Tennyson described 'In Memoriam' as ‘rather the cry of the whole human race than mine’, and the poem achieved widespread acclaim as soon as it was published in 1850, cited by Queen Victoria as her habitual reading after the death of Prince Albert. Its subject is the death in 1833 of Tennyson’s friend Arthur Hallam at the age of 22, and in its 131 sections it explores the possibilities of elegy more extensively than any English poem before it, not least in its innovative, incantatory rhyme scheme, intended to numb the pain of grief. From its repeated dramatisations of the experience of private loss, 'In Memoriam' opens out to reflect on the intellectual turmoil running through Victorian society amid monumental advances in scientific thought. In this episode, Seamus and Mark discuss the unique emotional power of Tennyson’s style, and why his great elegy came to represent what mourning, and poetry, should be in the public imagination of his time.

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Read more in the LRB:

Frank Kermode:

⁠https://www.lrb.co.uk/the-paper/v32/n09/frank-kermode/eliot-and-the-shudder⁠

Seamus Perry:

⁠https://www.lrb.co.uk/the-paper/v33/n02/seamus-perry/are-we-there-yet⁠

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