Argentina lies at the heart of the American hemisphere's history of global migration booms of the mid-nineteenth to early twentieth century: by 1910, one of every three Argentine residents was an immigrant—twice the demographic impact that the United States experienced in the boom period. In this context, some one hundred and forty thousand Ottoman Syrians came to Argentina prior to World War I, and over the following decades Middle Eastern communities, institutions, and businesses dotted the landscape of Argentina from bustling Buenos Aires to Argentina's most remote frontiers.

Lily Pearl Balloffet's Argentina in the Global Middle East (Stanford University Press, 2020) connects modern Latin American and Middle Eastern history through their shared links to global migration systems. By following the mobile lives of individuals with roots in the Levantine Middle East, Lily Pearl Balloffet sheds light on the intersections of ethnicity, migrant–homeland ties, and international relations. Ranging from the nineteenth century boom in transoceanic migration to twenty-first century dynamics of large-scale migration and displacement in the Arabic-speaking Eastern Mediterranean, this book considers key themes such as cultural production, philanthropy, anti-imperial activism, and financial networks over the course of several generations of this diasporic community. Balloffet's study situates this transregional history of Argentina and the Middle East within a larger story of South-South alliances, solidarities, and exchanges.

Reuben Silverman is a PhD candidate at University of California, San Diego.

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A new generation of Afro-Brazilian media producers have emerged to challenge a mainstream that frequently excludes them. Reighan Gillam delves into the dynamic alternative media landscape developed by Afro-Brazilians in the twenty-first century. With works that confront racism and focus on Black characters, these artists and the visual media they create identify, challenge, or break with entrenched racist practices, ideologies, and structures. Gillam looks at a cross-section of media to show the ways Afro-Brazilians assert control over various means of representation in order to present a complex Black humanity. These images--so at odds with the mainstream--contribute to an anti-racist visual politics fighting to change how Brazilian media depicts Black people while highlighting the importance of media in the movement for Black inclusion.

An eye-opening union of analysis and fieldwork, Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (U Illinois Press, 2022) examines the alternative and activist Black media and the people creating it in today's Brazil.

Reighan Gillam is an Associate Professor in the Department of Anthropology at the University of Southern California.

Alize Arıcan is a Postdoctoral Associate at Rutgers University's Center for Cultural Analysis. She is an anthropologist whose research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in Current Anthropology, City & Society, JOTSA, Radical Housing Journal, and entanglements. You can find her on Twitter @alizearican

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In this podcast, Lisa Blackmore, Senior Lecturer in the School of Philosophy, History and Interdisciplinary Studies Centre at the University of Essex, and Liliana Gomez, Professor of Art and Society at the University of Kassel, introduce their edited volume Liquid Ecologies in Latin American and Caribbean art (Routledge, 2020) and the multiple ways it proposes to "think with water". Spotlighting the ways in which artists in the Americas have long been in dialogue with water, liquids and fluids as material signifiers and ontological materials, the authors in this volume examine artists and works that open up larger discussions about history, ecology, temporality, memory, activism and more.

This interdisciplinary book brings into dialogue research on how different fluids and bodies of water are mobilised as liquid ecologies in the arts in Latin America and the Caribbean. Examining the visual arts, including multimedia installations, performance, photography and film, the chapters place diverse fluids and systems of flow in art historical, ecocritical and cultural analytical contexts. 

Elize Mazadiego is an art historian in Modern and Contemporary art (PhD, University of California San Diego), with a specialism in Latin American art. She is currently a Marie SkłodowskaCurie fellow at the University of Amsterdam and author of the book Dematerialization and the Social Materiality of Art: Experimental Forms in Argentina, 1955-1968 (Brill, 2021).

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For five hundred years, Latina/o culture and identity have been shaped by their challenges to the religious, socio-economic, and political status quo, whether in opposition to Spanish colonialism, Latin American dictatorships, US imperialism in Central America, the oppression of farmworkers, or the current exploitation of undocumented immigrants. Christianity has played a significant role in that movement at every stage.

