New Books in Technology

In 2016, social media users in Thailand called out the Paris-based luxury fashion house Balenciaga for copying the popular Thai “rainbow bag,” using Balenciaga’s hashtags to circulate memes revealing the source of the bags’ design. 

In Why We Can't Have Nice Things: Social Media's Influence on Fashion, Ethics, and Property (Duke UP, 2022), Minh-Ha T. Pham examines the way social media users monitor the fashion market for the appearance of knockoff fashion, design theft, and plagiarism. Tracing the history of fashion antipiracy efforts back to the 1930s, she foregrounds the work of policing that has been tacitly outsourced to social media. Despite the social media concern for ethical fashion and consumption and the good intentions behind design policing, Pham shows that it has ironically deepened forms of social and market inequality, as it relies on and reinforces racist and colonial norms and ideas about what constitutes copying and what counts as creativity. These struggles over ethical fashion and intellectual property, Pham demonstrates, constitute deeper struggles over the colonial legacies of cultural property in digital and global economies.

Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia.

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What happens when you bring together an important collection of previously secret archival documents dealing with France's nuclear detonations in the Pacific from 1966 to 1996, a nuclear scientist, and an investigative journalist? Working together beginning in early 2020, Sébastien Philippe and Tomas Statius, the authors of Toxique: Enquête sur les essais nucléaires français en Polynésie (Presses universitaires de France and Disclose, 2021) have now shared with readers the meaningful and provocative results of just such a collaboration. Revisiting the history of France's nuclear weapons program over a period of three decades (following an initial set of atmospheric and underground detonations in the Algerian Sahara from 1960 to 1966), Toxique is a scientific and journalistic interrogation of the immediate and long-term health and environmental effects of the 193 bombs the French military exploded in the region, exposing civilians, as well as French military and other personnel to the fallout and radiation emitted by these explosions. 

The significance of this interdisciplinary investigation cannot be overstated. As Toxique shows, these nuclear detonations continue to have harmful effects on the everyday lives of thousands of local residents, along with those veterans who served in the area. As Philippe and Statius have shown, the toxicity of these nuclear blasts has been consistently underestimated and misrepresented by the French military and state. Holding important implications for the victims of these detonations in terms of both recognition and financial compensation, the book and its accompanying online platform, Moruroa Files, have made a huge impact. I was thrilled to have the chance to speak with these remarkable researchers and writers and hope listeners will learn from and enjoy our conversation. The more people within and beyond the field of French Studies who are aware of this damaging past and present, the better.

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Hanford is the most-polluted place in America. In our last episode, you heard about the nuclear plant's largely-forgotten history--how it poisoned the people living downwind. On our season finale: a nuclear safety auditor tries to get it shut down, the downwinders struggle for justice, and we take you into the plant itself.

This is part two, if you haven’t heard part one yet go check out yesterday’s episode.

The story of Hanford reveals that expertise is always a political battle, and never as straightforward as simply collecting facts--whether it’s executives putting profit over a safety auditor’s well-documented warnings, a community-based research pitted against government-backed studies, or turning a world-changing nuclear reactor into a scientific lecture.

This episode is from the pre-Darts and Letters era when we produced a documentary series called Cited.

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In this episode of Cited: What it means to live in a place where your home can give you cancer.

Richland, Washington is a company town that sprang up almost overnight in the desert of southeastern Washington. Its employer is the federal government, and its product is plutonium.

The Hanford nuclear site was one of the Manhattan Project sites, and it made the plutonium for the bomb that devastated Nagasaki. The official history is one of scientific achievement, comfortable houses, and good-paying jobs. But it doesn’t include the story of what happened after the bomb was dropped -- neither in Japan, nor right there in Washington State. In part one of this Cited two-parter we tell the largely-forgotten story of the most toxic place in America. This episode was produced before Darts and Letters existed, when Cited Media was all about a documentary series called Cited.

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Since the 1970s, there has been a rich, global lineage of broadly guitar-based music scenes which have enacted a political critique of the commercial music industries under the banner of ‘DIY’. DIY music practice has involved taking control of production and distribution processes and lowering barriers to participation and performance, as a form of cultural resistance. In DIY Music and the Politics of Social Media (Bloomsbury, 2020), Ellis Jones analyses the effects of the internet and social media on the inner lives and the communal music-making of practitioners in contemporary DIY music scenes.

Jones provides a nuanced and original reading of the points of convergence and (substantial) divergence between the emancipatory and participatory rhetoric of digital platforms and the ethical imperatives of DIY music, past and present. He argues that the imperatives toward self-branding, commodification and individualization that are baked into the affordances of social media are fundamentally inimical to the convivial, oppositional politics of DIY music. As digital platforms seep into and mediate more and more facets of everyday life, this book underscores the need for a renewed critique of the conditions of cultural production – and offers valuable points of departure for forms of culturally resistant DIY musicking in the 21st Century.

Ellis Jones is a Lecturer in Music and Management in the Department of Music at the University of Leeds.

