Front Row

Filmmaker Quentin Tarantino is a Hollywood veteran and it was the ending of Hollywood’s golden age that was the subject of his last film – Once Upon a Time in Hollywood. He’s now returned to the story of that film for his debut novel. In his only UK broadcast interview, he explains why he wanted to create a novelisation of Once Upon a Time in Hollywood.

It’s 25 years since Melvin Burgess wrote Junk, a story about heroin addiction. It was an early title in what’s become known as YA and showed the fearlessness to take on challenging topics that has become typical of the genre. His book, Three Bullets, is out this week: it imagines a Britain somewhat like our own but that has been torn apart by war and extreme ideology. It has a mixed-race Trans girl, Marti, as its first person narrator. Melvin Burgess talks about his new book and YA more generally, alongside Sarah Ditum, as part of our series this week looking at the publishing industry. Has fearfulness taken over or is caution a necessary corrective? What stories can be told and by whom? As some voices have been un- or mis-represented in YA fiction, what is the best way ahead for the genre?

Our man on the Croissette, film critic Jason Solomons, gives the last of his Cannes reports and discusses the films competing for the film festival’s top prize, the Palme d’Or.

The painting of a smiling woman selling vegetables had languished for years in a cupboard at Audley End, the grand 17th-century house in Essex. When conservator Alice Tate-Harte began a much needed clean-up she was surprised to discover it was two centuries older than was thought and that the smile was a later addition. Alice tells Kirsty Lang why she wiped the smile off the woman's face, and, also what the array of enticing vegetables tell us.

This summer Somerset House in London will be home to a new work by composer Anna Meredith, Bumps Per Minute, which has a distinctly fairground feel. It uses the random interactions of dodgem cars to create a new piece of music. And members of the public are invited to take part in the composition as dodgem drivers. Anna Meredith talks about what inspired her to create a work which mixes fun, frivolity and musical experimentation.

The British Podcast Awards have been created to highlight the best podcasts of the year in the UK. Laura Grimshaw, presenter of Podcast Radio Hour on Radio 4 Extra, takes a look at a selection of this year’s 29 winners – from 1600 entries - which includes two new categories; best documentary and best lockdown podcast.

We continue our exploration of debates within the publishing industry. Tonight we consider different generational attitudes around ideas of censorship, the moral role of publishing houses and the responsibilities of individual employees when it comes to which works get published. In rows over authors from Mike Pence to Woody Allen many younger publishers have signalled reluctance to work on books they deem hateful and literary agent Clare Alexander described what she saw as a “watershed moment" at a recently parliamentary hearing about freedom of expression. We talk to Tanu Shelar, Chair of the Society of Young Publishers and Caroline Wintersgill, Programme Director of University College London’s MA in publishing.

Presenter: Samira Ahmed

A new documentary Witches Of The Orient' looks back at the last time that Tokyo acted as host. Volleyball made its debut in The 1964 Summer Olympics. And the success of the home team in women’s volleyball became one of the most watched domestic TV events ever. French film director Julien Faraut discovered this now-largely-forgotten event and was captivated by it.

The historical biographer Lady Antonia Fraser reveals an unknown aspect of her writing life as four of her poems are set to music by Stephen Hough. Two were written in and about lock-down, one wittily recalls a whirlwind American book tour book and the last is a tender memory of Harold Pinter. Just after their premiere today she told Elle Osili-Wood about them and her lifelong habit of writing verse.

We continue this week’s series around debates in the book world. Tonight: reviews. Is the traditional media giving readers what they want? Does getting your book reviewed in the broadsheets matter any more? And how might the way books are reviewed be done differently, from broadening the pool of reviewers to shifting the aesthetic hurdles required to assess writing of quality? Elle is joined by Professor Sandeep Parmar, founder of the Ledbury Poetry Critics Scheme, a national programme to encourage diversity in poetry reviewing culture aimed at new critical voices along with Michael Caines, Assistant Editor at the Times Literary Supplement and founder of the Brixton Review of Books.

