When he was just out of high school, Jackson Browne moved to NYC and wrote songs for some of the biggest names of the 1960’s folk scene. Then, when he returned home to Los Angeles two years later, he began singing his own material and set his course to become one of the greatest singer-songwriters of his generation. Today, Jackson Browne’s voice is still strong and political. He talks with Alec about his new album, Downhill From Everywhere, reflections on a life of activism, and the artists he’d still love to sing with. 

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It’s summer, and every other week, members of the Here’s The Thing staff are selecting favorite interviews from the archives. This week, we revisit Alec’s interviews with two award-winning, dynamic actresses who happen to have a lot in common, Julianne Moore and Maggie Gyllenhaal. Alec and Julianne Moore worked together on Still Alice (Julianne won an Academy Award for Best Actress) and 30 Rock. She spoke with Alec in 2014 about the chops she developed doing soap operas early on, her work on a string of independent movies in the 1990s, and why it’s always important to give even the most minor roles your best. Alec talked with Maggie Gyllenhaal before a live audience in 2018 at the Hamptons International Film Festival. Maggie talked about her early experiences in theater, what she’s learned about trust, and the ways her confidence has grown over her remarkable career. 

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Musical theater legends Ken Page and Betty Buckley have a lot in common. Both grew up dreaming of performing on Broadway: Ken in St. Louis; Betty in Fort Worth. Both were in the original Broadway production of Cats, Ken as Old Deuteronomy and Betty as Grizabella, for which she won a Tony. And both were pioneers in transforming musical theater over the past several decades. One of Ken Page’s most recognizable roles was as Oogie Boogie in The Nightmare Before Christmas, and, on Broadway, he starred in the 1976 all-Black revival of Guys and Dolls and in the original cast of The Wiz and Ain’t Misbehavin’. Betty Buckley has been called “the Voice of Broadway” with and she’s also starred in TV (Eight is Enough) and films (Split, Carrie, Tender Mercies, Frantic). 

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When Kurt Andersen started working on his new podcast, Nixon at War, he thought he knew a lot about Richard Nixon’s presidency, especially the bookend events of his 1968 campaign and his 1973 resignation. Devastating events with far-reaching consequences but unrelated - or so he thought. The surprising connections between the two are at the heart of Nixon at War. Kurt Andersen is a prize-winning novelist, historian, and public radio host (Studio 360). His most recent books -- Evil Geniuses, Fantasyland, and You Can’t Spell America Without Me, were all New York Times bestsellers. For more, visit Nixonatwar.org. 

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Alec talks with two very different actors. Eddie Marsan grew up in working-class London and left school at 15 to become a printer. He was discovered on a dance floor, and a patron helped him afford drama school. Marsan’s worked with the likes of Martin Scorcese, Alejandro González Iñárritu, and Mike Leigh, and he often gets cast as the tough guy. It’s an image he’s ready to shed. One of his most recent roles was in the Showtime series Ray Donovan as Terry Donovan, Ray’s brother with Parkinson’s disease. David Arquette comes from a long line of entertainers. His career hit a lull two decades ago when he won a WCW World Heavyweight Championship. It seemed Hollywood scorned him due to his love of pro wrestling. A self-produced documentary, You Cannot Kill David Arquette, chronicles David Arquette’s journey to store his name and his sense of self.

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Alec’s guest Mark Harris has written a compelling new biography about one of the most celebrated directors of all time, Mike Nichols. Drawn from more than 250 interviews, Mike Nichols: A Life tracks Nichol’s difficult childhood as a German Jewish immigrant growing up in New York City to his college years at the University of Chicago where Nichols found a community of performers, including his life-long collaborator Elaine May. In 1963, Mike Nichols and Elaine May performed more than 300 sold-out comedy shows on Broadway. Nichols then spent decades moving fluidly between directing on Broadway and in Hollywood. His movies include The Graduate, Who’s Afraid of Virginia Woolf?, Silkwood, and Working Girl, and his plays include Neil Simon’s Barefoot in the Park, Tom Stoppard’s The Real Thing, and Monty Python’s Spamalot. Over the course of his lifetime, Mike Nichols’ won every major award in his field and, as Mark Harris movingly chronicles, it took a lifetime for Mike Nichols to learn to be happy. 

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Andra Day tells Alec that she almost turned down the opportunity to play Billie Holiday in Lee Daniel’s The United States Vs. Billie Holiday. Day considered herself a singer, not an actress. She went on to win a Golden Globe for Best Actress for the part and brought her incredible voice to all the Billie Holiday’s songs in the movie. The iconic song Strange Fruit is at the heart of the film’s conflict between the Federal Bureau of Narcotics and the jazz singer, and Andra Day is no stranger to activism. Her song, Rise Up, has become an anthem of the Black Lives Matter movement, and she performed it at the Biden/Harris inauguration. 

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On Friday, April 30, 2021, the Indian Point nuclear power plant permanently closed. Located less than 40 miles north of New York City on the Hudson River, Alec and others worked for decades to shut Indian Point down. In this episode, Alec reminisces with key leaders in the fight: Paul Gallay, Richard Webster, and Joseph Mangano. Paul Gallay is the president of Riverkeeper, an organization dedicated to the health of New York Waterways. Richard Webster is an environmental lawyer at Riverkeeper and formally the Rutgers Environmental Law Clinic. Joseph Mangano is the Executive Director of the Radiation and Public Health Project.

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Ali Wentworth is a fearlessly funny actor and comedian as well as a New York Times best-selling author of three books, Ali in Wonderland, Happily Ali After, and Go Ask Ali. She played Jerry’s girlfriend Schmoopie in Seinfeld’s “Soup Nazi” episode, and she’s had roles in a wide range of TV and film projects including Jerry Maguire, Office Space, and It's Complicated. She’s married to George Stephanopoulos and the proud mother of two teenage daughters, Elliot and Harper. She started a podcast in the pandemic called Go Ask Ali which tackles parenting and friendships in unusual times. With Alec, Ali shares her courtship secrets, her approach to work-life balance and the dangers of taking too many sleep aids. 

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As the United States begins to emerge from the worst of the pandemic, Alec looks back with three guests on the ways their work lives changed. As the Suffolk County medical examiner, Dr. Odette Hall’s work is always about the logistics of death. In the early days of the pandemic, that meant figuring out makeshift morgues and processes to deal with an unknown threat. Additionally, as the first Black woman in her public-facing role, Dr. Hall’s openness, humor, and compassion made her a trusted source amidst the chaos and grief. Alec also talks with his sister, Jane Baldwin-Sasso, a physical therapist who works with children and the elderly. Jane creatively faced challenges turning her hands-on work into virtual treatments. Finally, clarinetist David Gould performs with some of the world’s most celebrated ensembles. COVID brought a sudden halt to his professional life last spring, and personal losses due to COVID leave him reflective about what’s next.

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