceda;

The Secret of Convict Lake (1951), starring Glenn Ford, Gene Tierney, Zachary Scott, Ethel Barrymore, Ann Dvorak, Barbara Bates, and Janette Nolan;

Dead On Course (1953), starring Zachary Scott and Kay Kendall;

Flame of the Islands (1955), staring Yvonne DeCarlo, Howard Duff, and Zachary Scott;

Violent Stranger (1957), starring Zachary Scott, and Faith Domergue;

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EPISODE 32 - “The Mary Astor Purple Diary Scandal” - 04/22/2024

One of the most scandalous trials in early Hollywood history involved actress MARY ASTOR, who had made a name for herself playing virginal ingenues and good girls. Mary, who had kept a diary for most of her life, found her words used as a sensationalized weapon against her in her quest to regain custody of her 4-year-old child in 1936 after her acrimonious divorce from her doctor husband. The trial made worldwide headlines. Her sexy, salacious diary entries showed the world a more sensual side to our virginal Mary, and, in many ways, helped propel her career into the stratosphere. Listen as we discuss Mary Astor, her life, her career, and her shocking purple diaries that took center stage in a Los Angeles courtroom. 

SHOW NOTES: 

Sources:

Mary Astor: My Story (1960), by Mary Astor;

Mary Astor: A Life on Film (1972), by Mary Astor; 

The Purple Diaries: Mary Astor and the Most Sensational Hollywood Scandal of the 1930s (2016), by Joseph Egan;

Mary Astor’s Purple Diary: The Great American Sex Scandal of 1936 (2106), by Edward Sorel;

IMDBPro.com;

Wikipedia.com;

Movies Mentioned: 

Beau Brummell (1924), starring John Barrymore and Mary Astor;

Dodsworth (1936), starring Walter Huston, Ruth Chatterton, Paul Lukas, and Mary Astor;

Red Dust (1932), starring Clark Gable, Jean Harlow, and Mary Astor:

The Prisoner of Zenda (1937), starring Ronald Colman, Douglas Fairbanks Jr. Madeleine Carroll, Mary Astor, David Niven, Raymond Massey, and C. Aubrey Smith:

The Maltese Falcon (1941), starring Humphrey Bogart, Mary Astor, Sydney Greenstreet, Peter Lorre, Lee Patrick, and Elisha Cook Jr;

The Palm Beach Story (1942), starring Claudette Colbert, Joel McCrea, Mary Astor, and Rudy Vallee;

Act of Violence (1948), starring Van Heflin, Robert Ryan, Janet Leigh, Mary Astor, and Phyllis Thaxter;

Little Women (1949), starring June Allyson, Elizabeth Taylor, Janet Leigh, Margaret O’Brien, Mary Astor, and Peter Lawford;

Hush…Hush, Sweet Charlotte (1964), starring Bette Davis, Olivia de Havilland, Joseph Cotten, Agnes Moorhead, Mary Astor, Victor Buono, Cecil Kellaway, and Bruce Dern;

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