New Books in Technology

Over the past three decades, digital technologies like smartphones and laptops have transformed the way we work in the US. At the same time, workers at both ends of the income ladder have experienced rising levels of job insecurity and anxiety about their economic futures. In Left to Our Own Devices: Coping with Insecure Work in a Digital Age (Oxford UP, 2022), Julia Ticona explores the ways that workers use their digital technologies to navigate insecure and flexible labor markets. Through 100 interviews with high and low-wage precarious workers across the US, she explores the surprisingly similar "digital hustles" they use to find work and maintain a sense of dignity and identity. Ticona then reveals how the digital hustle ultimately reproduces inequalities between workers at either end of polarized labor markets. 

A moving and accessible look at the intimate consequences of contemporary capitalism, Left to Our Own Devices will be of interest to sociologists, communication and media studies scholars, as well as a general audience of readers interested in digital technologies, inequality, and the future of work in the US.

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Sally Wilson, VP of Publishing at Emerald opens up about the challenges publishers are facing in contending with the onset of the mass adoption of AI tools including ChatGPT, and its ramifications for scholarly publishing. She also talks about the potential positive use cases for ChatGPT for reducing inequality in publishing. In addition, Sally discusses the nature of mission-based publishing and leading the charge in tackling United Nations SDG goals in publishing.

Avi Staiman is the founder and CEO of Academic Language Experts.

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Space technology was developed to enhance the killing power of the state. The Moon landings and the launch of the Space Shuttle were mere sideshows, drawing public attention away from the real goal: military and economic control of space as a source of power on Earth.

Today, as Bleddyn E. Bowen vividly recounts in Original Sin: Power, Technology and War in Outer Space (Oxford UP, 2022), thousands of satellites work silently in the background to provide essential military, intelligence and economic capabilities. No major power can do without them. Beyond Washington, Moscow and Beijing, truly global technologies have evolved, from the ground floor of the nuclear missile revolution to today's orbital battlefield, shaping the wars to come. World powers including India, Japan and Europe are fully realizing the strategic benefits of commanding Earth's 'cosmic coastline', as a stage for war, development and prestige.

Yet, as new contenders spend more and more on outer space, there is scope for cautious optimism about the future of the Space Age-if we can recognize, rather than hide, its original sin.

Bleddyn E. Bowen is Associate Professor of International Relations at the University of Leicester, specializing in space policy and military uses of outer space. The internationally recognized author of War in Space, he consults on space policy for institutions including the UK Parliament, the European Space Agency, and the Pentagon.

Sam Canter is a policy and strategy analyst, PhD candidate, and Army Reserve intelligence officer. His views are his own and do not reflect any institution, organization, or entity with which he is affiliated.

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Michael Gurevich, lecturer at the Sonic Arts Research Centre at the Queen’s University, Belfast School of Music and Sonic Arts, serves as guest editor of the Winter 2010 issue of Computer Music Journal. In this podcast, Michael discusses the fields of Computer Music and Human Computer Interaction (HCI). He describes how these fields intersect and what they can learn from each other, touching on how the field of Computer Music has grown and how this affects performance and composition of electronic music. This conversation was recorded on December 14, 2010.

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It’s common to feel that technology removes the magic of the world, but Hindu worshippers in Bangalore have shown that it's all in the approach. 

Guest

Tulasi Srinivas, associate professor of anthropology at the Institute for Interdisciplinary Studies at Emerson College. Fellow of the Royal Asiatic Society and the Indian Sociological Society. Author of Winged Faith: Rethinking Globalization and Religious Pluralism, among other books.

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The internet has become a battleground. Although it was unlikely to live up to the hype and hopes of the 1990s, only the most skeptical cynics could have predicted the World Wide Web as we know it today: commercial, isolating, and full of, even fueled by, bias. This was not inevitable. 

The Gentrification of the Internet: How to Reclaim Our Digital Freedom (U California Press, 2023) argues that much like our cities, the internet has become gentrified, dominated by the interests of business and capital rather than the interests of the people who use it. Jessa Lingel uses the politics and debates of gentrification to diagnose the massive, systemic problems blighting our contemporary internet: erosions of privacy and individual ownership, small businesses wiped out by wealthy corporations, the ubiquitous paywall. But there are still steps we can take to reclaim the heady possibilities of the early internet. Lingel outlines actions that internet activists and everyday users can take to defend and secure more protections for the individual and to carve out more spaces of freedom for the people—not businesses—online.

Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology and a volunteer at Interference Archive. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.

