In Our Time

Melvyn Bragg and guests discuss the history of the Devil. In the Gospel according to John he is ‘a murderer from the beginning’, ‘a liar and the father of lies’, and Dante calls him ‘the ill Worm that pierces the world’s core’. But Milton’s description of him as a powerful rebel was so attractive that William Blake declared that Milton was ‘of the Devil’s party, without knowing it’. To ordinary folk the Devil has often been regarded as a trickster, a tempter, sometimes even a figure of fun rather than of fear. How did this contradictory character come into being? Why did it take so long for him to become an established figure in Christianity? And if the Devil did not exist, would we have had to invent him? With Martin Palmer, theologian and Director of the International Consultancy on Religion, Education and Culture; Alison Rowlands, Senior Lecturer in European History at the University of Essex; David Wootton, Professor of Intellectual History at Queen Mary, University of London.

Melvyn Bragg and guests discuss the life, work and legacy of Ludwig Wittgenstein. There is little doubt that he was a towering figure of the twentieth century; on his return to Cambridge in 1929 Maynard Keynes wrote, “Well, God has arrived. I met him on the 5:15 train”.Wittgenstein is credited with being the greatest philosopher of the modern age, a thinker who left not one but two philosophies for his descendents to argue over: The early Wittgenstein said, “the limits of my mind mean the limits of my world”; the later Wittgenstein replied, “If God looked into our minds he would not have been able to see there whom we were speaking of”. Language was at the heart of both. Wittgenstein stated that his purpose was to finally free humanity from the pointless and neurotic philosophical questing that plagues us all. As he put it, “To show the fly the way out of the fly bottle”.How did he think language could solve all the problems of philosophy? How have his ideas influenced contemporary culture? And could his thought ever achieve the release for us that he hoped it would?With Ray Monk, Professor of Philosophy at the University of Southampton and author of Ludwig Wittgenstein: The Duty of Genius; Barry Smith, Lecturer in Philosophy at Birkbeck, University of London; Marie McGinn, Senior Lecturer in Philosophy at the University of York.

Melvyn Bragg and guests discuss the infamous St Bartholomew’s Day Massacre. In Paris, in the high summer of 1572, a very unusual wedding was happening in the cathedral of Notre Dame. Henri, the young Huguenot King of Navarre, was marrying the King of France’s beloved sister, Margot, a Catholic. Theirs was a union designed to bring together the rival factions of France and finally end the French Wars of Religion. Paris was bustling with Huguenots and Catholics and, though the atmosphere was tense, the wedding went off without a hitch. And as they danced together at the Louvre, it seemed that the flower of French nobility had finally come together to bury its differences.That wasn’t to be: on St Bartholomew’s Day, four days after the ill-starred nuptials, so many Protestants were killed in the streets of Paris that the River Seine ran red with their blood. Was the wedding a trap? Who was to blame for the carnage and what impact did it have on the Reformation in Europe?With Diarmaid MacCulloch, Professor of the History of the Church at Oxford University and author of a new book: Reformation: Europe’s House Divided 1490-1700; Mark Greengrass, Professor of History at the University of Sheffield; Penny Roberts, Lecturer in History at the University of Warwick.

Melvyn Bragg and guests discuss the age of the Earth. It was once thought that the world began in 4004 BC. Lord Kelvin calculated the cooling temperature of a rock the size of our planet and came up with a figure of 20 million years for the age of the Earth. Now, the history of our planet is divided into four great Eons: the Hadean, the Archaen, the Proterozoic and the Phanerozoic. Together, they are taken to encompass an incredible four and a half billion years. How can we begin to make sense of such a huge swathe of time? And can we be sure that we have got the Earth's age right? Geologists use Eras, Periods and Epochs to further punctuate what's known as 'Deep Time', but can we be sure that the classifications we use don't obscure more than they reveal? With Richard Corfield, Research Associate in the Department of Earth Sciences at Oxford University; Hazel Rymer, Senior Lecturer in the Department of Earth Sciences at the Open University; Henry Gee, Senior Editor at Nature.

Melvyn Bragg and guests discuss the concept of duty. George Bernard Shaw wrote in his play Caesar and Cleopatra, “When a stupid man is doing something he is ashamed of, he always declares that it is his duty”. But for Horatio Nelson and so many others, duty has provided a purpose for life, and a reason to die – “Thank God I have done my duty” were his final words.The idea that others have a claim over our actions has been at the heart of the history of civilised society, but duty is an unfashionable or difficult notion now - perhaps because it seems to impose an outside authority over self interest. The idea of duty has duped people into doing terrible things and inspired them to wonderful achievements, and it is an idea that has excited philosophers from the time people first came together to live in large groups. But has duty always meant doing what’s best for others rather than oneself? And how did it become such a powerful idea that people readily gave their lives for it? With Angie Hobbs, Lecturer in Philosophy at the University of Warwick; Annabel Brett, Fellow of Gonville and Caius and Lecturer in History at the University of Cambridge; Anthony Grayling, Reader in Philosophy at Birkbeck, University of London.

