I’ve been fascinated by the problem Donald Trump faces with Project 2025. Trump has been caught in an awkward position, disavowing the document itself, but unable to fully disavow the people behind it. So I wanted to do an episode not just on Trump, but on the unwieldy coalition that has formed around him — what is sometimes referred to as the “New Right.”

Emily Jashinsky is the D.C. correspondent and host of “Undercurrents” for UnHerd, a co-host of “Counter Points” with Ryan Grim, and a former editor at The Federalist, one of the most influential sites among conservatives today. She’s described herself as someone with “a foot in both camps” of the “Old Right” and the “New Right.” So I thought she’d be a great guide to understanding how the conservative movement has changed.

In this conversation, we discuss the key differences between the Old Right and the New Right; what the New Right wants; why New Right thinkers are so interested in the concepts of “modernity” and “virtue”; and what influence the New Right might have in a second Trump administration.

Mentioned:

The Virtue of Nationalism by Yoram Hazony

Book Recommendations:

Primal Screams by Mary Eberstadt

The Devil’s Chessboard by David Talbot

The Screwtape Letters by C. S. Lewis

Thoughts? Guest suggestions? Email us at [email protected].

You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.

This episode of “The Ezra Klein Show” was produced by Elias Isquith. Fact-checking by Michelle Harris, with Kate Sinclair. Our senior engineer is Jeff Geld, with additional mixing by Isaac Jones and Aman Sahota. Our senior editor is Claire Gordon. The show’s production team also includes Annie Galvin, Rollin Hu and Kristin Lin. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Efim Shapiro.

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