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For over twenty years, James W. Cortada has pioneered research into how information shapes society. In Birth of Modern Facts: How the Information Revolution Transformed Academic Research, Governments and Businesses (Rowman & Littlefield, 2023), he tells the story of how information evolved since the mid-nineteenth century. Cortada argues that information increased in quantity, became more specialized by discipline (e.g., mathematics, science, political science), and more organized. Information increased in volume due to a series of innovations, such as the electrification of communications and the development of computers, but also due to the organization of facts and knowledge by discipline, making it easier to manage and access. He looks at what major disciplines have done to shape the nature of modern information, devoting chapters to the most obvious ones. Cortada argues that understanding how some features of information evolved is useful for those who work in subjects that deal with their very construct and application, such as computer scientists and those exploring social media and, most recently, history. The Birth of Modern Facts builds on Cortada's prior books examining how information became a central feature of modern society, most notably as a sequel to All the Facts: A History of Information in the United States since 1870 (OUP, 2016) and Building Blocks of Society: History, Information Ecosystems, and Infrastructures (R&L, 2021).

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In this episode Chris Gondek speaks with author Tom Mullaney on the invention of the Chinese typewriter, and how the characters originally utilized are still the ones available on modern keyboards.

Chinese writing is character based, the one major world script that is neither alphabetic nor syllabic. Through the years, the Chinese written language encountered presumed alphabetic universalism in the form of Morse Code, Braille, stenography, Linotype, punch cards, word processing, and other systems developed with the Latin alphabet in mind. This book is about those encounters--in particular thousands of Chinese characters versus the typewriter and its QWERTY keyboard. Thomas Mullaney describes a fascinating series of experiments, prototypes, failures, and successes in the century-long quest for a workable Chinese typewriter.

The earliest Chinese typewriters, Mullaney tells us, were figments of popular imagination, sensational accounts of twelve-foot keyboards with 5,000 keys. One of the first Chinese typewriters actually constructed was invented by a Christian missionary, who organized characters by common usage (but promoted the less-common characters for "Jesus" to the common usage level). Later came typewriters manufactured for use in Chinese offices, and typewriting schools that turned out trained "typewriter girls" and "typewriter boys." Still later was the "Double Pigeon" typewriter produced by the Shanghai Calculator and Typewriter Factory, the typewriter of choice under Mao. Clerks and secretaries in this era experimented with alternative ways of organizing characters on their tray beds, inventing an input method that was the first instance of "predictive text."

Today, after more than a century of resistance against the alphabetic, not only have Chinese characters prevailed, they form the linguistic substrate of the vibrant world of Chinese information technology. The Chinese Typewriter, not just an "object history" but grappling with broad questions of technological change and global communication, shows how this happened. 

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In this widely praised history of an infamous institution, award-winning scholar Marcus Rediker shines a light into the darkest corners of the British and American slave ships of the eighteenth century. Drawing on thirty years of research in maritime archives, court records, diaries, and firsthand accounts, The Slave Ship: A Human History (Penguin, 2008) is riveting and sobering in its revelations, reconstructing in chilling detail a world nearly lost to history: the “floating dungeons” at the forefront of the birth of African American culture.

Marcus Rediker is Distinguished Professor of Atlantic History at the University of Pittsburgh. His “histories from below,” including The Slave Ship: A Human History, have won numerous awards, including the George Washington Book Prize, and have been translated into seventeen languages worldwide. He has produced a film, Ghosts of Amistad, with director Tony Buba, and written a play, “The Return of Benjamin Lay,” with playwright Naomi Wallace. He is currently writing a book about escaping slavery by sea in antebellum America.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.

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In this episode Chris Gondek interviews Ed Finn, author of the new book What Algorithms Want. Tune in for an interesting discussion on algorithm disconnect revolving around things humans regularly use, like Siri. And listen in for a definition of the phrase "culture machines".

We depend on--we believe in--algorithms to help us get a ride, choose which book to buy, execute a mathematical proof. It's as if we think of code as a magic spell, an incantation to reveal what we need to know and even what we want. Humans have always believed that certain invocations--the marriage vow, the shaman's curse--do not merely describe the world but make it. Computation casts a cultural shadow that is shaped by this long tradition of magical thinking. In this book, Ed Finn considers how the algorithm--in practical terms, "a method for solving a problem"--has its roots not only in mathematical logic but also in cybernetics, philosophy, and magical thinking.

Finn argues that the algorithm deploys concepts from the idealized space of computation in a messy reality, with unpredictable and sometimes fascinating results. Drawing on sources that range from Neal Stephenson's Snow Crash to Diderot's Encyclopédie, from Adam Smith to the Star Trek computer, Finn explores the gap between theoretical ideas and pragmatic instructions. He examines the development of intelligent assistants like Siri, the rise of algorithmic aesthetics at Netflix, Ian Bogost's satiric Facebook game Cow Clicker, and the revolutionary economics of Bitcoin. He describes Google's goal of anticipating our questions, Uber's cartoon maps and black box accounting, and what Facebook tells us about programmable value, among other things.

If we want to understand the gap between abstraction and messy reality, Finn argues, we need to build a model of "algorithmic reading" and scholarship that attends to process, spearheading a new experimental humanities.

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