Melvyn Bragg and guests discuss sensation, a Victorian literary phenomenon. The Archbishop of York fulminated against them in his sermons, they spread panic through the pages of The Times and in a famous review the Oxford Professor of Philosophy, Henry Mansel, called them “unspeakably disgusting” with a “ravenous appetite for carrion”: in the 1860s the novels of Sensation took the Victorian world by storm.Bigamy. Secrecy. Murder and Madness. Detectives and surprise plot twists - all in a genteel domestic setting. It was a compelling concoction that propelled sales of the genre into millions, and for the first time ever got those above stairs reading the same stories as their servants.How did Sensation achieve such an incredible popularity so fast? What did the ensuing moral panic reveal about the society in which the novels were set? And in terms of its literary reputation, does this racy genre deserve to languish so far behind Victorian Realism, its rather steadier cousin?With John Mullan, Senior Lecturer in English at University College London; Lyn Pykett, Professor of English and Pro-Vice Chancellor at the University of Wales, Aberystwyth; Dinah Birch, Professor of English at the University of Liverpool.

Melvyn Bragg and guests discuss the centuries old myth of the most romantic noble outlaw. The first printed version of the Robin Hood story begins like this:“Lithe and Lysten, gentylmen/That be of frebore blodeI shall tell of a good yeman/His name was Robyn Hode/Robyn was a proude outlawe/Whyles he walked on groundeSo curteyse an outlawe as he was one/Was never none yfound”.Robin Hood is described as a ‘yeoman’ – a freeman, and though he is courteous there is not even a hint of the aristocrat he later became. In fact, in the early ballads there is no Maid Marian, no Friar Tuck, Robin does not live in the time of bad Prince John, or the crusades, does not lead a large and merry gang, and certainly never robs the rich to give to the poor. Though he always remains a trickster, and a man with a bow in a wood.Why does this most malleable of myths go through so many changes and so many centuries? And was there ever a real outlaw Robin Hood on whom the ballads, plays, novels and movies are based?With Stephen Knight, Professor of English Literature at Cardiff University and author of Robin Hood: A Mythic Biography; Thomas Hahn, Professor of English Literature at the University of Rochester, New York; Dr Juliette Wood, Secretary of the Folklore Society.

Melvyn Bragg and guests discuss the nature and existence of mathematical infinity. Jonathan Swift encapsulated the counter-intuitive character of infinity with insouciant style:“So, naturalists observe, a fleaHath smaller fleas on him that preyAnd these hath smaller fleas to bite ‘emAnd so proceed ad infinitum.”Alas, the developing utility mathematicians put to the idea of infinity did not find the English philosopher Thomas Hobbes quite so relaxed. When confronted with a diagram depicting an infinite solid whose volume was finite, he wrote, “To understand this for sense, it is not required that a man should be a geometrician or logician, but that he should be mad”. Yet philosophers and mathematicians have continued to grapple with the unending, and it is a core concept in modern maths.So, what is mathematical infinity? Are some infinities bigger than others? And does infinity exist in nature?With Ian Stewart, Professor of Mathematics at the University of Warwick; Robert Kaplan, co-founder of The Math Circle at Harvard University and author of The Art of the Infinite: Our Lost Language of Numbers; Sarah Rees, Reader in Pure Mathematics at the University of Newcastle.

Melvyn Bragg and guests discuss events surrounding the medieval division of the Christian Church. In 1054, Cardinal Humbert stormed into the Cathedral of Constantinople and charged down the aisle. In his hand was a Papal Bull – a deed of excommunication - and he slammed it down onto the altar. As he swept out of the startled church, the Papal Legate and his entourage stopped at the door and symbolically shook the sullied dust of Eastern Christianity from their Catholic boots. The Pope of Rome had decreed that the Patriarch of Constantinople was denied his place in heaven, and soon afterwards the Patriarch excommunicated the Pope in return.It was the culmination of an argument over a single word in the Nicene Creed - but after a thousand years of being one Church, so began a permanent rift.But what were the real underlying reasons behind the split, what were its effects and why did it take until December 1965 for the excommunications to be finally revoked?With Henrietta Leyser, medieval historian and Fellow of St Peter’s College, Oxford; Norman Housley, Professor of Medieval History at the University of Leicester; Jonathan Shepard, editor of the Cambridge History of the Byzantine Empire.

Melvyn Bragg and guests discuss the 19th century Parisian philosophy of life lived for art. In 1848 the young Parisian Henri Murger wrote of his bohemian friends: Their daily existence is a work of genius…they know how to practise abstinence with all the virtue of an anchorite, but if a slice of fortune falls into their hands you will see them at once mounted on the most ruinous fancies, loving the youngest and prettiest, drinking the oldest and best, and never finding sufficient windows to throw their money out of. Then, when their last crown is dead and buried...they go poaching on all the callings that have any connection with art, hunting from morn till night that wild beast called a five franc piece. Bohemianism meant a life lived for art, it meant sexual liberation and freedom from social constraint, but it also meant dodging the landlord and burning your poems to stay warm. How did the garret-philosophy of the Parisian Latin Quarter take over the drawing rooms of Bloomsbury and Chelsea, and why did a French war with necessity emerge as a British life-style as art? With Hermione Lee, Goldsmiths' Professor of English Literature at the University of Oxford and biographer of Virginia Woolf; Virginia Nicholson, author of Among the Bohemians: Experiments in Living 1900-1939; Graham Robb, writer and biographer of Balzac, Victor Hugo and Rimbaud.