Patti LuPone was only four years old when she realized she belonged on stage, and she started by entertaining family members in her Long Island living room. LuPone won her second Tony Award for Evita, which she initially described as merely “noise from Britain.” Although she has enjoyed tremendous, long-term success, she talks candidly to Alec about blows to her career and ego.

Jon Robin Baitz is a playwright who admits that writing plays is tricky. He’s a snob for Broadway, where the cachet and laughs are bigger. But deep down, this award-winning playwright considers it a privilege to be working in American theater at all. Alec speaks to Baitz about his Broadway debut play, Other Desert Cities, that came from a place of despair and loss—and his own personal experience writing for television in Hollywood.

Stacy Keach’s dad was an actor, director and a producer. He had hoped his son would be a lawyer. Keach eventually wore down his parents, abandoned his major of political science and economics to pursue acting. Keach started with Shakespeare, which took him from a festival in Oregon to studying classical theater in England. Today, Keach teaches acting via Skype and his only true regret is not experiencing more of the great outdoors.

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Patti LuPone was only four years old when she realized she belonged on stage, and she started by entertaining family members in her Long Island living room. LuPone won her second Tony Award for Evita, which she initially described as merely “noise from Britain.” Although she has enjoyed tremendous, long-term success, she talks candidly to Alec about blows to her career and ego. 

Jon Robin Baitz is a playwright who admits that writing plays is tricky. He’s a snob for Broadway, where the cachet and laughs are bigger. But deep down, this award-winning playwright considers it a privilege to be working in American theater at all. Alec speaks to Baitz about his Broadway debut play, Other Desert Cities, that came from a place of despair and loss—and his own personal experience writing for television in Hollywood.

Stacy Keach’s dad was an actor, director and a producer. He had hoped his son would be a lawyer. Keach eventually wore down his parents, abandoned his major of political science and economics to pursue acting. Keach started with Shakespeare, which took him from a festival in Oregon to studying classical theater in England. Today, Keach teaches acting via Skype and his only true regret is not experiencing more of the great outdoors.

Grammy-winning guitarist Peter Frampton says, “Sound is very inspirational to me." And it always has been—Frampton started playing guitar before he was 8 years old. He talks about his musical roots in England, playing in bands like The Preachers and The Herd. At age 14 he was playing at a recording session produced by Bill Wyman, who he says is “sort of like my mentor, my older brother.”

Just eleven years later, Frampton was on stage in San Francisco, recording Frampton Comes Alive—one of the biggest-selling live albums of all times. Frampton also talks about the challenges of his extraordinary achievement: “I don’t think anybody can be ready for that kind of success.”

Thom Yorke, Radiohead and Atoms for Peace frontman, admits that, even after over 25 years in the business, performing is “either wicked fun or really awful.” He talks with Alec about his pre-show ritual—"I stand on my head for a bit"—and how he and his bandmates have been able to stick together since they were teenagers. 

See omnystudio.com/listener for privacy information.

Grammy-winning guitarist Peter Frampton says, “Sound is very inspirational to me." And it always has been—Frampton started playing guitar before he was 8 years old. He talks about his musical roots in England, playing in bands like The Preachers and The Herd. At age 14 he was playing at a recording session produced by Bill Wyman, who he says is “sort of like my mentor, my older brother.”

Just eleven years later, Frampton was on stage in San Francisco, recording Frampton Comes Alive—one of the biggest-selling live albums of all times. Frampton also talks about the challenges of his extraordinary achievement: “I don’t think anybody can be ready for that kind of success.”

Thom Yorke, Radiohead and Atoms for Peace frontman, admits that, even after over 25 years in the business, performing is “either wicked fun or really awful.” He talks with Alec about his pre-show ritual—"I stand on my head for a bit"—and how he and his bandmates have been able to stick together since they were teenagers. 

Dunham, the creator of HBO’s GIRLS, says when she was younger, she thought she’d be a "Gender and Women’s Studies teacher who showed movies at the occasional film festival." Instead she's trying to figure out what to wear to shoot the cover of Rolling Stone. Dunham talks with Alec about getting a dog and her first date with her boyfriend Jack Antonoff. She’s not ready for children—yet—but they are on her mind: “I was raised to think that the two most important things you could do in your life were to have a passionate, generous relationship to your work and to raise children.”

In 2013, Alec sat down with the late stage and screen veteran who, among many famous roles, played his mother Colleen Donaghy on 30 Rock. Stritch spoke to Alec about her transition from the Sacred Heart Convent and finishing school to finding herself in the New York theater classes sitting between Walter Matthau and Marlon Brando. She performed for nearly 70 years and throughout career, Stritch comments, "I was the funny kind of offbeat girl. I was never the romantic lead.”

