Jeni LeGon danced with Bill "Bojangles" Robinson, signed a historic long-term contract at MGM, and became one of the first women — black or white — to build a solo tap career.

So how did her Hollywood dream suddenly change course?

In this episode of The Rest of the Story on the Hey, Dancer! podcast, I trace the path from her self-taught beginnings in Chicago… to the moment she stopped a room cold in her very first film (Hooray for Love)… to the surprising twist that left her outside the MGM machine almost as quickly as she entered it.

But how did she rebuild into a teenager sent across the Atlantic to perform in London… then back to Harlem to sharpen her craft… before landing scene-stealing moments in Ali Baba Goes to Town, Fools for Scandal, and Double Deal?

And what turned her into the pants-wearing tap pioneer whose legacy still isn't fully recognized?

This is the dance history Hollywood overlooked — brought together through deep research and archival footage never before revealed in one place. Until now.

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Patrick Swayze starred in Dirty Dancing, Ghost, and Point Break — but few know the full dance story that built the Hollywood legend.

Before fame, he was a natural-born performer from Houston — trained by his mother, choreographer Patsy Swayze. Equally gifted in movement, music, and sport, his future seemed almost prewritten in the stars. But one night in high school, a single moment would change — and ultimately define — his path forever.

What came next was a journey marked by resilience and reinvention — from a devastating setback to ballet stages, Broadway lights, and Hollywood stardom. Again and again, he tried to move beyond dance… but it never stopped finding him. And years later, alongside his wife, Lisa Niemi, that pull would return in the most personal way imaginable.

In this episode of The Rest of the Story on the Hey, Dancer! podcast, discover why, for Patrick Swayze, dance wasn't just a skill — it was his first love, his fiercest teacher, and the force that shaped everything that followed.

This is Patrick Swayze's complete dance story — revealed in full, at last.

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Teri Garr — the Oscar-nominated star of Tootsie, Young Frankenstein, and Close Encounters of the Third Kind — was one of film's most beloved comedic actresses. But before the fame, she was one of Hollywood's most prolific dancers.

What led her there?

A family tragedy — and a Rockette legacy — would set her on a path toward the soundstages of 1960s Hollywood.

She danced in nine Elvis Presley movies, appeared in What a Way to Go! (choreographed by Gene Kelly), and performed behind music legends like The Supremes and Chuck Berry.

By her twenties, she was a regular face on screens big and small — from beach musicals to variety shows — working nonstop under choreographers David Winters and Toni Basil.=

In this episode of The Rest of the Story on the Hey, Dancer! podcast, we dive deep into her dance life — the side of Teri Garr's story rarely told — and how those early years shaped the performer she became.

It's the story of how one of Hollywood's most recognized faces built her career the hardest way possible: one eight-count at a time.

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Grover Dale danced beside the legends — Jerome Robbins, Michael Kidd, Michael Bennett, Gene Kelly — yet his name rarely makes the spotlight.

He went from a small-town kid with makeshift tap shoes… to a Broadway dancer in West Side Story… to a Hollywood performer in The Unsinkable Molly Brown and The Young Girls of Rochefort.

And just when it seemed his rise couldn't go further, he shifted behind the scenes — choreographing, directing, and helping redefine how choreographers are credited and paid.

But his story isn't just about success — it's about loyalty, erasure, and what really happened when one of Broadway's biggest shows won big… without saying his name.

This episode of The Rest of the Story on the Hey, Dancer! podcast traces how a kid from McKeesport became the dancer Jerome Robbins kept turning to — and the advocate who changed how dance is remembered.

Many of the photos and materials in this episode come directly from Grover Dale's recent autobiography, A Boy Like That: Hits, Misses, Messes, and Miracles as I Danced Across the Stages of Broadway and Hollywood (2024). It's an insightful, heartfelt look at his extraordinary career — and it served as my primary source for this episode. Highly recommended reading for any dancer, choreographer, or lover of musical history.

Images and excerpts from the book are used here under Fair Use for educational and documentary purposes.

Here's a link to the book!

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Donna McKechnie didn't just dance in Broadway's greatest shows — she helped build them.

Promises, Promises. Company. A Chorus Line.

Her artistry and emotional intelligence defined a generation of musical theatre.

But this episode isn't just about the roles that made her famous — it's about everything that led there:

a Michigan childhood spent dancing in borrowed classrooms, her move to New York at sixteen, and the partnership with Michael Bennett that changed Broadway forever.

Then came the turning point: a devastating illness that left her nearly immobile. Doctors said she'd never walk again, let alone dance.

This episode uncovers how she proved them wrong — the treatment, the discipline, and the unbreakable spirit that brought her back to the stage.

From The Music and the Mirror to Sweet Charity, this is the definitive story of a dancer who defined Broadway through movement, survived what should've ended her career, and came back stronger than ever.

