New Books in Performing Arts

American culture maintained a complicated relationship with Haiti from its revolutionary beginnings onward. In Staging Haiti in Nineteenth-Century America: Revolution, Race and Popular Performance (Cambridge UP, 2022), Peter P. Reed reveals how Americans embodied and re-enacted their connections to Haiti through a wide array of performance forms. In the wake of Haiti's slave revolts in the 1790s, generations of actors, theatre professionals, spectators, and commentators looked to Haiti as a source of both inspiring freedom and vexing disorder. French colonial refugees, university students, Black theatre stars, blackface minstrels, abolitionists, and even writers such as Herman Melville all reinvented and restaged Haiti in distinctive ways. Reed demonstrates how Haiti's example of Black freedom and national independence helped redefine American popular culture, as actors and audiences repeatedly invoked and suppressed Haiti's revolutionary narratives, characters, and themes. Ultimately, Haiti shaped generations of performances, transforming America's understandings of race, power, freedom, and violence in ways that still reverberate today.

Katrina Anderson is a doctoral candidate at the University of Delaware.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Before South Korea became the democracy and media powerhouse that it is today, it underwent several decades of authoritarian rule during the Cold War from the late 1940s to late 1980s. Amidst this authoritarian period, South Korea’s filmmakers, distributors, and exhibitors nevertheless found ways to push the boundaries of both cinema and politics. This is the topic of Hieyoon Kim’s Celluloid Democracy: Cinema and Politics in Cold War South Korea (University of California Press, 2023).

Kim is an Assistant Professor at the University of Wisconsin-Madison’s Department of Asian Cultures and Languages. She specializes in the intersections of dissident culture and media with a focus on Korea and has myriad publications on topics ranging from film archives, historiography, and memory.

As the global popularity of South Korean cinema continues unabated, Celluloid Democracy helps readers dive deeper into a historical context that runs deeply through many contemporary K-media artifacts, yet doesn’t receive ample coverage in English-language discourse. Listen to this episode to learn more, and stay tuned until the end for some great film recommendations. 

Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

July 3, 1981, was a pivotal night for the future of America's newest art form: hip hop. In New York's Harlem World Club, the Fantastic Romantic Five and the Cold Crush Brothers competed, with an unprecedented $1,000--and their reputations--on the line in a highly anticipated rap battle. The show drew hundreds of fans to settle a question that still dominates hip hop circles: Who's the best?

In Harlem World: How Hip Hop's Super Showdown Changed Music Forever (Johns Hopkins UP, 2023), journalist Jonathan Mael chronicles this fateful night of hip hop rivalry and shares a new look at how Harlem helped ignite a musical revolution. Since hip hop first emerged in New York in the early 1970s, artists like Theodore Livingston (DJ Grand Wizzard Theodore) and Curtis Brown (Grandmaster Caz) sought to elevate this uniquely American musical genre by pushing the limits of record-playing techniques and lyricism. The two crews they assembled put on the best shows in a world where hip hop was still a strictly live art form. Even as acts like the Sugarhill Gang and Kurtis Blow became commercially successful, New York's top two crews strove to claim the ultimate spot atop the city's hip hop scene.

The battle blew the roof off Harlem World that night, and bootlegged cassette tapes of the match-up sent aftershocks around the city as more fans listened to the legendary performances. Set in the New York of the 1970s and '80s, this book shares dozens of new, exclusive interviews and a treasure trove of previously unpublished archival material to tell the story of Cold Crush and Fantastic's rivalry, documenting one of the most important stories in hip hop history. This is the first book of its kind to focus on 1979-1983 and the legendary battles at Harlem World while connecting the genre's formative years to its massive role in American society today.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jessica Lowell Mason and Nicole Crevar's Madwomen in Social Justice Movements, Literatures, and Art (Vernon Press, 2023) boldly reasserts the importance of the Madwoman more than four decades after the publication of Sandra Gilbert and Susan Gubar's seminal work in feminist literary criticism, 'The Madwoman in the Attic'. Since Gilbert and Gubar's work was published, the Madwoman has reemerged to do important work, rock the academic boat, and ignite social justice agency inside and outside of academic spaces, moving beyond the literary context that defined the Madwoman in the late 20th century.

