In 'Black Music', a collection of essays, liner notes and interviews from 1959 to 1967, Amiri Baraka captures the ferment, energy and excitement of the avant-garde jazz scene. Published while he still went by LeRoi Jones, it provides a composite picture of Baraka’s evolving thought, aesthetic values and literary experimentation. In this episode, Brent and Adam discuss the ways in which Baraka tackled the challenge of writing about music and his intimate connections to the major players in jazz. Whether you’re familiar with the music or totally new to the New Thing, 'Black Music' is an essential guide to a period of political and artistic upheaval.

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Brent Hayes Edwards is a scholar of African American and Francophone literature and of jazz studies at Columbia University.

Get in touch: [email protected]

Further reading in the LRB:

Adam Shatz: The Freedom Principle

https://www.lrb.co.uk/blog/2014/may/the-freedom-principle

Adam Shatz: On Ornette Coleman

https://www.lrb.co.uk/the-paper/v37/n14/adam-shatz/diary

Philip Clark: On Cecil Taylor

https://www.lrb.co.uk/blog/2018/april/cecil-taylor-1929-2018

Ian Penman: Birditis

https://www.lrb.co.uk/the-paper/v36/n02/ian-penman/birditis

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