Presenter: Elle Osili-Wood

Main image: a still from the Witches of the Orient documentary film.

Uberto Pasolini made his name in the film industry as a producer with the international success of his film - The Full Monty. He’s continued to produce but in recent years he’s also turned his hand to writing and directing. As the third film that he’s helmed in this way, Nowhere Special, is released in cinemas, he talks to Samira about why he felt the true story of a father with a terminal illness looking for a new family for his four year old, was the foundation for a film he wanted to create himself.

From Chaucer, heralding spring in his Canterbury Tales, to Hockney's digital landscapes artists have always celebrated the rich variety of Britain's flora and fauna. Art about nature is crucial to our culture. But last month the House of Commons Environment Audit Committee reported that 'of the G7 countries, the UK has the lowest level of biodiversity remaining.' Front Row investigates this anomaly with George Monbiot, who tomorrow will be streaming Rivercide, a live documentary about the terrible state of our rivers, and artist Ruth Maclennan, whose project Treeline explores the point where forests begin, end and what this reveals. What, they discuss, is the role of art in the environmental crisis?

We're exploring issues in contemporary publishing each night this week on Front Row. Yesterday we talked about the gender split in who is getting published now. Tonight Chris Paling talks about his new book A Very Nice Rejection Letter, which tracks the trials and tribulations of the mid-list novelist from selling screenplays to writing alongside the day job. He tells Samira about the realities of life as a writer and we consider the question: can writers actually make a living today?

Presenter: Samira Ahmed

The mural of footballer Marcus Rashford which was defaced with racist graffiti after England lost the Euro 2020 final last night was part of Withington Walls, a community street art project in the suburbs of southern Manchester. Its head, Ed Wellard, discusses the art work, the British-based Vietnamese street artist Akse who created it, and the role art can play in the community.

Late last week Front Row asked Ian McMillan, poet in residence at Barnsley FC, to write a poem in response to the European Cup Final. He talks to John Wilson about his approach to this tricky commission this evening, and reads his poem, 'This Sporting Life'.

We start a new series today exploring current debates within book publishing, beginning with a look at the gender split in current literary tastes. Is it harder for young male writers to get published, win prizes and make a splash now? And if so, after millennia of male dominance, does it matter? John talks to Nesrine Malik who is judging the Women’s Prize for Fiction this year, and novelist and publisher Luke Brown.

Presenter: John Wilson

Film critic Jason Solomons brings a touch of glamour to tonight’s proceedings with his report from this year’s Cannes Film festival which opened this week.

Tove Jansson was the Finnish creator of the Moomins, stories much loved by children (and adults) the world over. A new film, Tove, tells the story of her extraordinary life in post-war Helsinki, the ambivalence she felt towards the success of the Moomins, and how her ideas about freedom were challenged when she fell in love with theatre director Vivica Bandler. The film's director, Zaida Bergroth, talks about the choices she made in telling the story of this iconic author and artist.

Welsh culture that is ancient, and modern: Catrin Finch, commissioned by the Llangollen Eisteddfod, plays the harp and is working with a choir - but not just male voices, a choir of singing refugees and asylum seekers. A beat boxer is involved, too. Meanwhile the artist Luke Jerram has turned to another Welsh tradition, throwing a huge, beautiful patchwork quilt over the town bridge.

Presenter: John Wilson

Laura Mvula’s first two albums were Mercury-Prize nominated, and now 5 years later she has returned with ‘Pink Noise’, an 80’s-inpsired-synth-inflected album full that’s perfect for dancing to. She explains the inspiration behind the music, and how this is the album she always wanted to make.

Since he posted his first Room Next Door video in 2019, comedian Michael Spicer has had over 60m views. Spicer discusses the origin of the idea where he acts as an adviser feeding lines to a politician’s imaginary earpiece and intercuts his feed with the politician’s answers.