See omnystudio.com/listener for privacy information.

Dunham, the creator of HBO’s GIRLS, says when she was younger, she thought she’d be a "Gender and Women’s Studies teacher who showed movies at the occasional film festival." Instead she's trying to figure out what to wear to shoot the cover of Rolling Stone. Dunham talks with Alec about getting a dog and her first date with her boyfriend Jack Antonoff.  She’s not ready for children—yet—but they are on her mind: “I was raised to think that the two most important things you could do in your life were to have a passionate, generous relationship to your work and to raise children.”

In 2013, Alec sat down with the late stage and screen veteran who, among many famous roles, played his mother Colleen Donaghy on 30 Rock. Stritch spoke to Alec about her transition from the Sacred Heart Convent and finishing school to finding herself in the New York theater classes sitting between Walter Matthau and Marlon Brando. She performed for nearly 70 years and throughout career, Stritch comments, "I was the funny kind of offbeat girl. I was never the romantic lead.”

David Letterman began his Late Night gig as a self-described “gap-toothed, unknown smart ass.” But thirty highly successful years later, Letterman’s comedy formula has evolved: he no longer attends all the meetings or makes all the decisions and stupid pet tricks are a thing of the past. Letterman began his television career as a weatherman, but moved rapidly up to anchorman and talk show host. He left for L.A. and, after only three years on the comedy scene there, he found himself guest-hosting the Tonight Show. He talks to Alec about how a quintuple by-pass and the birth of a child have dramatically shifted Letterman’s priorities.

Michael Douglas has lived in the same apartment overlooking Central Park for decades. Alec joins him there for a compelling conversation about what makes a great director and why playing the villain is so wonderful. Douglas reveals how competition with his father, legendary actor Kirk Douglas, shaped both his career and his life as a parent. He says he’s much more honest with his young daughter than he ever thought he’d be. Douglas explains how his father’s early brush with death, and his own cancer diagnosis affected them each in different ways.

See omnystudio.com/listener for privacy information.

David Letterman began his Late Night gig as a self-described “gap-toothed, unknown smart ass.” But thirty highly successful years later, Letterman’s comedy formula has evolved: he no longer attends all the meetings or makes all the decisions and stupid pet tricks are a thing of the past. Letterman began his television career as a weatherman, but moved rapidly up to anchorman and talk show host. He left for L.A. and, after only three years on the comedy scene there, he found himself guest-hosting the Tonight Show. He talks to Alec about how a quintuple by-pass and the birth of a child have dramatically shifted Letterman’s priorities. 

Michael Douglas has lived in the same apartment overlooking Central Park for decades. Alec joins him there for a compelling conversation about what makes a great director and why playing the villain is so wonderful. Douglas reveals how competition with his father, legendary actor Kirk Douglas, shaped both his career and his life as a parent. He says he’s much more honest with his young daughter than he ever thought he’d be. Douglas explains how his father’s early brush with death, and his own cancer diagnosis affected them each in different ways.

Lorne Michaels had nothing to lose on October 11, 1975, when Saturday Night Live first aired. He doesn't pull all-nighters any more in preparation for the week’s show, but Michaels tells Alec he is still anxious on Saturdays at 11:30 pm. Michaels believes in the power of live performance and gives SNL hosts the best bits. But aside from the funniest lines, the irreverent Michaels offers little protection. Alec is no exception.

Alec sat down with Erica Jong, author of the 1970s best-seller, Fear Of Flying, and her daughter Molly Jong-Fast. Erica talks candidly about coping with three divorces, and tells Alec she is certain her current marriage will be her last. Meanwhile, daughter Molly had no idea her mom wrote so-called “dirty” books. She does recall her mom being consumed by work and travel, but concludes that her mother’s legacy is about being honest.

See omnystudio.com/listener for privacy information.

Lorne Michaels had nothing to lose on October 11, 1975, when Saturday Night Live first aired. He doesn't pull all-nighters any more in preparation for the week’s show, but Michaels tells Alec he is still anxious on Saturdays at 11:30 pm. Michaels believes in the power of live performance and gives SNL hosts the best bits. But aside from the funniest lines, the irreverent Michaels offers little protection. Alec is no exception.  

Alec sat down with Erica Jong, author of the 1970s best-seller, Fear Of Flying, and her daughter Molly Jong-Fast. Erica talks candidly about coping with three divorces, and tells Alec she is certain her current marriage will be her last. Meanwhile, daughter Molly had no idea her mom wrote so-called “dirty” books. She does recall her mom being consumed by work and travel, but concludes that her mother’s legacy is about being honest.