In this dynamic collection of essays, scholars, creative writers, and Mad activists come together to (re)define the Madwoman in pluralistic and expansive ways and to realize new potential in Mad agency. This collection blazes new directions of thinking through Madness as a gendered category, comprised of a combination of creative works that (re)imagine the figure of the Madwoman, speeches in which Mad-identifying artists and writers reclaim the label of "Madwoman," and scholarly essays that articulate ambitious theories of the Madwoman.

The collection is an interdisciplinary scholarly resource that will appeal to multiple academic fields, including literary studies, disability studies, feminist studies, and Mad studies. Additionally, the work contributes to the countermovement against colonial, sanist, patriarchal, and institutional social practices that continue to silence women and confine them to the metaphorical attic. Appealing to a broad audience of readers, 'Madwomen in Social Justice Movements, Literatures, and Art' is a cutting-edge inquiry into the implications of Madness as a theoretical tool in which dissenting, deviant, and abnormal women and gender non-conforming writers, artists, and activists open the door to Mad futurities.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Children of families who are locked in a fatal feud, Romeo and Juliet risk community, identity, and life to pursue an all-consuming love. Today, Romeo and Juliet is one of the most famous love stories in the world. But the play isn’t simply a celebration of love or an idealization of the lovers. This wild and dangerous play lays bare the link between desire and death, between love and loss. The tragedy of Romeo and Juliet isn’t that their love is thwarted or impossible. The tragedy is love. In this course, you’ll learn the story of Romeo and Juliet, hear the play’s key speeches performed and analyzed by world-class Shakespearean actors and literary scholars, and see how Shakespeare brings its characters to life with the brightness and briefness of lightning. In Part 1, you’ll be guided through a detailed account of the story with commentary by Simon Palfrey, Professor of English at the University of Oxford. Professor Palfrey explains how this play is Shakespeare’s experimentation with new possibilities in drama and a masterpiece of his own poetic powers. You’ll learn how Shakespeare characterizes Romeo and Juliet and how their relationship is reflected in their particular forms of poetry. This summary is told using the language of the play itself, placing key quotations in context to help you understand where these lines come from and what they mean. 

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Tracy Rutler's Queering the Enlightenment: Kinship and Gender in Eighteenth-Century French Literature (Oxford University Studies in the Enlightenment, Liverpool UP, 2021) explores the imaginaries of novels and plays from the "liminal" period that followed the end of Louis the XIV's reign in France. Examining a range of French works from the 1730s and 1740s, including writing by Antoine François Prévost, Claude Crébillion, Pierre de Marivaux, and Françoise de Graffigny, Rutler traces a set of utopian themes and impulses that questioned and resisted heteronormativity and bourgeois family relations during this period. Interrogating gender, sexuality, and kinship in both the content and the form of their work, these authors challenged patriarchal power and relations as the foundations of state and society in France. At once intimate and political, the characters, scenes, and narratives these authors produced also posed questions about (the) Enlightenment more broadly.

In readings informed by thinkers like Foucault and Rancière, as well as the work of psychoanalytic, feminist, and queer theorists, Queering the Enlightenment is divided into three sections: Family Remains, Prodigal Sons, and Narrative Spinsters. Beginning with an analysis of eighteenth-century powerhouses Montesquieu and Voltaire on patriarchal decline and repair, Rutler goes on to consider literary representations of reproduction, masculinity, the public sphere, marriage, maternity, and same-sex community. The book will be of great interest to literary scholars and historians alike, particularly anyone interested the legacies of the Enlightenment and how historical struggles/debates over kinship, gender, and sexuality continue to resonate in the present.

Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and empire. She is the founding host of New Books in French Studies, a channel launched in 2013.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The iconic Black rock band Living Colour's Time's Up, released in 1990, was recorded in the aftermath of the spectacular critical and commercial success of their debut record Vivid. Time's Up is a musical and lyrical triumph, incorporating distinct forms and styles of music and featuring inspired collaborations with artists as varied as Little Richard, Queen Latifah, Maceo Parker, and Mick Jagger. The clash of sounds and styles don't immediately fit. The confrontational hardcore-thrash metal - complete with Glover's apocalyptic wail - in the title track is not a natural companion with Doug E. Fresh's human beat box on "Tag Team Partners," but it's precisely this bold and brilliant collision that creates the barely-controlled chaos. And isn't rock & roll about chaos?

Living Colour's sophomore effort holds great relevance in light of its forward-thinking politics and lyrical engagement with racism, classism, police brutality, and other social and political issues of great importance. In Living Colour's Time's Up (Bloomsbury, 2023), 

Kimberly Mack explores the creation and reception of this artistically challenging album, while examining the legacy of this culturally important and groundbreaking American rock band.

Kimberly Mack is the author of Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White (2020), which won the 2021 College English Association of Ohio's Nancy Dasher Award. She is also a music critic and memoirist who has written for publications including Longreads, Music Connection, No Depression, Relix, PopMatters, and Hot Press.

Kimberly Mack on Twitter.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In Part 3, Professor Emma Smith offers close-readings of some of the play’s most important scenes, which dramatize the wide range of relationships and types of love explored in the play. Speeches and performers: Orsino, 1.1, “If music be the food of love, play on …” (Jeffrey Blair Cornell) Malvolio and Olivia, 1.5, “I marvel your Ladyship takes delight in such a barren rascal …” (Amanda Harris) Antonio and Sebastian, 2.1, “If you will not murder me for my love …” (Kelly Hunter, MBE) Viola, 2.2, “I left no ring with her …” (Katy Stephens) Malvolio, 2.5, “M.O.A.I. …” (Jeffrey Blair Cornell)

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In Contemporary Chinese Queer Performance (Routledge, 2022), Hongwei Bao analyses queer theatre and performance in contemporary China. Boa documents various forms of queer performance - including music, film, theatre, and political activism - in the first two decades of the twenty first century. In doing so, Bao argues for the importance of performance for queer identity and community formation. This trailblazing work uses queer performance as an analytical lens to challenge heteronormative modes of social relations and hegemonic narratives of historiography. It will be of great interest to students and scholars of theatre and performance studies, gender and sexuality studies and Asian studies.

Shu Wan is currently matriculated as a doctoral student in history at the University at Buffalo. As a digital and disability historian, he serves in the editorial team of Digital Humanities Quarterly and Nursing Clio. On Twitter: @slissw.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Deanne Williams's newest book, Girl Culture in the Middle Ages and Renaissance: Performance and Pedagogy (Bloombury, 2023), is a groundbreaking study of the girl actor in the medieval and early modern world, demonstrating the existence of the girl performer in England long before the Restoration. Challenging existing academic assumptions about the supposed male dominance of the early modern stage, this book reveals girls' participation in a host of areas, from medieval religious drama to pageants and royal entries under the Tudors, country house entertainments, and Jacobean masques. Williams situates her historical study of the girl actor within the wider contexts of 'girl culture', including singing, translating, and writing. By examining the impact of the girl actor in Shakespeare's various constructions of girlhood– those girl characters which play upon the precedent of the performing girl in the medieval world– Girl Culture in the Middle Ages and Renaissance argues that girls' actively shaped culture in the middle ages and Renaissance through their various performances. Interweaving her study of literary texts with the lives of girls who wrote, collected, and performed them—people like Hroswitha of Gandersheim, Anne Boleyn, Jane Lumely, the Russell sisters, and Elizabeth Carey—Williams centers the lived reality of girl children as they interacted with dramatic culture.

Elspeth Currie is a PhD student in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.