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Famous, unique pieces of art are inherently illiquid. They don't sell very often, and pricing is inherently difficult to estimate. Nonetheless, it's a huge business, and investors have been attempting for a long time to turn art into a proper asset class. On this week's podcast, we speak to Margaret Carrigan, an editor at The Art Newspaper, about how investors are attempting to financialize the art world via the use of guaranteed prices at auction.
See omnystudio.com/listener for privacy information.
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Famous, unique pieces of art are inherently illiquid. They don't sell very often, and pricing is inherently difficult to estimate. Nonetheless, it's a huge business, and investors have been attempting for a long time to turn art into a proper asset class. On this week's podcast, we speak to Margaret Carrigan, an editor at The Art Newspaper, about how investors are attempting to financialize the art world via the use of guaranteed prices at auction.
See omnystudio.com/listener for privacy information.

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