Robert Chao Romero, the son of a Mexican father and a Chinese immigrant mother, explores the history and theology of what he terms the "Brown Church." In his book Brown Church: Five Centuries of Latina/o Social Justice, Theology, and Identity (InterVarsity Press, 2020), Romero considers how this movement has responded to these and other injustices throughout its history by appealing to the belief that God's vision for redemption includes not only heavenly promises but also the transformation of every aspect of our lives and the world. Walking through this history of activism and faith, readers will discover that Latina/o Christians have a heart after God's own.

David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements.

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The life and legacy of a young Argentinian woman whose disappearance in 1976 haunts those she left behind It started with a coincidence--when Marc Raboy happened to discover that he shared a surname with a young leftwing Argentinian journalist who in June 1976 was ambushed by a rightwing death squad while driving with her family in the city of Mendoza. Alicia's partner, the celebrated poet and fellow Montonero Francisco "Paco" Urondo, was killed on the spot. Their baby daughter was taken and placed in an orphanage. Her daughter ultimately rescued but Alicia was never heard from again. 

In Looking for Alicia: The Unfinished Life of an Argentinian Rebel (Oxford University Press, 2022), Raboy pursues her story not simply to learn what happened when the post-Perón government in Argentina turned to state terror, but to understand what drove Alicia and others to risk their lives to oppose it. Author and subject share not only a surname--a distant ancestral connection--but youthful rebellion, journalistic ambition, and the radical politics that were a hallmark of the 1960s. Their destinies diverged through a combination of choice and circumstance. Using family archives, interviews with those who knew her, and transcripts from the 2011 trial of former Argentine security forces personnel involved in her disappearance, Raboy reassembles Alicia's story. He supplements his narrative with documents from Argentina's attempts to deal with the legacy of the military dictatorship, such as the 1984 report of the National Commission on the Disappearance of Persons, Nunca Más ("Never Again"); as well as secret diplomatic correspondence recently made public through the U.S. State Department's Argentina Declassification Project. Looking for Alicia immerses readers in the years of the so-called "Dirty War," which, decades later, cast their shadow still. It also gives an unforgettably human face to the many thousands who disappeared during that dark era, those they left behind, and the power of the memories that bind them.

Candela Marini is an Assistant Professor of Cultural Studies and Spanish at MSOE University.

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Normative liberalism has promoted the freedom of privileged subjects, those entitled to rights—usually white, adult, heteronormative, and bourgeois—at the expense of marginalized groups, such as Black people, children, LGBTQ people, and slum dwellers. In this visceral ethnography of Rocinha, the largest favela in Rio de Janeiro, Brazil, Moisés Lino e Silva explores what happens when liberalism is challenged by people whose lives are impaired by normative understandings of liberty. He calls such marginalized visions of freedom “minoritarian liberalism,” a concept that stands in for overlapping, alternative modes of freedom—be they queer, favela, or peasant.

In Minoritarian Liberalism: A Travesti Life in a Brazilian Favela (University of Chicago Press, 2022), Lino e Silva introduces readers to a broad collective of favela residents, most intimately accompanying Natasha Kellem, a charismatic self-declared travesti (a term used in Latin America to indicate a specific form of female gender construction opposite to the sex assigned at birth). While many of those the author meets consider themselves “queer,” others are treated as “abnormal” simply because they live in favelas. Through these interconnected experiences, Lino e Silva not only pushes at the boundaries of anthropological inquiry, but also offers ethnographic evidence of non-normative routes to freedom for those seeking liberties against the backdrop of capitalist exploitation, transphobia, racism, and other patterns of domination.

Moisés Lino e Silva is tenured faculty in the department of anthropology at the Federal University of Bahia (UFBA) in Brazil.

Armanc Yildiz is a doctoral candidate in Social Anthropology with a secondary field in Studies in Women, Gender and Sexuality at Harvard University. He is also the founder of Academics Write, where he supports scholars in their writing projects as a writing coach and developmental editor.

