Today we learn how computers learned to talk with Benjamin Lindquist, a postdoctoral researcher at Northwestern University’s Science in Human Culture program. Ben is the author “The Art of Text to Speech,” which recently appeared in Critical Inquiry, and he’s currently writing a history of text-to-speech computing. 

In this conversation, we explore: 

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The Rise of Unmanned Warfare: Origins of the Us Autonomous Military Arsenal (Oxford UP, 2023) tells the fascinating story of the people, processes, and beliefs that led to the contemporary American unmanned arsenal. It takes an expansive look at automated and autonomous technologies, from mines and torpedoes to guided bombs and missiles, satellites, and ultimately, drones. Instead of asking the question, "Why unmanned rather than manned?" the book explains why certain types of unmanned systems became popular while others languished in research or in small pockets of the American military.

To answer this question, Jacquelyn Schneider and Julia Macdonald use interviews of senior decision-makers, military doctrine and writings, and historical sources to detail the proliferation of over a hundred years of unmanned weapons in the US arsenal, from mines and balloons to Reapers and Global Hawks. Their exploration reveals how multiple factors--key policy entrepreneurs, like Andy Marshall in the Office of Net Assessment; critical junctures like the fall of the USSR or the 9/11 attacks; beliefs that emerged in the wake of the Vietnam War; and US military service culture--all interacted in complex ways to form today's unmanned arsenal.

The Hand Behind Unmanned uses theories of organizational innovation and process tracing of historical cases to explain recent developments, including US precision munition shortfalls and the rise of unmanned aerial platforms. It also foreshadows where the US unmanned arsenal may be headed in the future. Ultimately, the book uses a remarkable case study to illustrate how ideas diffuse across people and organizations to build the weapons of modern warfare.

Our guests are Doctor Jacquelyn Schneider, who is the Hargrove Hoover Fellow at the Hoover Institution, the Director of the Hoover Wargaming and Crisis Simulation Initiative, and an affiliate with Stanford's Center for International Security and Cooperation; and Doctor Julia Macdonald, who is a Research Professor at the Korbel School of International Studies, University of Denver, and Director of Research and Engagement at the Asia New Zealand Foundation.

Our host is Eleonora Mattiacci, an Associate Professor of Political Science at Amherst College. She is the author of "Volatile States in International Politics" (Oxford University Press, 2023).

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How the United States' regulation of broadband pipelines, digital platforms, and data—together understood as “the cloud”—has eroded civil liberties, democratic principles, and the foundation of the public interest over the past century.

Cloud Policy: A History of Regulating Pipelines, Platforms, and Data (MIT Press, 2024) is a policy history that chronicles how the past century of regulating media infrastructure in the United States has eroded global civil liberties as well as democratic principles and the foundation of the public interest. Jennifer Holt explores the long arc of regulating broadband pipelines, digital platforms, and the data centers that serve as the cloud's storage facilities—an evolution that is connected to the development of nineteenth- and twentieth-century media and networks, including railroads, highways, telephony, radio, and television. In the process, Cloud Policy unearths the lasting inscriptions of policy written for an analog era and markets that no longer exist on the contemporary governance of digital cloud infrastructure.
Cloud Policy brings together numerous perspectives that have thus far remained largely siloed in their respective fields of law, policy, economics, and media studies. The resulting interdisciplinary argument reveals a properly scaled view of the massive challenge facing policymakers today. Holt also addresses the evolving role of the state in the regulation of global cloud infrastructure and the growing influence of corporate gatekeepers and private sector self-governance. Cloud policy's trajectory, as Holt explains, has enacted a transformation in the cultural valuation of infrastructure as civic good, turning it into a tool of commercial profit generation. Despite these current predicaments, the book's historical lens ultimately helps the reader to envision restorative interventions and new forms of activism to create a more equitable future for infrastructure policy.

