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In this segment of our “How I Made It” series, Charlie Uruchima shares his journey with his ancestral language and tells us how he created "Kichwa Hatari," the first Kichwa-language radio station in the U.S. From a bedroom-turned-radio studio, to building an entire community of radio hosts and language activists, Charlie tells us how he discovered the power of radio to build solidarity that defies borders.
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In 2018, just months after Hurricane Maria, an eccentric group of cryptocurrency enthusiasts arrived in Puerto Rico. They came with big plans for the island—to help rebuild after the hurricane, and in the process create a high-tech cryptocurrency paradise in the Caribbean.
They also came to take advantage of Puerto Rico’s favorable tax laws. But not everyone in Puerto Rico was onboard with their vision to change everything on the island. Latino USA follows the often-bizarre story of these Bitcoin pirates of the Caribbean, from crypto boom to crypto bust.
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The Dominican Republic has one of the harshest anti-abortion laws in the Americas, but a legal reform might be closer than ever before. In recent months, women’s rights activists have taken the streets to protest in favor of the “three causales”—three circumstances under which abortion would be allowed: when the fetus is nonviable, when the woman’s life is at risk, or when the pregnancy is the result of a rape or incest. The approval of these three ‘causales’ has been a decades-long battle, because conservatives and the Catholic church still have a big influence in the country. In this episode, we speak with Dominican journalist Amanda Alcántara to learn more about how women are fighting for their reproductive rights on the island.
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We tackle the Flamin’ Hot Cheetos controversy and dive into why this story is so much more than just about a processed snack food but a story about race, culture, identity, and the stories that we choose to believe.
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After a historic clash between Ecuadorians and their national government in 2019, one photo of an Andean woman mid-protest became an iconic symbol of resistance around the world.
The image was taken by a member of Fluxus Foto, a collective of Ecuadorian photojournalists. Their mission is to document indigenous peoples’ long-lasting struggles to have their rights guaranteed, and the collective has only continued to grow over the past few years.
The 12 photographers in Fluxus have risked their lives to capture political demonstrations and social movements. More recently, they’ve immersed themselves in local indigenous communities to document their lives amid a global pandemic. In this episode of our “How I Made It” series, Fluxus members take us behind the scenes of photographing the fight for social justice throughout the region.
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As “In the Heights” hits theaters one year after its original release date, we talk to director Jon M. Chu about why he thinks immigrant narratives deserve to be summer blockbusters. Chu tells us about his youth as a child of Chinese and Taiwanese immigrants, and the role that TV and film played in his family’s sense of belonging. After a successful career directing large budget franchise movies for over a decade, Chu talks about the reckoning that led him to fight for movies like “Crazy Rich Asians” and now, the movie adaptation of “In the Heights.”
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Two Afrolatinx cousins have an intimate conversation about race and Latinidad a year after George Floyd was murdered by Derek Chauvin, a white cop. Umar Williams, a musician and radio host living in the Twin Cities, discusses with his younger cousin, Alexander Newton, who lives in Washington, D.C. In this episode, they talk about growing up ‘Black is beautiful,’ their Panamanian heritage and how they rediscovered Latinidad.
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In the United States, the word “cholo” invokes images of gang members, lowriders, and tattoos. But in South America, cholo or “cholito” can either be a term of endearment or a racial slur used against people of indigenous ancestry. How come one word is used to describe two very different groups of people on opposite sides of the world? We take a journey, from the streets of California to the Andes of Peru, to find the roots of an ancient and harmful term that some people are, nonetheless, reclaiming as an element of pride and identity.
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The rock en español group, Maná, is one of the most successful Spanish-language rock bands of this generation. They've sold over 40 million records worldwide. But the band didn’t start out playing stadiums. It all began when one member started an English-speaking band three decades ago in Guadalajara, Mexico. Latino USA sits down with drummer Alex Gonzalez, who tells us how they got their start and became Maná.
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Writer Yesica Balderrama immigrated from Morelos, Mexico to New York City with her family over two decades ago. Since then, they’ve been living in Queens as undocumented immigrants. While Yesica eventually was able to become a DACA-recipient, her mother and uncle are still undocumented. She has since moved out, gone to college and become a writer. But as she’s drifted away and created her own independent life, Yesica has started to become increasingly worried about how little her family has changed. In this intimate story, Yesica decides to confront her relatives with tough questions about their lack of progress, and how they try to stay afloat in this country.
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From the publisher's feed
Latino USA is the longest-running news and culture radio program in the U.S. centering Latino stories, hosted by Pulitzer Prize winning journalist Maria Hinojosa Every week, the Peabody winning team brings you revealing, in-depth stories about what’s in the hearts and minds of Latinos and their impact on the world.
Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peaks and behind-the-scenes chisme on Latino USA and all our podcasts. www.futuromediagroup.org/joinplus
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