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What drives and sustains participation in unemployed workers’ movements in Argentina? Today’s guest, Marcos Perez, is Assistant Professor in the Department of Sociology and Anthropology at Washington and Lee University and author of the new book, Proletarian Lives. Routines, Identity and Culture in Contentious Politics. Marcos talks about how he came to study “piquetero” organizations that emerged in the late 90s and early 2000s, but have retained their influence for decades. He describes his participation in the organizations’ unremarkable daily tasks, and how he came to understand their importance to the lives of working-class participants who felt like economic collapse had robbed them of their blue-collar routines. He discusses the life history interviews through which he came to understand the importance of participation in the context of the rest of their lives, and finally talks about the books that have inspired him.

Alex Diamond is a Ph.D. candidate in sociology at the University of Texas, Austin. Sneha Annavarapu is a postdoctoral researcher at the University of Chicago.

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In Engendering Islands: Sexuality, Reproduction, and Violence in the Early French Caribbean (University of Nebraska Press, 2021), Dr. Ashley M. Williard demonstrates how problematics of gender played a central role in defining colonial others, male and female, at the moment when slavery was first introduced in the French-controlled Antilles. The book argues that seventeenth-century French Caribbean reconstructions of masculinity and femininity helped sustain and justify occupation, slavery, and nascent ideas of race. In the face of historical silences, Williard’s close readings of archival and narrative texts reveals the words, images, and perspectives that reflected and produced new ideas of human difference in this colonial context. Juridical, religious, and medical discourses expose the interdependence of multiple conditions—male and female, enslaved and free, Black and white, Indigenous and displaced, normative and disabled—in the islands claimed for the French Crown.

R. Grant Kleiser is a Ph.D. candidate in the Columbia University History Department. His dissertation researches the development of the free-port system in the eighteenth-century Caribbean, investigating the rationale for such moves towards “free trade” and the impact these policies had on subsequent philosophers, policy-makers, and revolutionaries in the Atlantic world.

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Today I spoke to Anjanette Delgado, a Puerto Rican writer and journalist based in Miami who has compiled emblematic stories and essays by writers from many countries who congregate in the city of Miami and the state of Florida. The stories are about those who have been touched by the Florida and Miami experience, and who have made the state their home. Her anthology titled Home in Florida. Latinx Writers and the Literature of Uprootedness published by the University of Florida Press Gainesville in 2021 has won the silver medal for the Independent Publishing Book awards. She is also the author of The Heartbreak Pill: A novel and the The Clairvoyant of Calle Ocho. She has written for the The New York Times “Modern Love” column, Vogue, NPR, HBO, the Kenyon Review and the Hong Kong Review.

Through this corpus on the immigrant experience, the reader will get the distillation of Florida’s multiculturalism and also gain insights on the in betweenness of the minority and majority in America.

On the one hand there are those who feel Miami is a city lost to the American heartland but continue to flock there to enjoy the café cortadito and the myriad joys of having the foreign in the midst of Sameness. And then there the displaced and uprooted in a “halfway house” of exile. A variety of genres: poetry, love letters, prose songs, jokes all hang together in this poignant compilation of the involuntary wanderer.

Minni Sawhney is a professor of Hispanic Studies at the University of Delhi

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It is 2084. Climate change has made life on the Caribbean island of Bajacu a gruelling trial. The sun is so hot that people must sleep in the day and live and work at night. In a world of desperate scarcity, people who reach forty are expendable. Those who still survive in the cities and towns are ruled over by the brutal, fascistic Domins, and the order has gone out for another evacuation to less sea-threatened parts of the capital.Sorrel can take no more and she persuades her mother, Bibi, that they should flee the city and head for higher ground in the interior.  

Daylight Come (Peepal Tree Press, 2020) is a great story, a call to action, and a meditation on love and lost beauty. Diana McCauley has been an environmental activist for many years. Here, she uses her storytelling powers to produce a world that is both unrecognizable and familiar. 

Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany. @alebronf

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