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Radio, today, can feel like a faithful old companion, but its early history was sensational. Between 1922 and 1939, British life was transformed by what was known as the Radio Craze. Listen In: How Radio Changed the Home (Bodleian Library, 2025) expresses what the radio's arrival signified at a personal level. This narrative history recounts the perspective of listeners who adopted the then radical form of communication technology, invested in their first-ever gadgets, and tuned in by their firesides to outside voices, music, SOS calls, the Pips, news, sports, royalty, and innovative radiogenic comedy. Listen In also traces how radio affected family life by exploring whether it altered dynamics between children and adults, changed relationships between women and men, as well as affected class and a wider sense of nationhood.

Packed with touching stories and anecdotes, Listen In comes at a timely moment when traditional linear radio is shifting, and the experience of how people consume audio is once again transforming.

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A tech insider explains how capitalism and software development make for such a dangerous mix.

Software was supposed to radically improve society. Outdated mechanical systems would be easily replaced; programs like PowerPoint would make information flow more freely; social media platforms like Facebook would bring people together; and generative AI would solve the world’s greatest ills. Yet in practice, few of the systems we looked to with such high hopes have lived up to their fundamental mandate. In fact, in too many cases they’ve made things worse, exposing us to immense risk at the societal and the individual levels. How did we get to this point?

In Fatal Abstraction: Why the Managerial Class Loses Control of Software (W. W. Norton, 2025), Darryl Campbell shows that the problem is “managerial software”: programs created and overseen not by engineers but by professional managers with only the most superficial knowledge of technology itself. The managerial ethos dominates the modern tech industry, from its globe-spanning giants all the way down to its trendy startups. It demands that corporate leaders should be specialists in business rather than experts in their company’s field; that they manage their companies exclusively through the abstractions of finance; and that profit margins must take priority over developing a quality product that is safe for the consumer and beneficial for society. These corporations rush the development process and package cheap, unproven, potentially dangerous software inside sleek and shiny new devices. As Campbell demonstrates, the problem with software is distinct from that of other consumer products, because of how quickly it can scale to the dimensions of the world itself, and because its inner workings resist the efforts of many professional managers to understand it with their limited technical background.

A former tech worker himself, Campbell shows how managerial software fails, and when it does what sorts of disastrous consequences ensue, from the Boeing 737 MAX crashes to a deadly self-driving car to PowerPoint propaganda, and beyond. Yet just because the tech industry is currently breaking its core promise does not mean the industry cannot change, or that the risks posed by managerial software should necessarily persist into the future. Campbell argues that the solution is tech workers with actual expertise establishing industry-wide principles of ethics and safety that corporations would be forced to follow. Fatal Abstraction is a stirring rebuke of the tech industry’s current managerial excesses, and also a hopeful glimpse of what a world shaped by good software can off.

Alfred Marcus is Edson Spencer Professor at the Carlson School of Management, University of Minnesota. 

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We're pleased to welcome Dr. Peter Krapp, the author of Computing Legacies: Digital Cultures of Simulation (MIT Press, 2024), to the New Books Network. 

In Computing Legacies, Peter Krapp explores a media history of simulation to excavate three salient aspects of digital culture. Firstly, he profiles simulation as cultural technique, enabling symbolic work and foregrounding hypothetical literacy. Secondly, he positions simulation as crucial for the preservation of cultural memory, where modeling, emulation, and serious play are constitutive in how we relate to our mediated history. And lastly, despite suggestions that we may already live in a simulation, he interrogates how simulation can serve as critique of the computer age. In tracing our digital heritage, Computing Legacies elucidates inflection points where quantitative data becomes tractable for qualitative evaluations: modeling epidemics for scientific study or entertainment, emulating older devices, turning numerical calculations into music, conducting espionage in virtual worlds, and gamifying higher education. Simulation, this book demonstrates, is pivotal not only to high-tech research and to archives, museums, and the preservation of digital culture but also to our understanding of what it is to live and work under the technical conditions of computing.

Dr. Peter Krapp is a Professor of Film & Media Studies, English, and Music at UC-Irvine.

Your host is Dr. Adam Kriesberg, Assistant Professor at the Simmons University School of Library and Information Science. 