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Derek Hough is one of the most recognizable dancers of the 21st century — six-time Dancing with the Stars champion, Emmy-winning (and record-breaking) choreographer, World of Dance judge, and Las Vegas headliner.

But his story didn't start under spotlights.

It began in a Utah kitchen — a restless kid who couldn't sit still, whose mother dragged him into a dance class kicking and screaming.

From there came discipline, drive — and one decision that would change everything.

At eleven, he made a move so bold it would alter the course of his entire life — a choice that took him far from home, into a world of champions, and set him on a path few dancers ever dare to take.

Years later, that risk paid off. By eighteen, he was a world Latin champion.

Then came the leap few dancers ever make: from competition floors to theatre on the West End. Dancing with the Stars. Choreographing Olympic gold for Meryl Davis and Charlie White. Creating a sold-out national tour (often with his sister, Julianne Hough) that proved dance alone could fill arenas.

In this episode of The Rest of the Story on the Hey, Dancer! podcast, I trace how he turned a childhood obsession into a career that redefined what a dance star could be in the 21st century — one built entirely on movement, music, and mastery.

He didn't just make dance popular again.

He made it personal.

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Eleanor Powell starred in some of MGM's most dazzling musicals, like Broadway Melody of 1936, Born to Dance, Rosalie, Honolulu, and Broadway Melody of 1940 — where she matched Fred Astaire step for step in the legendary 'Begin the Beguine.'

Dubbed the Queen of Tap, Gene Kelly called her the best dancer ever put on film. Critics hailed her "eloquent feet." And yet, at the height of her fame, she stunned Hollywood by walking away.

In this episode of The Rest of the Story on the Hey, Dancer! podcast, I trace Powell's rise from a painfully shy child in Springfield, Massachusetts, to Broadway prodigy, MGM headliner, and Vegas comeback star. Along the way, you'll hear how she trained, what set her apart, and why her artistry remains unmatched.

History may have pushed her name to the margins. But let's be clear: Eleanor Powell belongs in the same breath as Astaire and Kelly. She was the pinnacle of screen (and stage) tap — and this is the rest of her story.

Special thanks to authors Paula Broussard & Lisa Royére and their book: Eleanor Powell, Born to Dance. It proved a monumental resource in my research for this ep. I highly recommend checking it out! You can grab it here!

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Ben Vereen is widely considered one of the greatest modern showmen — a true song-and-dance force.

But behind the fame is a dance story that's never been fully told. From gospel quartets and Brooklyn dance studios to the moment Bob Fosse took a chance on him — and kept returning, again and again — this episode uncovers how Vereen's artistry was built long before the spotlight.

He stole the spotlight in Pippin, broke hearts in Jesus Christ Superstar, became a household name in Roots, and closed All That Jazz in unforgettable style.

And now, for the first time, you'll hear the dance beginnings, mentors, and turning points that shaped his rise into superstardom.

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Suzanne Charny's dance journey was anything but ordinary. From a childhood training path that veered far from the usual ballet–tap–jazz pipeline, to being personally chosen by Bob Fosse to lead Sweet Charity's "Rich Man's Frug" on film, her story is one of singular talent meeting the right moment.

In this episode of The Rest of the Story on the Hey, Dancer! podcast, you'll hear how her unique training and early influences (Luigi, Mattox, Graham) shaped her into a dancer who could embody Fosse's language like no one else. You'll also discover why Fosse — and Gwen Verdon — fought for her, how Hollywood took notice, and how one number cemented her place in dance history.

For the first time ever in this series, I spoke directly with the subject herself. That means this episode is filled with never-before-seen photos and details from Suzanne's own life — plus, in the outro, I'll share my personal reflection on that conversation.

Her name may not be as instantly recognizable as Verdon or Reinking, but her contribution to dance is unforgettable. And this episode uncovers why.

Suzanne's sculpting website!

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Russ Tamblyn flipped, tumbled, and changed the movie musical forever.

From a daredevil kid climbing telephone poles, to winning tumbling championships, to early tap training and a stage break with Lloyd Bridges — his path snowballed fast.

Soon he was thrown into the barn-raising of Seven Brides for Seven Brothers — even though he wasn't supposed to dance at all. He was choreographed by Hermes Pan while partnering Debbie Reynolds (Hit the Deck), and staged by Alex Romero for a jaw-dropping shovel routine in The Fastest Gun Alive. He even left a mark on Elvis Presley in Jailhouse Rock. And then came Jerome Robbins' ultimatum in West Side Story: no flips, no tricks… just dance. Could he live up to it?

In this episode of The Rest of the Story on Hey, Dancer!, I uncover how a gymnast-turned-actor became a dancer in Hollywood's greatest musicals — and why his movement still resonates on film today.

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