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Recently a major outage took nearly a third of Canada offline. No phone, no internet… even access to 911 got shut down in some places. So why does one company get so much control over a vital service… the internet?

This is the story in the USA as well as Canada, so at Darts and Letters we wanted to look for a different way. We also don’t necessarily believe the market is the solution… so what is? How do we make a more democratic, socially driven internet?

Gordon Katic interviews Ben Tarnoff, author of Internet for the People, to help us answer these questions - and most importantly, we ask whether the internet is indeed a series of tubes.

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Techno-utopianism is everywhere. It’s driven by a new tech-bro/crypto culture, supported by online hordes of true believers, and couched in philosophies of meritocracy and technocracy. But this thinking is not new, and World’s Fairs are a perfect example.

One of our ongoing series within Darts and Letters is techno utopias, and we do mean that with all the skepticism it’s due. Silicon Valley is trying to change the world with NFTs and metaverses and electric cars and all kinds of nonsense technologies that will do nothing to improve the lives of the world’s poor, but will increase the wealth of Zuckerburg and Musk, probably while destroying the planet in the process.

To start that series off we decided to go to the original techno-utopia: The World’s Fair. Host Gordon Katic talks to a historian of world’s fairs, and then to a photographer who spends her time in the dilapidated abandoned glory of former world’s fair sites. We’ve got loads of really fun historical footage in this episode too… it’s funny and nostalgic, I think you’re gonna love it.

It’s not all world’s fairs though. We also explore the nature of technology itself… like what actually is a technology?

So that seemed a good place to start off this week’s theme of the politics of technology and techno utopias. We’re doing a different theme every week until we relaunch the show on September 18th.

So here it is… Lost Utopias: A History of World’s Fairs.

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——————-FURTHER READING AND LISTENING——————

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The crossbow is an iconic weapon of the Middle Ages and, alongside the longbow, one of the most effective ranged weapons of the pre-gunpowder era. Unfortunately, despite its general fame it has been decades since an in-depth history of the medieval crossbow has been published, which is why Dr. Stuart Ellis-Gorman’s detailed, accessible, and highly illustrated book The Medieval Crossbow: A Weapon Fit to Kill a King (Pen & Sword, 2022) is so valuable.

The book approaches the history of the crossbow from two directions. The first is a technical study of the design and construction of the medieval crossbow, the many different kinds of crossbows used during the Middle Ages, and finally a consideration of the relationship between crossbows and art.

The second half of the book explores the history of the crossbow, from its origins in ancient China to its decline in sixteenth-century Europe. Along the way it explores the challenges in deciphering the crossbow’s early medieval history as well as its prominence in warfare and sport shooting in the High and Later Middle Ages.

This fascinating book brings together the work of a wide range of accomplished crossbow scholars and incorporates the author’s own original research to create an account of the medieval crossbow that will appeal to anyone looking to gain an insight into one of the most important weapons of the Middle Ages.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Nic Maclellan's book Grappling with the Bomb: Britain’s Pacific H-Bomb Tests (ANU Press, 2017) is a history of Britain’s 1950s program to test the hydrogen bomb, code name Operation Grapple. In 1957–58, nine atmospheric nuclear tests were held at Malden Island and Christmas Island—today, part of the Pacific nation of Kiribati. Nearly 14,000 troops travelled to the central Pacific for the UK nuclear testing program—many are still living with the health and environmental consequences.

Based on archival research and interviews with nuclear survivors, Grappling with the Bomb presents i-Kiribati woman Sui Kiritome, British pacifist Harold Steele, businessman James Burns, Fijian sailor Paul Ah Poy, English volunteers Mary and Billie Burgess and many other witnesses to Britain’s nuclear folly.

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Automation and Autonomy: Labour, Capital and Machines in the Artificial Intelligence Industry (Palgrave Macmillan, 2021) argues that Marxist theory is essential for understanding the contemporary industrialization of the form of artificial intelligence (AI) called machine learning. It includes a political economic history of AI, tracking how it went from a fringe research interest for a handful of scientists in the 1950s to a centerpiece of cybernetic capital fifty years later. It also includes a political economic study of the scale, scope and dynamics of the contemporary AI industry as well as a labour process analysis of commercial machine learning software production, based on interviews with workers and management in AI companies around the world, ranging from tiny startups to giant technology firms. On the basis of this study, Steinhoff develops a Marxist analysis to argue that the popular theory of immaterial labour, which holds that information technologies increase the autonomy of workers from capital, tending towards a post-capitalist economy, does not adequately describe the situation of high-tech digital labour today. In the AI industry, digital labour remains firmly under the control of capital. Steinhoff argues that theories discerning therein an emergent autonomy of labour are in fact witnessing labour’s increasing automation.

James Steinhoff is a Postdoctoral Fellow at the University of Toronto, Canada.

Reuben Niewenhuis works as a software developer for a warehouse automation company. He double majored in computer science and philosophy at Calvin University. In addition to philosophical theory, he is interested in interdisciplinary topics.

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