The Life and Death of Alexander Litvinenko is a new opera opening for a limited run at Grange Park Opera in Surrey. It tells the story of the former KGB officer who was poisoned in the UK by Russian secret agents. We speak with its composer (former financier) Anthony Bolton about why this story deserves operatic treatment.

British director Ola Ince discusses her new stage production of Romeo & Juliet, currently on at Shakespeare’s Globe in London. Ince has given it a contemporary setting, but she doesn’t shy away from showing the play’s relevance to current societal struggles.

The degree of harassment and bullying in the acting profession has been brought into the spotlight by #metoo and the recent Noel Clarke case. Radio 4's File on 4 reviewed the current situation and looked at measures being taken within the industry to combat the problem.

The Cannes Film Festival opened yesterday with five films funded by the British Film Institute selected for screening. Ben Roberts was appointed the BFI’s Chief Executive just before the lockdown. He talks to Kirsty Lang about the role of the BFI, and how it has supported - and challenged - the industry in times troubled not just by the pandemic but revelations of bullying, abuse and lack of diversity.

Presenter: Kirsty Lang

Main image: Alfred Enoch (Romeo) and Rebekah Murrell (Juliet) in The Globe's Romeo & Juliet

With her new sound and light installation, Arcadia, Theatre and Opera director Deborah Warner has brought the feel of the field into The Factory – the new home for MIF. The Factory is still very much a building site open to the elements, but for one weekend only the festival is providing an opportunity for visitors, to see the new construction from the inside. And once inside the concrete shell, they will enter Arcadia, Deborah’s subversive and challenging artwork to Manchester’s spirit of progress. Deborah talks to Nick about the appeal of making an installation in an unfinished venue.

One of Pakistan’s most celebrated artists has used his MIF commission to explore his concept of Eart - his term to describe ways of thinking, being and acting creatively in real life. Under the title, A Manifesto of Possibilities, Rana presents an exhibition which interrogates new ways of living, and he makes real one of his ideas with the creation of his version of the essential corner shop. Nick Ahad pops in to the pop-up store to talk to producer Shanaz Gulzar about why ordering produce and stocking shelves is a new art frontier.

The death of her father last June prompted the novelist Chimamanda Ngozi Adiche to write a emotional essay, Notes On Grief, for the New Yorker. The essay expanded into a book earlier this year, and now courtesy of MIF it has been adapted for the stage. Nicky Byrne, Head of Clinical Services at Willow Wood Hospice and Nick Ahad attended the preview and discuss a play that meets a moment when many around the country are dealing with their own grief.

Hayley Finn, aka Skyliner, has been leading what has been described as “anti-tours” around Manchester for almost a decade. Her urban tours not only seek to reveal new things about the city to its inhabitants as well as its visitors, but to empower those on her tours with a sense that a city is a place created by those who live and work within it and that they too can and should contribute to the never-ending project that is improving the city. Nick meets Hayley to discuss one of the tours she’s leading for MIF, There Was A Bench Here Once.

Presenter: Nick Ahad

The largest ever UK retrospective of the Portuguese-born artist Paula Rego opens at Tate Britain this week. Featuring over 100 works, many not seen before, the show spans Rego’s early work from the 1950s which responds to the socio-political context of Portugal at the time, to her more recent, richly-layered paintings. Critic Jacky Klein gives her response to the show.

Black Widow is the long-awaited new Marvel movie starring Scarlett Johansson. Director Cate Shortland talks to Front Row about putting Johansson centre frame, her on-screen chemistry with Florence Pugh and building on the conventions of superhero and spy movies to tell a different story about female power.

The £1.57 billion Cultural Recovery Fund was initiated exactly one year ago to shore up arts and cultural organisations against financial devastation caused by the loss of audiences during the pandemic. In England distribution of the cash is managed by Arts Council England and its chair Sir Nicholas Serota explains how the money has been shared out, who has benefited and what will happen to another £300 million soon to be made available.

Presenter: Samira Ahmed

Main Image: Paula Rego