Kenkoku University and the Experience of Pan-Asianism: Education in the Japanese Empire (Bloomsbury, 2019) by Yuka Hiruma Kishida makes a fresh contribution to the recent effort to re-examine the Japanese wartime ideology of Pan-Asianism by focusing on the experiences of students at Kenkoku University or “Nation-Building University,” abbreviated as Kendai (1938-1945). Located in the northeastern provinces of China commonly designated Manchuria, the university proclaimed to realize the goal of minzoku kyōwa (“ethnic harmony”). It recruited students of Japanese, Chinese, Korean, Taiwanese, Mongolian and Russian backgrounds and aimed to foster a generation of leaders for the state of Manchukuo. Distinguishing itself from other colonial schools within the Japanese Empire, Kendai promised ethnic equality to its diverse student body, while at the same time imposing Japanese customs and beliefs on all students. In this book, Yuka Hiruma Kishida examines not only the theory and rhetoric of Pan-Asianism as an ideal in the service of the Japanese Empire, but more importantly its implementation in the curriculum and the daily lives of students and faculty whose socioeconomic backgrounds were broadly representative of their respective societies. She draws on archival material which reveals dynamic exchanges of ideas about the meaning of Asian unity among the campus community, and documents convergences as well as clashes of competing articulations of Pan-Asianism. Kishida argues that an idealistic and egalitarian conception of Pan-Asianism exercised considerable appeal late into the Second World War, even as mobilization for total war intensified contradictions between ideal and practice. More than an institutional history, this book makes an important intervention into the historiography on Pan-Asianism and Japanese imperialism.

Yuka Hiruma Kishida is an associate professor of history at Bridgewater College in Virginia, specializing in modern East Asian history.

Shatrunjay Mall is a PhD candidate at the Department of History at the University of Wisconsin-Madison. He works on transnational Asian history, and his dissertation explores intellectual, political, and cultural intersections and affinities that emerged between Indian anti-colonialism and imperial Japan in the twentieth century.

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Ghastly Tales from the Yotsuya Kaidan (Chisokudo, 2020) is a newly revised and corrected translation of what is perhaps the most famous and oft told tales of horror in Japan. The legend of Iwa and her curse blurs the lines between fact and fiction as it spins its terrifying tale of ghostly vengeance. For nearly three hundred years in the repertoire of itinerant storytellers, in dramatic performances on stage, and in modern adaptations for anime and film, Iwa’s story has lost none of its intoxicating power over the imagination.

Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.

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When did the Cold War in East Asia really begin? According to ADI-NIAS researcher Kuan-Jen Chen, the answer is 1945 – if we view the Cold War through a maritime lens. In conversation with NIAS Director Duncan McCargo, KJ explains how he is using Japanese and Taiwanese sources to gain a more nuanced perspective on East Asian Cold War maritime history, which is far from a simple narrative of American naval dominance. KJ also discusses the relevance of the Cold War context to understanding recent geostrategic developments in the region, and why he is trying to put international historians into a more fruitful dialogue with scholars of international relations.

Kuan-Jen Chen (https://kjchen.net/) is the Asian Dynamics Initiative-Nordic Institute of Asian Studies Postdoctoral Fellow in Asian Studies at the University of Copenhagen. He has published articles in various journals including Cold War History and the Journal of American-East Asian Relations. KJ is currently completing a book based on his Cambridge PhD, entitled The Making of America’s  Maritime Order in Cold War East Asia: Sovereignty, Local Interests, and International Security.

KJ was recently jointly awarded Taiwan’s 2021 Openbook Award in Translation for his co-translation into Chinese of Barak Kushner’s Men to Devils, Devils to Men: Japanese War Crimes and Chinese Justice, Harvard 2015 (see NBN podcast here).

The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University.

We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.