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Today’s guest is Carolyn Birdsall, Associate Professor of Media Studies, University of Amsterdam. If you’re a scholar of sound or radio, you likely know her work, particularly her monograph Nazi Soundscapes (AUP, 2012) which was the recipient of the ASCA Book Award in 2013. Her new book, Radiophilia (Bloomsbury, 2023), examines the love of radio through history. It will be a great value to anyone–from novice to expert–who wants to understand radio studies and think about where it should go in the future. In this wide-ranging interview, we discuss Carolyn’s career and both of her books. We also get into the present state of radio and media studies, as well as the kind of skeptical orientation to media that tends to set sound studies scholars apart from many of their peers.

And for our Patrons we’ll have Carolyn’s What’s Good segment, with something good to read, listen to, and do. You can join us at patreon.com/phantompower. 

Today’s show was edited by Matt Parker. Transcript and web content by Katelyn Phan.

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Uncle Sam is watching, whether you like it or not. And the surveillance program the United States is building has as its foundation immigrants who have crossed the nation's southern border. In Data Borders: How Silicon Valley is Builidng an Industry Around Immigrants (University of California Press, 2023), UCLA information studies professor Melissa Villa-Nicholas deftly explains how private corporations such as Amazon and Palantir, government agencies including ICE and the CBP, and even public libraries all coordinate to track citizens and non-citizens alike. Mass amounts of data are networked to immigrants, who link people together like nodes on a map. A startlingly relevant book, Villa-Nicholas argues that stories we tell about data, and about human experiences, can either aid or act as a bulwark against this type of mass surveillance. The surveillance state is here, and it was born in the American West.

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Video (television, film, the moving image generally) is today’s most popular information medium. Two-thirds of the world’s internet traffic is video. Americans get their news and information more often from screens and speakers than through any other means. The Moving Image: A User's Manual (MIT Press, 2025) is the first authoritative account of how we have arrived here, together with the first definitive manual to help writers, educators, and publishers use video more effectively. 

Drawing on decades as an educator, publisher, and producer, MIT’s Peter Kaufman presents new tools, best practices, and community resources for integrating film and sound into media that matters. Kaufman describes video’s vital role in politics, law, education, and entertainment today, only 130 years since the birth of film. He explains how best to produce video, distribute it, clear rights to it, cite it, and, ultimately, archive and preserve it. With detailed guidance on producing and deploying video and sound for publication, finding and using archival video and sound, securing rights and permissions, developing distribution strategies, and addressing questions about citation, preservation, and storage—across the broadest spectrum of platforms, publications, disciplines, and formats—The Moving Image equips readers for the medium’s continued ascendance in education, publishing, and knowledge dissemination in the decades to come. And, modeled in part on Strunk and White’s classic, The Elements of Style, it’s also a highly enjoyable read.

Peter B. Kaufman is Senior Program Officer at MIT Open Learning. He is the author of The New Enlightenment and the Fight to Free Knowledge and founder of Intelligent Television, a video production company that works with cultural and educational institutions around the world.

Caleb Zakarin is editor at the New Books Network.

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Data and privacy have emerged as critical issues in our digitally interconnected era, profoundly influencing individual rights, societal norms, and democratic processes. In his book, On Privacy and Technology (Oxford UP, 2025), Daniel Solove provides a compelling exploration of the intersection between evolving technologies and privacy rights. Drawing on insights from law, philosophy, sociology, and communication studies, Solove unpacks the complex ways in which digital innovations challenge traditional notions of privacy and autonomy. The book advances a nuanced argument advocating for a reevaluation of how privacy is conceptualized and protected in an age dominated by data collection, surveillance, and algorithmic governance.

In this episode, Daniel Solove discusses how contemporary privacy concerns—ranging from mass surveillance and data breaches to algorithmic bias and digital profiling—can be critically understood and addressed. Grounded in rigorous theoretical analysis, the conversation pushes against the narrative that technological advancement inevitably erodes privacy, instead highlighting strategies and frameworks through which privacy rights can be reclaimed and reinforced in the digital age.

This interview was conducted by Shreya Urvashi, a doctoral researcher of sociology and education based in Toronto, Canada.

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