This week on Here’s The Thing, Alec talks about the financial crisis with Joseph Stiglitz, a Nobel Prize-winning economist. Stiglitz shows no restraint when unleashing criticism of presidential policies -- on both sides. Of President Barack Obama’s financial-industry rescue plan, Stiglitz said that whomever designed it was "either in the pocket of the banks or … incompetent." Stiglitz talks to Alec about growing up in Gary, Indiana and how that impacted his decision to become an economist.

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Nobel Prize-winning economist, Joseph Stiglitz, shows no restraint when unleashing criticism of presidential policies—on both sides. Of President Barack Obama’s financial-industry rescue plan, Stiglitz gives scathing remarks, saying that whomever designed it was "either in the pocket of the banks or … incompetent."

Considered one of the most influential people in the world by TIME 100, Stiglitz grew up in Gary, Indiana and he talked to Alec about how that impacted his decision to become an economist.

This week on Here’s The Thing, Alec talks with Robert Osborne, host of Turner Classic Movies. Today Osborne plays the role of ambassador to a bygone era. We hear the journey he took to get there -- which could have been a classic movie itself.

Osborne tells Alec about meeting Lucille Ball: “If it had been Lana Turner I met or somebody I wouldn't have been able to talk, but it was Lucille Ball.” Nonetheless, Ball ended up playing an influential role in Osborne’s life, encouraging him to pursue writing over acting. Later Osborne explains some of the challenges he faced at The Hollywood Reporter, when he found himself writing what was really supposed to be a gossip column: “I never felt comfortable intruding upon people that wanted to keep a secret. Because I think secrets are important to have.”

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As host of Turner Classic Movies, Robert Osborne plays the role of ambassador to a bygone era. We hear the journey he took to get there—which could have been a classic movie itself. It all started when, as kid in a small town, he frequented the cinema and “fell in love with the movie business.”

Osborne also speaks about some of challenges he faced while at The Hollywood Reporter, when he found himself writing what was really supposed to be a gossip column: “I never felt comfortable intruding upon people that wanted to keep a secret. Because I think secrets are important to have.”

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Alec talks with Kristen Wiig -- who catered, did floral design, answered phones at a law firm and handed out peach samples at a farmer’s market -- all before landing her current gig, as a cast member on Saturday Night Live.

Kristen says she loves performing, but admits there’s also a “big part of me that’s just like: don’t look at me.” Kristen talks about auditioning for SNL, and the prospect of life beyond SNL: “I mean that’s my family, it’s my heart, it’s New York to me.”

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Kristen was in college when an Acting 101 class prompted a move to L.A. She had little experience, but a tremendous gift for improv, and she soon found herself in a room auditioning for SNL. Hundreds of personas later, Wiig is regarded by SNL creator Lorne Michaels as one of the three or four greatest SNL talents ever. Kristen’s expertise translated well to film, and she eventually won an Oscar nomination for her Bridesmaids screenplay. She joins Alec to talk about the arc of her career and the steps she hopes to take next.

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Alec talks with Herb Alpert, legendary trumpeter and co-founder of A&M Records, the independent record label Alpert eventually sold to Polygram. In 1966, Alpert’s band, The Tijuana Brass sold over 13 million records, outselling The Beatles.

Alpert talks about the thrill of signing musicians like The Carpenters, Cat Stevens, and The Police but also reveals what it was like to lose -- and slowly regain -- his trumpet voice over a period of nearly 8 years. The struggle was so intense it made him question everything: “I just want[ed] to find out who I am and why I’m here. Everybody is looking for the same thing: a life of purpose and meaning.”

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When Herb Alpert started playing trumpet with his band Tijuana Brass, Woody Allen and George Carlin were the opening acts. In 1966, The Brass outsold The Beatles. Alpert went on to co-found A&M Records, where he identified and signed some of the industries greatest talent: The Carpenters, The Police, and Cat Stevens. He and his partner sold A&M in 1989 for half a billion dollars. He says he’s looking for the same thing as everybody else—a life of purpose and meaning.  

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Herb Alpert with some of his Black Totem sculptures.  (Photo by Graham Howe)

Kathleen Turner made her film debut 30 years ago in the blockbuster thriller, Body Heat. Since then, she’s been leading lady in numerous films and on stage and she’s earned Tony nominations for Who’s Afraid of Virginia Woolf and Cat on a Hot Tin Roof.

Turner sits down with Alec to talk directors – from stage and screen; raising a daughter in New York; dealing with rheumatoid arthritis; and her passion for performance: “If I couldn’t act, I’d just curl up, shrivel up and die … I can’t live without it.”

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Kathleen Turner’s movie star status was quickly secured after her captivating role in Body Heat. She spent the next decade as one of Hollywood’s go-to leading ladies.  

But the arc of Kathleen’s career was disrupted by illness. She tells Alec about living with rheumatoid arthritis, a disease that plagued her both on screen and on stage. Many of her colleagues in film fear the stage, but Kathleen Turner finds theater irresistible.

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