Transcripts of the Nordic Asia Podcasts can be found here. About NIAS: www.nias.ku.dk

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Modernity arrived in Japan, as elsewhere, through new forms of ownership. In A Fictional Commons: Natsume Soseki and the Properties of Modern Literature (Duke UP, 2021), Michael K. Bourdaghs explores how the literary and theoretical works of Natsume Sōseki (1867–1916), widely celebrated as Japan's greatest modern novelist, exploited the contradictions and ambiguities that haunted this new system. Many of his works feature narratives about inheritance, thievery, and the struggle to obtain or preserve material wealth while also imagining alternative ways of owning and sharing. For Sōseki, literature was a means for thinking through—and beyond—private property. Bourdaghs puts Sōseki into dialogue with thinkers from his own era (including William James and Mizuno Rentarō, author of Japan’s first copyright law) and discusses how his work anticipates such theorists as Karatani Kōjin and Franco Moretti. As Bourdaghs shows, Sōseki both appropriated and rejected concepts of ownership and subjectivity in ways that theorized literature as a critical response to the emergence of global capitalism.

Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.

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Ian Reader and John Shultz's Pilgrims Until We Die: Unending Pilgrimage in Shikoku (Oxford University Press, 2021)" explores the Shikoku pilgrimage by focusing on the themes of repetition and perpetual pilgrimage. Reader and Shultz employ a wide array of methods to portray how these itinerant pilgrims view their unending life on the trails. Some spend most of their life walking the pilgrimage, while others use cars and other methods of modern transportation, allowing them to complete the circuit hundreds of times. The Shikokubyō or the Shikoku illness is a common term that people use to describe a sense of addiction to the pilgrimage, revealing how the pilgrimage has become a part of their life. Based in extensive fieldwork this book shows that unending pilgrimage is the dominant theme of the Shikoku pilgrimage, and argues that this is not specific to Shikoku but found widely in global contexts, although it has barely been examined in studies of pilgrimage. It counteracts normative portrayals of pilgrimage as a transient activity involving temporarily leaving home to visit sacred places outside the everyday parameters of life; rather pilgrimage, for many participants, means creating a sense of home and permanence on the road. As such this book presents new theoretical perspectives on pilgrimage in general, along with rich ethnographic examples of pilgrimage practices in contemporary Japan.

Raditya Nuradi is a Phd student at Kyushu University. He works on religion and popular culture, particularly anime pilgrimages. He’s done fieldwork at Hitoyoshi city, Kumamoto prefecture.

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Revisiting Japan's Restoration: New Approaches to the Study of the Meiji Transformation (Routledge, 2021) presents the reader with thirty-one short chapters that capture an exciting new moment in the study of the Meiji Restoration. The chapters offer a kaleidoscope of approaches and interpretations of the Restoration that showcase the strengths of the most recent interpretative trends in history writing on Japan while simultaneously offering new research pathways.

On a scale probably never before seen in the study of the Restoration outside Japan, the short chapters in this volume reveal unique aspects of the transformative event and process not previously explored in previous research. They do this in three core ways: through selecting and deploying different time frames in their historical analysis; by creative experimentation with different spatial units through which to ascertain historical experience; and by innovative selection of unique and highly original topics for analysis. The volume offers students and teachers of Japanese history, modern history, and East Asian studies an important resource for coming to grips with the multifaceted nature of Japan’s nineteenth-century transformation.

The volume will also have broader appeal to scholars working in fields such as early modern/modern world history, global history, Asian modernities, gender studies, economic history, and postcolonial studies.

Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.

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Timothy Yang’s A Medicated Empire: The Pharmaceutical Industry and Modern Japan (Cornell 2021) is a case study of Hoshi Pharmaceutical, a Japanese drug company that exemplified the push for a modern “culture of self-medication.” The history of Hoshi is tightly intertwined with state promotion of Western biomedicine beginning in the late nineteenth century, but also reveals tensions between pharmaceutical manufacturers’ self-promotion “as a humanitarian endeavor for greater social good” and their profit motive. As the title suggests, A Medicated Empire also expands our understanding of the production and consumption of drugs―licit and illicit―in the Japanese empire, exploring topics including how companies like Hoshi exploited national-defense concerns to secure lucrative government support in times of crisis on the one hand, and the differential marketing and regulation of pharmaceuticals such as opium to Japanese and colonial subjects. In the latter sections of the book, these elements are central to the story of Hoshi’s fall and rise: the opium scandal which crippled and bankrupted the company in the early 1930s and its resurrection and profiteering as Japan geared up for war later in the decade. Throughout, Yang is sensitive to the tensions between state-led national strengthening, corporate profit motives, and the desires of individuals to optimize their health, and also to the imperial context in which the particular story of Hoshi played out. This book will of course be of interest to historians of Japan, STS, and business, among others, but as we discuss in the podcast, many of its core issues―trust in pharma, government interventions in public health, etc.—are more salient today than ever.

Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.

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December 2021 marks the 80th anniversary of Pearl Harbor and the American entry into the Second World War. In fact, this interview was recorded on December 12th: the 80th anniversary of Japanese troops landing on the Philippine island of Luzon.

That invasion marked the four-year war over the Philippines: the surrender of American forces on May 8th, 1942; the invasion of Leyte by MacArthur on October 20th, 1944; and the surrender of Japan on August 15th, 1945.

But what happens in between these major dates? How did Filipinos live their lives under the occupation—and how did some choose to fight back? What did resistance, whether carried out by Americans who stayed behind, or Filipinos seizing their country’s future for themselves, look like?

War and Resistance in the Philippines, 1942–1944 (Naval Institute Press: 2021) by James Kelly Morningstar is one of the first attempts to repair our understanding of the war in the Philippines, showing how American, Filipino and Japanese actions influenced each other.

James Kelly Morningstar is a retired U.S. Army armor officer and decorated combat veteran with degrees from West Point and Kansas State University, a master's degree from Georgetown University, and a PhD from the University of Maryland. He currently teaches military history at Georgetown. He is also the author of Patton’s Way: A Radical Theory of War (Naval Institute Press: 2017).

Today, we talk about the Philippines: the Japanese invasion and occupation, the nature of resistance, and American grand strategy. We’ll also discuss what makes the resistance movement important to our understanding of today’s geopolitics.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of War and Resistance in the Philippines: 1942-1944. Follow on Facebook or on Twitter at @BookReviewsAsia.

Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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Rayna Denison’s Anime: A Critical Introduction (Bloomsbury, 2015) uses genre as a window into the evolving global phenomenon of Japanese animation. Denison’s wide-ranging analysis tackles the anime themselves – including classics such as Astro Boy, Akira, Urotsukidōji, Spirited Away, and Natsume’s Book of Friends – but also the mechanics behind anime production and distribution in Japan, the United States, and the United Kingdom. Tracking anime’s circulation through these locations over time reveals key differences in how generic terms such as horror, nichijōkei/slice-of-life, and even anime itself are understood. Examining production and distribution contexts like the industry and fan event, Tokyo International Anime Fair, further discloses how companies and fans contextualize and re-contextualize anime to encourage its popularization in new time periods and markets. Denison depicts anime as an intricate global phenomenon that is constantly metamorphosing even on the level of individual anime texts, which are at the extreme re-cut, re-scripted, and re-dubbed to fit new contexts in an eternal evolution.

Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University. She writes about Japanese media and is currently finishing up a book on Japanese adaptations of Lewis Carroll’s Alice in Wonderland novels.

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Japan is often imagined as a homogeneous society with few immigrant communities, but it is increasingly home to migrants from across the world. How does an extended stay in Japan influence Indian migrants’ sense of their identity as they adapt to a country very different from their own? Indian Migrants in Tokyo: A Study of Socio-Cultural, Religious, and Working Worlds (Routledge, 2020) by Megha Wadhwa explores the small but growing community of Indian migrants living in Japan. Japan has very distinctive customs and a complex culture, to which foreigners often struggle to adapt. Links between India and Japan go back a long way in history, and the connections and relations between the two countries have evolved and transformed over the years. The emerging Indian diaspora in Japan is one contemporary and important facet of this relationship between the two countries. Focusing on Indian migrants settled in Tokyo, this book analyzes their lives through interviews with approximately one hundred respondents among them, as well as extensive participant observation. Wadhwa examines the lifestyles, fears, problems, relations, and expectations of Indians who attempt to create “a home away from home” in Japan. This book will be of great interest to anthropologists and sociologists concerned with diaspora communities and the impact of migration, as well as scholars who research Japan, India, or both countries and regions.

Megha Wadhwa is a Research Associate at the Institute of Japanese Studies at the Free University of Berlin and a Visiting Fellow at the Institute of Comparative Culture at Sophia University in Tokyo.

Shatrunjay Mall is a PhD candidate at the Department of History at the University of Wisconsin-Madison. He works on transnational Asian history, and his dissertation explores intellectual, political, and cultural intersections and affinities that emerged between Indian anti-colonialism and imperial Japan in the twentieth century.

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